The interesting fact about pancakes is that they exist all throughout the world, but each culture has their own unique way of preparing them for breakfast, lunch, and dinner. Take for example these extensions of transcultural food: Crpes, Irish boxty, Welsh crampog, potato latkes, Indian poori, Hungarian palacsinta, Russian blini, and Dutch pannenkoeken.

So whether you prefer the classic pancake for breakfast, potato cakes for lunch, chicken and waffles for dinner, or like to try unique flavor combinations, this tasty, easy-to-make treat is sure to please everyone at the kitchen table.


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Poets and writers in a film company environment: The excerpt explores the presence and influence of poets and writers within Gemini Studios. It delves into their backgrounds, creative pursuits, and interactions with other studio members.

A2: The example of national integration that the author refers to is the composition of the make-up department staff at Gemini Studios. The department was headed by individuals from different regions and linguistic backgrounds, including a Bengali, a Maharashtrian, a Dharwar Kannadiga, an Andhra, a Madras Indian Christian, an Anglo-Burmese, and local Tamils.

A4: The author appeared to be doing nothing at the studios because he was often seen tearing up newspapers at his desk. This activity made others, including the Boss, think that he was not engaged in productive work. Consequently, whenever someone felt he should be given some occupation, they would interrupt him with extended lectures. The author preferred crowd-shooting days as they provided a reprieve from such interruptions.

A5: The office boy in the makeup department was frustrated because he felt that his literary talent was being wasted in a department he deemed fit only for barbers and perverts. He showed anger at Kothamangalam Subbu, the No. 2 at Gemini Studios.

A9: The lawyer stood out from others at Gemini Studios because of his attire and demeanour. While others wore khadi and were associated with Gandhian principles, the lawyer wore pants, a tie, and sometimes a coat, which made him appear like a man of cold logic amidst dreamers. He was also called alone and helpless, indicating his contrasting presence in the studio environment.

A11: The Moral Rearmament Army (MRA) was welcomed at the Studios because their plays, despite being somewhat amateurish, presented professional performances that impressed the Tamil drama community. The plays had good sets and costumes, and their simple message resonated with the audience.

A1: During the early days of Indian cinema, the make-up department at Gemini Studios operated with a diverse team of professionals from various regions of India. They used truckloads of pancake and locally made potions and lotions to transform actors and actresses.

A2: In the early days of Indian cinema at Gemini Studios, indoor shooting was predominant, with only five per cent of the film being shot outdoors. The sets and studio lights required actors and actresses to undergo heavy make-up to look presentable on screen.

A4: In the makeup department, there was a strict hierarchy where the chief makeup artist worked on the main actors and actresses, while the senior and junior assistants handled other roles such as the second hero or heroine and the main comedian, respectively. The office boy took care of the crowd players.

A5: Kothamangalam Subbu was described as a significant figure at Gemini Studios. He was talented in various aspects of filmmaking and had a separate identity as a poet. He was known for his loyalty to his principal and his ability to generate creative ideas for the benefit of the studio.

A9: The narrative provides glimpses into the socio-political milieu of 20th-century Madras through references to Congress rule, Prohibition, and prevailing attitudes towards Communism.

A10: Through anecdotal accounts and vivid character sketches, the narrative illuminates more significant thematic concerns such as ambition, identity, and pursuing artistic fulfilment. Characters like Kothamangalam Subbu, the makeup department boy, and visiting poets embody various facets of the human experience within the context of Gemini Studios, offering insights into the complexities of creativity, ambition, and interpersonal dynamics.

Ans.  The author had the task of collecting newspaper articles on different topics and organizing them in folders. Many people observed this and thought it was a pointless task, as they believed he was hardly doing anything. As a result, everyone in the studio wanted to assign some meaningful work to the author.

Ans. In 1952, a group of around 200 individuals from 20 different countries, led by Frank Buchman and known as the Moral Re-Armament Army (MRA), visited Madras. This MRA group was seen as a response to international communism, which was not well-regarded at Gemini Studios. However, Mr. Vasan, the head of Gemini Studios, was intrigued by the MRA, making Gemini Studios a welcoming host in India for them.

The story main idea is about how people in early 20th century India treated each other differently based on their social class. It shows how some people thought they were better than others just because of their caste, like Subbu.

In the chapter, Poets and Pancakes, Asokamitran uses a lot of subtle humour and satire to highlight human foibles. Petty professional differences and inconsequential differences not only keep our minds occupied but also bring out a subtle humour that is spontaneous without being superfluous.

Poets and Pancakes carries a subtle sense of humor that is satirical. The author uses it to highlight human weaknesses. This humor is most evident when the author describes the people in the make-up room. He mentions that the make-up room is located in a building that used to be Robert Clives stables.

In the chapter titled Poets and Pancakes, Spender comes across as a quiet and self-reflective person who is dedicated to his craft. He seems a bit distant from the other poets in the group, but hes also very thoughtful and likes to think deeply.

She called some business owners she knew and said she had this new marketing opportunity for them, in order to gauge interest. Two out of four of them said they were interested, so she thought the idea might have some legs.

The poetry vending machines are a unique, whimsical collision of publishing, public art, and brand engagement. Vending machines are set up in retail locations, schools, cafs, and at corporate events, fundraisers, conferences, weddings, and private events. Everything within the poetry bubble is customizable: the slips of paper can feature a unique promotion, ad, or QR code, and poems can be commissioned from specific artists or around a specific theme.

At Poems and Pancakes, Pruitt and her husband Al Gaines invite upwards of 80 people into their home where they make hundreds of pancakes and host a reading from a poet they bring in from out of state.

They have brought in major names in poetry like the award-winning Chancellor of the Academy of American Poets Marilyn Nelson, paying for travel, providing accommodations, ensuring an engaged audience, and encouraging book sales so that the event is worthwhile to the participants (Nelson used the event as her book release and sold out of every copy, including her reader).

Now Pruitt is shifting her focus to help other artists learn how to communicate the value of art in unique ways to resonate with people from all different kinds of backgrounds. She hosts workshops and eventually wants to start a retreat focused on how artists can practically make art and make it as an artist without compromising who they are.

Pancakes are an American classic. Breakfast and brunch would simply be incomplete without these fluffy stacks of deliciousness piled high and served with syrup, butter, and all of your topping favorites.

While pancakes have probably been a part of your mornings for as long as you can remember, these fun little guys date back thousands of years! In this article, we will explore the history and traditions behind one of our favorite breakfast staples.

In ancient Greece and Rome, pancakes were made from wheat flour, olive oil, honey, and curdled milk. Ancient Greek poets Cratinus and Magnes wrote about pancakes in their poetry. Shakespeare even mentions them in his famous plays. During the English Renaissance, people flavored their pancakes with spices, rosewater, sherry, and apples.

Yep, you heard us correctly. Pancake Day is real! Shrove Tuesday (commonly referred to as Fat Tuesday) is the holiday of feasting before Lent. Once upon a time, during Lent, people were not allowed to eat animal products like milk, butter, and eggs.

You may be surprised to find that pancakes exist all over the world. Each culture seems to have a unique take on them. People eat them for breakfast, lunch, and dinner all over the globe. Some examples of this transcultural food include crepes, potato latkes, Irish boxty, Russian blini, Welsh crampog, Indian poori, Hungarian palacsinta, and Dutch pannenkoeken.

The Gemini Studios was set up with a team of 600 people in 1940. It had set up its identity in film production and it touched upon varied aspects. In his book, My year with Boss, the author Asokamitran had described Subbu at the No.2 at the Gemini Studios. Being a many sided genuis, he was an indispensable man for the studios. He served his Boss and the organisation from the core of his heart. He did not have much education but his loyalty had made him identify with his Principal or the Boss. He used all his energy and creativity to the advantage of his Boss and his company. He understood all the complexities and technicalities of film-making. In case the director was not satisfied, Subbu would come out with fourteen more alternatives. He was a many sided genious. During its golden period, Subbu gave a new direction and definition to the Gemini Studios. 152ee80cbc

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