Schwartz wanted to write a song for the film wherein Pocahontas confronts the Eurocentrism of John Smith.[3] "Colors of the Wind" was the first song written for Pocahontas. According to Schwartz, the song "influence[d] the development of the rest of the film." Schwartz said that "a story-board outline was in place before we wrote [the track]. This is often the process in animation, at least as I've experienced it, where everybody works from an outline and each succeeding piece of material, whether it is a song or drawings, influences the next."[3] The track was inspired by Native American poetry, music and folklore, as well as a now-debunked[4] letter that Schwartz believed was sent to the United States Congress by Chief Seattle regarding humanity's relationship with nature but was in fact a fabrication.[3][5][6] Part of the letter reads: "The wind that gave our grandfather his first breath also received his last sigh. The wind also gives our children the spirit of life. So if we sell our land, you must keep it apart and sacred, as a place where man can go to taste the wind that is sweetened by the meadow flowers." This portion of the letter inspired the song's title, which Schwartz liked because he saw it as paradoxical and thought-provoking.[7]

Schwartz also drew inspiration for "Colors of the Wind" from the music of Oscar Hammerstein II and Sheldon Harnick, as it deals with issues of prejudice.[2] Menken said that while "Colors of the Wind" was "born out of the modality of Native American music...it quickly moved to its own place, which is hard to define." Menken has noted that the song lacks humor, which he and Schwartz attempted to inject into Pocahontas and failed.[5] Initially, the final lines of the song were "For your life's an empty hull/till you get it through your skull/you can paint with all the colors of the wind." Menken disapproved of these lyrics and asked Schwartz to rewrite them; Schwartz changed the lines to "You can own the Earth, and still/all you'll own is earth until/you can paint with all the colors of the wind." Schwartz preferred the altered lyrics. Schwartz said that this incident taught him the lesson: "If your collaborator is unhappy, it's probably because [the song] needs to be better," adding that he may not have won an Academy Award if he did not change the lyrics.[8] Menken views "Colors of the Wind" as one of the most important songs he has written.[5] Schwartz believed that the Walt Disney Company would reject "Colors of the Wind" for being philosophical and different from previous Disney songs.[9] Judy Kuhn sang the song to help "pitch" Schwartz's score to Disney, and the studio embraced the track.[9] Schwartz and Menken became friends, and later wrote music for the Disney films The Hunchback of Notre Dame (1996) and Enchanted (2007) together.[8]


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"Colors of the Wind" is a pop ballad[10][11] written by Alan Menken and Stephen Schwartz and performed by Judy Kuhn.[12] It has a length of three minutes and thirty-four seconds.[12] According to the Orlando Sentinel, the song does not resemble Native American music.[13] Nonetheless, adding a twist of creative license, the sentiment of First Nation Peoples' relationship to the land and its animals, as well as the contrast between colonialist and indigenous mindsets, are strikingly well portrayed, considering the lyricist's non-indigenous background. The song is about animism[14] and having respect for nature.[15] It features lyrics about "painting with all the colors of the wind" and listening to "the voices of the mountains sing."[10]

Actress Melissa McCarthy lip synced the song during an episode of Lip Sync Battle. Before lip syncing the track, McCarthy donned protective goggles. Then a high-powered wind machine blew water, stuffed animals, confetti, streamers and fake leaves at her as the song played. The performance received a standing ovation, and Jimmy Fallon deemed her the winner of the battle.[72]

Have you ever heard the wolf cry to the blue corn moon

Or asked a grinning bobcat why he grinned?

Can you sing with all the voices of the mountain?

Can you paint with all the colours of the wind?

Can you paint with all the colours of the wind?

Have you ever heard the wolf cry to the blue corn moon

Or let the eagle tell you where he's been?

Can you sing with all the voices of the mountain?

Can you paint with all the colours of the wind?

Can you paint with all the colours of the wind?

And you'll never hear the wolf cry to the blue corn moon

For whether we are white or copper-skinned

We need to sing with all the voices of the mountain

Need to paint with all the colours of the wind

You can own the earth and still

All you'll own is earth until

You can paint with all the colours of the wind

Yes, the wind is invisible. But yet it holds beauty. Her main purpose is to open your eyes to all the beauty this land has to offer when nature is appreciated and accepted as a whole rather than land being looked on as profit.

If you are from a family that goes all-out for holiday parties, then you need to dress the part, also! Remember that wearing holiday colors is essential for this outfit, so find your favorite pair of red heels to match a pretty party dress and be ready to party the night away!

"Colors of the Wind" is a pop ballad written by Alan Menken and Stephen Schwartz and performed by Judy Kuhn. It has a length of three minutes and thirty-four seconds. According to the Orlando Sentinel, the song does not resemble Native American music. The song is about animism and having respect for nature. It features lyrics about "painting with all the colors of the wind" and listening to "the voices of the mountains sing."

John Smith and Pocahontas meet and misunderstand each other, and as they're trying again on this getting-to-know-you thing, Pocahontas sings a song addressed to John Smith in which she asks him a bunch of rhetorical questions intended to highlight how little he understands her homeland and how silly he is to think he can own something as powerful as the earth. "Can you paint with all the colors of the wind?" is part of the refrain. We bet John Smith didn't even know the wind had colors.

Have any Disney-obsessed friends? Are you that Disney-obsessed friend? Then you've heard "Can you paint with all the colors of the wind?" Politicians also love to drop this line when they're pushing for alternative energy research. Okay, they don't, but we'd watch a lot more C-Span if political speechwriters busted out Disney rhymes on the regular.

While this level of pretentiousness might seem high for a line from a children's animated film, "Colors of the Wind" did win a lot of awards, and as goes the number of awards, so goes the level of pretentiousness. Also, "Can you paint with all the colors of the wind?" is one of many rhetorical questions Pocahontas knows John Smith can't answer yes to. "Here are a bunch of questions meant to remind you what a blockhead you are," screams pretentiousness to us.

The repeated questioning of whether one can sing with all the voices of the mountain and paint with all the colors of the wind symbolizes the desire for harmony and unity. Singing with the voices of the mountain signifies embracing the diverse voices and perspectives of different cultures, while painting with all the colors of the wind represents celebrating the richness and vibrancy of nature.

Reiterating the chorus in the final outro, Tori Kelly emphasizes that ownership of the earth is ultimately meaningless. By using the metaphor of painting with all the colors of the wind, she invites listeners to understand that true appreciation of the world involves recognizing and celebrating its diversity in all forms, including culture and nature.

The business of colors can be incredibly complicated, but also very useful. I am very keen on using the phase information of data, which is a challenging thing to represent when an associated magnitude is also present. In several of my papers I have relied on the Hue-Saturation-Value (HSV) properties of colors rather than the more traditional Red-Green-Blue (RGB) representation (see as an example my 2016 paper Characteristics, Energetics, and Origins of Agulhas Current Meanders and their Limited Influence on Ring Shedding). Another example on the use of colors in oceanography is the paper by Hughes and Williams in 2010 called The color of sea level who smartly used colors to represent 3D information of sea level spectra on the globe.

So, check out this new paper and the refrences therein if you are interested in colors!: True Colors of Oceanography Guidelines for Effective and Accurate Colormap Selection (2016) By Kristen M. Thyng, Chad A. Greene, Robert D. Hetland, Heather M. Zimmerle, and Steven F. DiMarco, doi:10.5670/oceanog.2016.66 ff782bc1db

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