The idea of making "Los Colores de las Mujeres" came from the essay Age, Race, Class, and Sex: Women Redefining Difference by Audre Lorde (1984). Another woman who inspired me to create the dance movement of "Los Colores de las Mujeres" was Dolmitila Barrios de Chungara, an activist from Bolivia who fought for the miners' rights in Bolivia. In my choreographer's imagination, I placed Lorde and Domitila together because I wanted them to have a conversation with each other in a dance form. In my mind, Lorde and Domitila assist each other to recognize the differences that they had and make a plan to support each other. In the conversation that I imagine, they acknowledged that they have suffered from racism because one was Black and the other was poor Miner House Wife who happened to have and indigenous features. Both of them knew that society labeled them as an "inferior race" because of their ethnic background, and both activists were conscious of the patriarchy that oppressed them. By imagining this conversation between them, I realized that I also grew up in a society that discriminated against me because of my indigenous ethnicity. The conversation became personal, and I developed the dance movement around my imaginary dialogue between them.     

The choreography “Teresa” is an act of solidarity, inspired both by the book Deported and by the story of Mrs. Teresa and Claudia. Their story represents the struggles of many immigrant women that have to pass through detentions centers because they are undocumented. The abstract form of the dance movement interconnects with the incarceration narrative of “Teresa.” I called this interconnection the incarceration form because the form takes place when the dancer simulates as if someone is pulling the dancer down to the floor. This incarceration form is an abstract dance form that is also projected on the choreography “Teresa.” 

“Tierra” as a follow-up to the questions: Who is Tierra (earth)? What does Tierra want? What is the purpose of Tierra in the universe?  These were the questions that were necessary to begin the process of choreographing “Tierra.” The “Tierra” choreography movement comes from Andean cosmovision, Andean Dance, Postmodern dance, and Academic research.“Tierra” is a dance that seeks to communicate how mother earth feels. The choreography “Tierra” becomes the pathway of expressing my Andean indigenous cosmovision with dance movement and a way to tell how humans mistreat mother earth.