Prevalence of past-year alcohol use disorder among past-30 day drinkers. Prevalences for never smokers (Open Circles) and smokers (Filled Circles) are plotted as a function of past-month drinking quantity, stratified by age. Cells with fewer than 40 subjects were omitted from the analysis.

Probability of Alcohol Use Disorder among past-30 day drinkers, predicted from regression analysis for smokers (black lines) and never-smokers (white lines). Probabilities are also stratified by age group: 12-14 (hashes), 15-17 (circles), and 18-20 (triangles).


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2020 has been such a long year, it's almost hard to believe that the J Molley and The Big Hash beef reached fever pitch this year. The two young artists traded shots, each to the other and while "I'm Good" isn't the direct jab at The Big Hash, it contains elements of talking down to detractors. On this cut, he sounds much more comfortable and less distracted as he addresses all the "he saids, she saids" floating on the airy beat. He has a well-paced flow that allows him to fully air out his thoughts without tripping on some of his words. And when the beat switches, he adopts a more firmer flow, but still maintains the tirade.

The song received mixed reviews from most music critics. For Entertainment Weekly, Kyle Anderson praised its "sweet" Mars' hook; with "'song of summer' written all over it", it "could have been a graduation anthem for stoners everywhere" if it was released in May.[14] MTV's Jenna Rubenstein gave the song a generally-positive review as more than a "reckless party jam"; the three singers are not bothered by the judgments of others, and "that's the positive, family-friendly message we're taking".[13] Billboard magazine gave it three-and-a-half out of five stars, calling it "a haze of nostalgia". The review praised Snoop Dogg's effortless flow, but called Whiz Khalifa's delivery "forceful" and "punchy"; it "gets on top of the beat and harshes the mellow laid-back production."[6] In a similar review, Lewis Corner of Digital Spy praised Dogg's verses and called the single "cool and addictive"; however, he found the song's "flavor" short-lived.[11] In a negative review, Shea Serrano of LA Weekly compared the track's atmosphere to the "inside of a cloud (smoke), a celebration or idea of what some teenagers who smoke pot would like". Serrano noted, ironically, that the song's performers were neither young, wild nor free.[22] e24fc04721

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