Aaron Goldberg - Worlds (2006)
Aaron Goldberg is a jazz pianist and composer who has collaborated with some of the most prominent names in the genre, such as Joshua Redman, Wynton Marsalis, Kurt Rosenwinkel, and Omer Avital. In 2006, he released his third album as a leader, titled Worlds, which showcases his versatility and creativity in exploring different musical influences and styles.
Aaron Goldberg - Worlds (2006)
The Album
Worlds is a piano-trio date with bassist Reuben Rogers and drummer Eric Harland. Vocalist Luciana Souza guests on one short track and guitarist Kurt Rosenwinkel appears on another. The album consists of ten tracks, eight of which are original compositions by Goldberg. The other two are covers of Brazilian songs by Antonio Carlos Jobim and Djavan.
The album's title reflects Goldberg's interest in blending different musical traditions and cultures, such as jazz, classical, Brazilian, Middle Eastern, and African. He also draws inspiration from his personal experiences and travels, as well as from his musical heroes, such as Bill Evans, Keith Jarrett, Herbie Hancock, and Chick Corea.
The album received positive reviews from critics and fans alike, who praised Goldberg's lyrical and expressive playing, as well as his chemistry with his bandmates. The album was also nominated for a Grammy Award for Best Jazz Instrumental Album in 2007.
The Tracks
Here is a brief overview of the tracks on the album:
Lambada De Serpente: This is a cover of a song by Brazilian singer-songwriter Djavan, which features a catchy melody and a lively rhythm. Goldberg plays with a light touch and a playful attitude, while Rogers and Harland provide a solid groove. This track was recorded live at the Jazz Standard in New York City.
Taurus: This is an original composition by Goldberg, which showcases his classical influence. The track begins with a solo piano introduction that evokes the impressionistic style of Debussy or Ravel. Then, the trio joins in with a gentle swing feel that contrasts with the complex harmony and melody. This track was also recorded live at the Jazz Standard.
Kianda's Song: This is a short and sweet track that features the voice of Luciana Souza, who sings a wordless melody over Goldberg's delicate piano accompaniment. The track is dedicated to Goldberg's niece Kianda, who was born around the time of the album's release.
Unstablemates: This is another original composition by Goldberg, which has a clever title that plays on the jazz standard "Stablemates" by Benny Golson. The track has a fast tempo and a complex structure that challenges the trio's interplay and improvisation skills. Goldberg displays his virtuosity and inventiveness on the piano, while Rogers and Harland keep up with him with agility and precision.
Modinha: This is a cover of a song by Antonio Carlos Jobim and Vinicius de Moraes, which is one of the most famous examples of Brazilian bossa nova. The track has a slow and melancholic mood that suits the lyrics, which are about unrequited love. Goldberg plays with sensitivity and emotion, while Rogers and Harland add subtle colors and textures.
Salvador: This is an original composition by Goldberg, which is inspired by his visit to the city of Salvador in Brazil. The track has a festive and joyful atmosphere that reflects the vibrant culture and music of the region. Goldberg plays with exuberance and flair, while Rogers and Harland create a dynamic rhythm section that incorporates elements of samba, baiÃo, and maracatu.
OAM's Blues: This is an original composition by Goldberg, which is dedicated to his friend and mentor Omer Avital, who is an Israeli bassist and composer. The track has a bluesy feel that pays homage to the jazz tradition, but also incorporates some Middle Eastern influences that reflect Avital's heritage. Goldberg plays with soulfulness and swing, while Rogers and Harland support him with groove and finesse. This track was notably used in Windows Vista as a sample music file.
Inutil Paisagem: This is another cover of a song by Antonio Carlos Jobim and Aloysio de Oliveira, which is also known as "Useless Landscape" in English. The track has a smooth and romantic mood that showcases the beauty and sophistication of Jobim's music. Goldberg plays with elegance and grace, while Rogers and Harland add warmth and depth.
Oud To Omer: This is an original composition by Goldberg, which is a tribute to Omer Avital's oud playing. The oud is a stringed instrument that is common in Middle Eastern music, and Avital often uses it in his compositions and performances. The track features guitarist Kurt Rosenwinkel as a guest, who plays the oud-like part on his electric guitar. The track has a mysterious and exotic vibe that blends jazz and world music. Goldberg plays with creativity and curiosity, while Rogers and Harland provide a flexible and adventurous rhythm section. This track was recorded at Peter Karl Studios in Brooklyn.
Between Worlds: This is the final and shortest track on the album, which is also an original composition by Goldberg. The track is a solo piano piece that serves as an epilogue to the album's journey through different musical worlds. The track has a reflective and introspective mood that summarizes Goldberg's artistic vision and expression.
The Conclusion
Worlds is a remarkable album that showcases Aaron Goldberg's talent and versatility as a pianist and composer. The album also demonstrates the high level of musicianship and chemistry of his trio, as well as his guests Luciana Souza and Kurt Rosenwinkel. The album is a rich and diverse musical experience that explores different musical traditions and cultures, as well as Goldberg's personal influences and experiences. The album is a must-listen for jazz fans and music lovers alike.
If you are interested in listening to or purchasing the album, you can find it on various platforms, such as [YouTube], [AllMusic], [JazzTimes], or [Discogs].
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