Preface To Shakespeare Pdf PORTABLE Download

On 1 June 1756, Johnson reprinted his Miscellaneous Observations but attached his Proposal or Proposals for Printing, by Subscription, the Dramatick Works of William Shakespeare, Corrected and Illustrated. On 2 June 1756, he signed a contract to edit an eight-volume set of Shakespeare's writings including a preface, and on 8 June 1756 Johnson printed his Proposal, now called Proposals for an Edition of Shakespeare.[17] The Proposal sold subscriptions for Johnson's future edition at the cost of two guineas, the first paid before and the second upon printing.[18] When Johnson achieved scholarly renown for his A Dictionary of the English Language, Warburton's publishers, Tonson et al., granted him permission to work on Shakespeare.[17]

In 1623 Henry Condell, an actor in Shakespeare's company, the King's Men, and John Heminges, another actor in Shakespeare's company, prepared the first folio edition of Shakespeare's plays for publication. Their preface to the work is notable for many reasons: first, just because it is the preface to one of the world's most famous books, but also because of its clear exhortation to readers to purchase the work rather than just read it. One argument they provide for purchase is that they have included the authentic texts of the plays, a detail that undoubtedly appealed to readers and buyers at the time, as it has long appealed to readers and scholars of later generations. Here is the text of their preface:

Preface To Shakespeare Pdf Download

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Apart from the Preface serving as the introduction to Samuel Johnson's own edition of Shakespeare's collected works, readers must view it as a major critical statement regarding not only Shakespeare but writing in general. Indeed, the preface lays out principles upon which later commentators have based their evaluations of literature.

The first two pages of the folio contain a preface, on the left, and the title page with a portrait of Shakespeare, on the right. The placement of these items is important, not just because they fulfil the placement of preface and title page that is standard in books, but because they connect so importantly to each other.

Many authors were at that time paid by printers for the privilege ofusing their manuscript; but it was not considered proper that agentleman should be paid for literary work. Robert Greene, theplaywright and novelist, wrote regularly in the employ of printers. Onthe other hand, Sir Philip Sidney, a contemporary{116}ofShakespeare's, did not allow any of his writings to be printed duringhis lifetime. Francis Bacon published his essays only in order toforestall an unauthorized edition, and others of the time took the samecourse. Bacon says in his preface that to prevent their being printedwould have been a troublesome procedure. It was possible for an authorto prevent the publication by prosecution, but it was scarcely a wisething to do, in view of the legal difficulties in the way.Nevertheless, fear of the law probably acted as some sort of a check onunscrupulous publishers.

Shakespeare, William, and Capel Lofft. Aphorisms from Shakespeare: arranged according to the plays, &c. with a preface and notes; numerical references to each subject; and a copious index. London, Printed for Longman, Hurst, Rees, Orme, and Brown, by Gedge and Barker, Bury, 1812. Pdf.

Shakespeare, W. & Lofft, C. (1812) Aphorisms from Shakespeare: arranged according to the plays, &c. with a preface and notes; numerical references to each subject; and a copious index. London, Printed for Longman, Hurst, Rees, Orme, and Brown, by Gedge and Barker, Bury. [Pdf] Retrieved from the Library of Congress,

With these words Hanmer voiced England's growing national pride in Shakespeare, a pride materially represented by the numerous editions which were produced in the 18th century. Different editors argued for their textual emendations in prefaces, footnotes, and advertisements, and the debate fueled layer after layer of criticism and responses. In a similar way, the illustrations in these editions were themselves transforming, starting with the first illustrated edition in 1709. Edited by Nicolas Rowe and printed for Jacob Tonson,The Works of Mr. William Shakespear, in Six Volumes was the first edition to be "Adorn'd with cuts". The illustrations in this edition were generally theatrical in nature, with many looking like illustrations of a production. Several more illustrated editions were published between 1709 and 1744, but the next significant effort was the Hanmer edition of 1744, printed at the Oxford University Press. The French rococo style of Hubert Gravelot was combined with the more English, Hogarth-influenced style of Francis Hayman, an artist trained as a scene painter; the illustrations they produced were taken more directly from the text.

I always think that if a book has a preface then the author must want me to read it, right? If I don't read it I feel guilty. But honestly I really dislike them, not just because of spoilers, but I also find them horrifically boring. So do you guys read them? Enjoy them even? Or do you just skip passed it? e24fc04721