Came back to say that you can get pianos in Maschine+ standalone if they are in the Kontakt .nki format. I have several really nice pianos that I use this way. Just browse and download them from this site (you'll need to make an account first but it's free) and then you'll copy the folder to your User Content folder on the Maschine+. These obviously won't have the same level of parameters as an official kontakt library/instrument but they sound good and do the job, plus they are free!

Is M+ capable to provide enough polyphony for such task? Please correct me if i'm wrong but as i remember its only max 64 note for single sampler instance, which IMHO is not quite enough for normal playing especially when sustain pedal is applied.

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What I've noticed is that after saving and closing the project, when I open it again, the Kontakt instruments somehow lose the sounds reference, so there is no sound on these instruments unless I load them again.

It was not a big issue when I've made that projects as I remembered the exact instruments, but now after some time I'm trying to open projects made months ago and of course I don't remember the exact instrument/preset I used. So I ended up having project without references to their sounds...

This board does a lot of great things but oddly for Yamaha, piano isn't one of them. The CFX sample seems severely downgraded from the P515 which I also own (granted. this is a dedicated piano) and I despite endless twiddling I can't get anything that doesn't sound pretty boxy and lacking in sparkle. I've tried the various iterations of Rock Piano etc but these are also pretty thin, especially in a live mix.

Anyone else experienced this and got any tips on fixing it? I sold a Nord Electro 5D to get the MODX and while i have no regrets I do really miss those Bright and Silver Grands which seemed to have such a full, present sound.

I also prefer the imperial, but I don't want to fill the memory up with too many large samples. Also, the better sounds keep me from using the smooth sound switching, due to their multi part use (when used with additional split/layered sounds).

I have the MODX6, so all the piano parts are played from my PX5S that I am using strictly as an 88 note controller. I get great nuance and playability out of the MODX pianos this way. Funny thing, I don't like the MODX8 keys. Not sure what it is, but I just don't connect. All subjective, of course.

I'm still a newbie with the MODX, but have just found the pianos much more pleasing to play controlling them via MIDI from the Numa Compact2. It is weird though that Organ and Synth Leads feel much better (faster?) on the MODX7's keybed. I've heavily tweaked the tone and timbre of the CFX and have scenes saved layering several different pads, strings and hornz. Still constantly adjusting things...I've only had the thing for three weeks. Just recently downloaded the Bosendorfer; really like it, but haven't worked it into the Live Sets yet.

note: I played organ and synth keys for nearly 30 years before attempting weighted keys again on my Kawai ES100. Gave up after a year of trying to relearn weighted playing and experiencing some pain. I play very fast with lots of trills and often utilize a machine gun technique during solos. It's just easier for me to accept my limitation and enjoy what I can do with non-hammer keys.

note: I played organ and synth keys for nearly 30 years before attempting weighted keys again on my Kawai ES100. Gave up after a year of trying to relearn weighted playing and experiencing some pain. I play very fast with lots of trills and often utilize the machine gun technique during solos. It just easier for me to accept my limitation and enjoy what I can do with non-hammer keys.

I haven"t played weighted keys since I was a kid at the piano. I"m like you, weighted boards for me are like running in mud. More thought, work, effort to just try to get there. I accept I play with less nuance on semi/unweighted.

I mention this because I'm less than pleased with either my Nord electro and my new Modx pianos in mono, at least when monitoring at gigs in my ears. My older Kurzweil pc3 pianos sound better to me...and that should not be the case. Part of it I think is that I'm not used to the bigger/better samples having a bit more room ambience than the ol Kurzweil triple strike....but I think it might very well be a mono/stereo thing too.

What I don't understand is that both the Nord and the Modx pianos sound detuned during gigs. They sound just a bit that way to me at home, but at gigs it is worse. Doesn't make much sense but it throws me off. Hopefully with more clear (and maybe stereo) monitors this will clear up. Also strange is that I've heard recordings of the Nord from out front and that honkiness isn't there, it sounds fine...so it's something in my monitoring playing a part.

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Hi there. My name is Duane Graves. I tune, adjust and repair acoustic pianos. Thank you very much for dropping by while you are here why not check out the various site pages for information and knowledge...I'm found at www.pianotuningfredericton.com

So, you strike the first few ivory's and press the damper pedal for resonance like normal only to hear a "screech, clunk and wiz" with every push of the pedal it's "screech, clunk and wiz". The sound is so annoying that you just can't stand to play on that piano.

Yes, these odd sounds that sometimes come from our piano are maddening but even more maddening is "locating piano noises". I want to give you an article that deals with "Locating and Removing Unwanted Piano Sounds".

Locating piano noises is one of the hardest things that a piano tech has to do. I think this is an accurate statement and the reason it is true is because of the variety of sources where these noises lurk.

Somewhere inside that vast array of wires, felts, wood, metal, nuts and bolts there are noise demons and they have to go. It pays to have some tricks up your sleeve but more than tricks you will need patience.

Let me give you a humorous true story that happened to me one time. I got a call from a older lady who was a piano teacher. She wanted me to tune her piano but also said there was a terrible noise coming from her foot pedals and could I find it and fix it.

So we worked out the visit and I arrived on approved time and day. As is my custom I fix anything that is wrong with the piano before I begin to tune, that includes all noises. Now what I use for some of these squeak-noises when I think I can get away with it is "Mineral Oil". It says on the bottle "Mineral Oil Tasteless & Odourless Laxative".

It worked and when the job was done my client noticed that the squeak was gone and asked how I did that so I told her "I gave your piano a Laxative." We both laughed and then she said, "I can't wait to tell my husband that the tuner gave my piano a laxative and that all it needed was an enema cause it's fine now."

Where I live there are ants everywhere in the summer. It seems that you can find ants on your roof and under rocks all at the same time. They are unpredictable really as to where they will show up. This is similar to piano noises.

The difference is you can "see" the ants but with piano noises they can only be heard and they are so deceiving. You think you have found the buzzing sound so you work to narrow it down in one specific area only to be mistaken. Like I said it is maddening.

Now the "buzz" itself has various sounds of "buzzing". Some are high-pitch, some are scratchy sounding, some are a vibrating sound. They are all annoying in the piano and unwanted and must be eliminated. Where should I start to look?

Damper felts get old right along with the piano trouble is they get hard too. There are reasons for the hardness and sometimes it is because of previous sloppy work but technicians who dribble glue on the strings or the damper felt itself. Then it's a matter of removing the glue which is harder than it sounds. Never-the-less removal works.

I do this by placing my finger in between the damper felt and the string and pinching and squeezing and pushing it. This takes the crust off the outer layer and while this is not a real fix it's surprising how long this will last if done properly.

If when the damper pedal is engaged and a damper does not clear fully back away from the string a buzz will be heard as the felt is generally just resting slightly on the string as it vibrates. If this is the case then the problem usually is the damper spoon at the back of the wippen needs to be adjusted forward or backward.

Another check on this is to press the piano key corresponding to that particular damper felt and if it is working properly then as the key is pressed midway on its way down then the damper felt should be fully out from and away from the string. If not then it is obvious that the damper spoon needs to be adjusted. 152ee80cbc

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