UPDATE 2021: I have had a pleasure of working with Riverside.fm recently and love their soundboard for editing podcasts and recording live content. More details from me on this in this video: Best Podcast Soundboard App for Recording Live - YouTube

I'm using Voicemod on Lightcord and when I play a sound on the soundboard it sounds grainy (if you know what i mean) and choppy, my microphone is a blue yeti but I don't think that's the problem. It sounds just fine if i use it on something like Omegle but Lightcord breaks the sound, the same problem happens with the voice changers too. Discord and Lightcord makes Voicemod choppy. Noise Suppression is off, so is Noise Reduction and Echo Cancellation.


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First, you can connect the cameras mic input to the headphone output on the soundboard which works OK if you split it, have two outputs, or don't care about using a headset. Another problem is you have to use the same volume as the headset, which can sometimes be a problem, especially if you're not the one running the board.

As well as the 30-minute time limit, the camera also has to stop recording if it reaches 4 GB per file because of the formatting Canon DSLRs use.

If that is a big problem for you, you could look into getting a Canon Vixia series camcorder. That is what I used for quite a while recording the audio straight from a soundboard. My particular model was an HF M50. If you purchase a camcorder because of the recording capabilities, you'll want to take a look and make sure that it has a headphone output as well, which is extremely handy.

For anyone who runs their RPG in Roll20, here is how to create a Syrinscape Soundboard that your players can use within Roll20 (no API required)

Step-by-step guide here: -syrinscape-soundboard

In this instructable, I am going to go over the basics of running an analog soundboard. Many people can get overwhelmed with all of the knobs and buttons and such on a soundboard, but it's nothing to be afraid of. Once you learn one channel, then the rest are exactly the same. (In most cases.) For this instructable, I will be showing how to run a small Berhinger board because I am not allowed to take pictures of the boards I use for other companies, so I have to use my personal equipment. Running a small board is the same as a large board, the only difference is that there are less channels, so there is less that you can do with it.


Also, keep in mind that a Berhinger board is one of the cheapest you can possibly buy, and you get what you pay for. So if you are buying a board and there is the slightest chance that you can afford a better brand, you should defiantly get a better brand than Berhinger.


I will not cover how to run a digital board, since all digital boards are completely different from each other. Even if I showed you how to run one digital board, there wouldn't be much you could glean from that if you were using another board.


I am starting with the assumption that you know how to make the connections to the board, which is pretty self-explanatory. If you are not familiar with making these connections, then there is a very nice instructable here that covers that. You may also contact me if you have any questions regarding this or any other sound issue, and I will either help you over the internet, or I can refer you to an AV consultant in your area.

Our church has a Behringer SX3242FX soundboard. I am new (this is the first one I have worked with) to the AV department but there is nobody who really knows how to use a soundboard here. (Our church is in Tonga, South Pacific by the way. )

Hey! I would like to let you know how how much i appreciate you posting this. I've recently gained an interest in production tech through my school theater and my church. At my school we have a sound craft series 2 soundboard and almost no one knows how to use it correctly. There's plenty of us that know how to turn it on, but that's about it. 

Reading this has helped a lot and i'll be sending a link for it to all of my friends that have an interest in sound board operation. Thank you for taking the time to post this.

I made this soundboard out of Austin Walker quotes because Gita Jackson suggested it. I had real things to do today, but instead I spent several hours clipping crowdsourced sound data and putting it into this thing.

This paper presents an analytical method for modeling the vibro-acoustic behavior of ribbed non-rectangular orthotropic clamped plates. To do this, the non-rectangular plate is embedded in an extended rectangular simply supported plate on which a spring distribution is added, blocking the extended part of the surface, and allowing the description of any inner surface shapes. The acoustical radiation of the embedded plate is ensured using the radiation impedances of the extended rectangular simply supported plate. This method is applied to an upright piano soundboard: a non-rectangular orthotropic plate ribbed in both directions by several straight stiffeners. A modal decomposition is adopted on the basis of the rectangular extended simply supported plate modes, making it possible to calculate the modes of a piano soundboard in the frequency range [0;3000] Hz, showing the different associated mode families. Likewise, the acoustical radiation is calculated using the radiation impedances of a simply supported baffled plate, demonstrating the influence of the string coupling point positions on the acoustic radiated power. The paper ends with the introduction of indicators taking into account spatial and spectral variations of the excitation depending on the notes, which add to the accuracy of the study from the musical standpoint. A parametrical study, which includes several variations of soundboard design, highlights the complexity of rendering high-pitched notes homogeneous.

If your soundboard is not being transmitted to the game that you are currently playing (League of Legends, Valorant, GTA, Rust...) or you are not able to make keybinds, this could be related to your Windows permissions.


Also, make sure that if you have your microphone configured in your game or software to "Push to talk" you will need to press the "Push to talk" key for the soundboard sounds to go through.


If still, you are facing issues, please try the following:

Some time ago I decided to write my own soundboard since I wasn't satisfied with existing solutions. And here it is: a simple yet powerful soundboard that requires NO COMPLICATED SETUP! Just install and it's ready to use. No extra tools, no fiddling with push-to-talk settings etc.It comes with a set of predefined sounds but of course you can choose your own.

The soundboard is the heart and soul of the piano as it provides the instrument with its full and rich sound. The strings produce the sound but the soundboard amplifies and accentuates it. One of the secrets to the great sonority of a Steinway & Sons grand piano lies in the construction of the soundboard. Our craftsmen use Sitka spruce from North America to build the soundboard.

This key component requires the wood to meet high quality standards and these can be found in its colour, fibre structure and rings. The soundboard is then glued together with the ribs and bridge. Its distinctive curve ensures maximum flexibility, richness of sound and a more extended tone.

The consequences for callers are clear: soundboard technology does not exist in some nebulously regulated space; prior express consent is a clear requirement for compliance. Any callers who use soundboard technology would be well served to review their policies in order to ensure compliance with this clearly explicated consent standard.

Why harp soundboards belly-up. Lever harps are often also called Irish harps or Celtic harps. We are also the makers of Harpsicle Harps. Rees has been building harps since 1972. Our harps are hand crafted in Rising Sun, Indiana, United States.

Why does a soundboard rise and belly-up? Because that's what it is designed to do. Luthiers want a harp soundboard which is thin enough to rise but not so thin that it will explode. We want the energy and vibration that we get when a string drives frequency into a sensitive soundboard and the notes dance out. During the first couple of months you have your harp, the soundboard will still be rising. Eventually it will set and that is often the point at which players say they can hear the voice of their harp "open up." It is, my friends, a glorious sound.

When a well made lever harp is first completed the soundboard is flat. Each day when the new harp is tuned the strings are tightened but because the strings are all new they keep stretching so they need to be tuned repeatedly over the first few weeks. Eventually, the strings reach mechanical stability. This is that first phase of new harp ownership and it can be a bit trying. Think of it like a one year-old golden retriever. They are a fabulous breed but at one they have just a bit too much energy for their own good. In the Rees family we call that time the "duppy" year. It is the year when a dog is no longer a puppy but has not grown into its adult nature. While the strings of your new lever harp are first stretching and the soundboard has not yet set, your harp is, basically, a duppy.

Meanwhile, at the other end of the string that same 1200 pounds of force is pulling straight up. If what we all wanted was a flat soundboard the fix would be easy, we would just add thickness and bracing to the wood. The thing about harps is that what we actually want is a great voice and the real trick in harp lutherie is that an amazing voice only comes from walking a very fine line. On one side of the line we have the dull, thumpy, quiet voice of an overly reinforced soundboard. On the other side we have really expensive toothpicks, the remnants of an exploded soundboard. In between is the narrow margin where spectacular harp voices live. be457b7860

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