The album's lyrics, written by James, deal with themes of self-empowerment, and the album is imagined as being an "intensely personal" and strange narrative about strong, young aspiring female witches who experience and interact in a place without any males as they improve, grow and protect themselves.[6] James' lyrics have been described as "gory", "striking" and "fantastical", drawing comparisons to the Brothers Grimm.[6][18][19] The song's titles use portmanteaus of English words,[10] while the album's title comes from the line "Build it into pinnacles and shrines of some / Some ghastly predicament of mind you'll find", from the track "Obedear".[6]

To further promote the album, the band embarked on a tour between April and July with Dirty Projectors.[20] A North American tour was announced in May, which began on May 26, 2012, at Sasquatch! Music Festival in George, Washington, and ended on September 20, 2012, in Philadelphia.[33] Purity Ring released a "sequel" to "Belispeak" titled "Belispeak II" as a single featuring rapper Danny Brown on October 9, 2012.[34] The following day, another North American tour was announced, featuring support from Young Magic. The tour followed their European tour with Doldrums[35] A video for "Lofticries" premiered on Pitchfork.tv in November, directed by AG Rojas, who stated the video "explor[es] the stoicism of psychically connected characters confronted by surreal, climactic moments."[36]

Purity Ring - Shrines (2012)

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Shrines received generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 76, based on 37 reviews.[41] Leor Galil of The A.V. Club praised the album as a "knockout", categorizing the group as an outsider of other gory-lyric'd groups thanks to its non-violent themes and honoring them for being able to combine these graphic lyrics with danceable beats.[18] Hayley Avon of NME wrote that Shrines "could just as easily remain in its closed-circle clique" while being accessible to mainstream listeners, noting that the "music is so slick it sometimes stinks of cash, yet the songs are charming, scuffed at the edges, the childlike melodies accentuated when Megan's voice takes on its youthful tone", concluding with calling the record a "euphoric treat in its own right, made all the more thrilling by its heady potential."[43]

In early 2011 a song called "Ungirthed" by a group called Purity Ring started circulating online. There wasn't much information about them out there; they had a member that used to be in something called Gobble Gobble, which momentarily seemed notable. But everything you needed to know was contained in the song itself. It mixed the kind of ghostly pitch-shifted vocals, reminiscent of the Knife and Burial, that had spent the previous year haunting witch house; it had warped, surging, Dilla-derived synth chords that popular online remixers like Star Slinger were on the verge of turning into a clich. And it had the stuttering start-stop drum machine patterns that highlighted how much the pulse of Southern rap had invaded indie music the last few years. But where these production touches were often held up as ends in themselves, "Ungirthed" was a well-constructed and fully realized pop song, with an infectious vocal hook and a melody that went places. This was novel. It was the kind of tune you took notice of immediately.

Eventually we learned that "Ungirthed" was the work of Megan James (vocals) and Corin Roddick (production), two young musicians from Edmonton, Alberta. Wisely, they didn't rush out an album, but other songs trickled out: "Belispeak" surfaced in the fall and "Obedear" emerged this spring. Along the way, Purity Ring polished up their live show, outfitting the stage with lanterns synchronized to the music, which Roddick triggered via MIDI using drumsticks. They built an audience with very little recorded music to share with it. And now, a year and a half later, they've issued their debut album, Shrines.

Since those early singles all mined such similar sounds, it was an open question how Purity Ring might mix things up over the course of an 11-song, 38-minute full-length. But Shrines is not about range, instead offering subtly different versions of a single, near-perfect idea. You might think of the album as a sculpture, and each track offers a different vantage point. "Ungirthed" is how you see it head on; "Fineshrine" is what it looks like from a low angle, with a bit of shadow from the overhang providing an extra touch of darkness; "Crawlersout", with its sharper percussive edges and extra portion of ghosted vocals, is the view from 90 degrees to the left; and then "Grandloves", with unwelcome guest vocals from Isaac Emmanuel of Young Magic, is like having a guy standing between you and the work, and he won't stop talking on his cell. "Grandloves" is the one moment in which Purity Ring seem common, but that's one truly weak song out of 11. Not a bad ratio for a new band. And the consistent quality makes it easy to forgive the feeling that occasionally creeps in the first few times you hear the album straight through: "Didn't I just hear this one a couple of minutes ago?"

The band that Purity Ring most reminds me of is High Places. The dubbed-out retro-futuristic approach to sound, the male/female duo, the connection to the earlier iterations of indie pop, the experiments with live spectacle. And High Places also emerged more or less fully formed, with the singles and EPs collected on 03/07 - 09/07 pulling together au courant influences into something that felt personal and new. But ever since, High Places have had some difficulty figuring out where to go next. Once you own a sound and make it your own, it's not always easy to leave it behind. We'll see how that plays out with Purity Ring. For now, the compulsively listenable Shrines stands quite well on its own. Most bands never manage a statement this forceful.

Shrines is the debut album from Purity Ring. The Halifax / Montreal duo of Corin Roddick and Megan James make lullabies for the club, drawing equally from airy 90s R&B, lush dream pop, and the powerful, bone-rattling immediacy of modern hip hop. Megan's remarkable voice is at once ecstatic and ethereal, soaring joyfully through Corin's carefully chopped beats, trembling synths, and skewed vocal samples.

KB: For the Lofticries 7-inch [see below], I had cut out dozens of photographs to collage together for the cover. Corin really liked some of the sheep ones I had. I was interested in Catholic imagery at the time and so I came up with this image of a girl watching over her flock of sheep. To me, sheep represent a kind of innocence and purity and so I thought it was an appropriate symbol for the band.

Purity Ring recently embarked on a tour opening for Dirty Projectors and will headline its own tour in the fall. Ayers has the highest confidence in the music and wants to put the band in front of as many people as possible through touring, advertising or licensing.

Though infused with the confidence of a band that's been touring for years, Another Eternity sounds more like an extension of Shrines than a radical evolution: It once again mines the built-in tension between its many sources of effervescence (fizzy electronics, James herself) and the darker shading in its words and backgrounds. But where's the harm in exploring and perfecting the intricacies of a formula that works this well?

How did that new awareness affect what you did with Purity Ring for this new record? It doesn't affect how I write. When I sit down and create something, I don't have a vision from the start. I just start messing around with sounds and samples and combining things, and I may hear a bit of a moment that's inspiring. The perception of what people hear outside of that doesn't affect my process. But since we've had a bit of hip-hop involvement as a band, people ask us about it and talk to us about it, people seem to be aware of hip-hop influence in the production, which is cool. To me, it's pretty obvious. With the range we have, we probably have a lot of fans that don't listen to rap music or realize they're listening to rap beats, which is kind of awesome. Maybe through us, they might hear a rap song and not know why they like it. That's how you get into different kinds of music, through different vessels.

After going five years without a full tour, Purity Ring are finally able to put an end to the live performance drought, now touring their latest graves EP. Amidst the havoc of COVID-19, the Canadian-based duo composed of singer-songwriter Megan James and production maestro Corin Roddick were forced to cancel three of their forthcoming tours following 2020 LP WOMB.

We're big fans of Purity Ring. The Montreal duo served up haunting electropop on its 4AD debut album, Shrines. The justly buzzed-about girl-boy combo layers babyish coos over hacked-up synths. Not sure what Riddick will do alone, or if he'll bring his nifty custom percussion rig made of geometric lamps. We trust his good taste, though.

It's the sort of gig where every appreciative tweet comes with an instagram snap attached. And there's no denying that duo Purity Ring look the part in St John's Church in hip Hackney, lit by flickering candlelight and cocoon-like lamps suspended on branches over the stage, which pulsate with multicoloured lights. Much of the sound is beaten out on an impressive drum pad-come-lighting display, with eight hittable wasp-nest like domes, which glow as they're struck. be457b7860

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