This single comes off the back of his debut single as a producer 'GOBE' featuring Olamide and Naira Marley. The song titled 'One Life' is amapiano-inspired and is a track that is bound to make you feel good, with its upbeat tempo along with the lyrics which encourage the listener to live their life and enjoy it, because you only get it once. The track is something that given the circumstances of this year is definitely the vibe that we all need to really lift our spirits.

Along with the upbeat production of the track, Pheelz displays his vocal talent on the track as well as he delivers the catchy lyrics in such a beautiful way. The track was produced, written, mixed and mastered by Pheelz - as well as singing on the track - showing just how talented and versatile he is.


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Whilst Pheelz originally broke out as a singer, he has excelled in his field as a producer and is one of the most renowned producers of this decade, working on some of our favourite hits from artists such as Tiwa Savage, Mr Eazi, Fireboy, Olamide to name just a few!

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Namhla Lebona writes articles about fashion, lifestyle, and beauty. She has written articles for corporations such as Nike, HP, and The North Face under MEFeater Magazine. Her articles have been published across the United States, Nigeria, and South Africa. Before she started writing, Namhla got a Travel Agency and Operations diploma from the Tshwane University of Technology. After that, to shake things up, she went to fashion school at TUT Arts, where she graduated with a diploma in Fashion Design & Technology. She has worked in industries such as fashion and marketing. She now writes full-time.

Catching up with Guardian Music, the multi-talented singer shares backstories into what inspired the record, as well as his early beginnings, creative process, his other less-popular eccentricities, and many more.

How do you feel right now about the recent success you have achieved as an artiste?

To be honest, it is really humbling. I just feel very grateful that I get to experience all the things I am experiencing right now, and even those things that are to come. I feel really blessed.

What was your major reality-check moment, that you knew you were going to be a musician for life?

My major reality-check moment was actually my whole life. I can still remember being five years old and seeing the power that music has on people. Since then, to be very honest, I knew that was what I was going to do with my life.

How did you get into the industry? Who were the people you made your first beats for?

I made my first beat for my mum, and my second beat for the church. I used to make a lot of music for the church back then. Whenever they had programmes, crusades and all that. That led me to meet ID Cabasa and then, I met Olamide and Coded Tunez. And the rest is history.

When was the first time you ever recorded a song, and what was it?

I cannot remember the name of the song, but I know it was with my older brother. We had a group back then in church. When I discovered the production software, Fruity Loops, we started recording music. I think I was 11 or 12.

You released your debut, Hear Me Out, last year. How did you gauge the reception of the record?

Hear Me Out was amazing. The reception was beautiful. It opened the floodgates for what Finesse is right now, and that was my first introduction into me being perceived as an artiste. And the fans still love it right now. More people are listening to it, because of Finesse, and that gets me very excited.

What is your creative process like?

My creative process is a bit chaotic because I wear multiple hats when I create. I have my producer hat on, but while I am working on the beat, the hat of a songwriter would just kick in and I would leave the beat and just jump into that. And then the hat of the artiste would kick in and I would record. So, it is an all-over-the-place process, but the music comes out nice at the end.

Tell us some of the artistes in the industry that you are currently feeling like working with? And why?

I mean, right now, I am working with a couple of people that I have always wanted to work with. But I would also like to work with Burna Boy and Wizkid as well.

Firstly, I have very deep and weird views about a lot of things. I am also a visual artiste and a 3D designer. I am also low-key a tech geek and all that. I feel like, with time, every one would see these sides of me. I have plans to take over the world with all these.


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Chocolate City Releases New Women Month-themed Compilation Titled SHERO. Play and Stream Now Chocolate City Releases New Women's Month-themed Compilation Titled "SHERO." Whether you are spending this International Women's Day working hard or enjoying a well-deserved day to relax, these empowering bops will surely get their celebration off to a strong start.

Chocolate City Releases Love and Chocolate Vol 2 Compilation. Stream and Play Now Chocolate City Releases Love and Chocolate Vol. 2 Playlist Compilation. This playlist holds in its grasp the memories of how Love was from the early days of Chocolate City artists to now. It's a playlist that people can listen to while enjoying each other's lovely company.

These Nigerian Afrobeats Songs Are Turning 10 Years In 2023 These Nigerian Afrobeats Songs Are Turning 10 Years In 2023. In this article, TrendyBeatz takes a long nostalgic trip down memory lane to curate a list of songs that turned a decade in this new year, 2023. Here's a TrendyBeatz curated list of songs that made 2013 a stellar year for the Nigerian music scene.

Fear Women: 10 Nigerian Songs That Preach The Gospel Better Fear Women: 10 Nigerian Songs That Preach The Gospel Better. In this article, TrendyBeatz curated a list of ten Nigerian songs that preach the gospel of "Fear Women" in no particular order while reviewing the story behind the lyrics, the context of the theme and the production of each song.

During an interview on Moni Talks via YouTube, Pheelz spoke about the pivotal moment that shifted his career path. Pheelz began his career as a music producer by mentoring under renowned Nigerian musician ID Cabasa.

Pheelz disclosed that it was during the COVID-19 pandemic that he decided to take a leap of faith. Reflecting on this period, Pheelz recalled encountering a tweet from Rema that catalyzed change in his life. He said, "Rema tweeted 'the world is on pause for you to catch up,' and I felt as though it was directed at me personally".

Inspired by the tweet, Pheelz felt a stirring within him, compelling him to realize that he couldn't afford to let his talents go to waste. "I kept telling myself I have to die empty," Pheelz emphasized in the interview.

Pheelz has become one of the most prominent producers in Nigeria. He recently collaborated with Usher for his new album. Pheelz produced the song Burna Boy featured on Usher's album, Homecoming. The album was released on February 9, 2024.

Pheelz contributed as both a featured artist and producer on Ruin, a track from Usher's recent album, Homecoming. In an interview on Apple Music Halftime Show, Pheelz highlighted the collaboration as a significant milestone for Nigerian music, emphasizing the realization of dreams and the global reach of Nigerian musical talent.

Ahead of his new project, Pheelz spoke with GRAMMY.com about his transition from producer artist, designing all his own 3D cover art, his rockstar aesthetic, and what listeners can expect from Pheelz Good II.

Your latest single, "Go Low" arrived just in time for festival season. What was it like exploring the live elements of your art at SXSW and your headlining show in London at the end of April?

The angry ones were the best ones, so that stuck with me even after I started coming out of my shell and talking and being expressive; that act of drawing a mask still stuck with me. And then I got into 3D, and I made a 3D version of the mask and I made a 3D character of the mask. So I made that the main character, and then I just started making my lyric videos, again post-COVID, and making them [lyric videos] to the characters and making the actual video mine as well.

You and Usher have a lengthy working relationship. You first performed together in 2022 at the Global Citizen Festival, then produced/co-wrote "Coming Home" and "Ruin." Take us through the journey of how you two began collaborating.

["Ruin"] was inspired by a breakup I just went through. Some of the greatest art comes from pain, I guess. That record was gonna be for my album but after I came home I saw how L.A. Reid and Usher reacted and how they loved it. I told them, "I have this other song, and I think you guys would like it for this album." And I played "Ruin," and the rest was history.

We bonded first as friends before we went into the studio. We had an amazing conversation talking about music, [them] talking about pop and electronic music, and me talking about African music. So it was just a bunch of producers geeking out on what they love to do. And then we just talk through how we think the sound would be like really technical terms. Then we get into the studio and just bang it out. Hopefully, we get to make some more music because I think we can create something for the world together. 152ee80cbc

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