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James and the Giant Peach is a 1996 musical fantasy animated film directed by Henry Selick, based on the 1961 novel of the same name by Roald Dahl.[3] It was produced by Tim Burton and Denise Di Novi, and starred Paul Terry as James. The film is a combination of live action and stop-motion animation. Co-stars Joanna Lumley and Miriam Margolyes played James's self-absorbed Aunts Spiker and Sponge, respectively (in the live-action segments), with Simon Callow, Richard Dreyfuss, Jane Leeves, Susan Sarandon and David Thewlis, as well as Margolyes, voicing his insect friends in the animation sequences.

The invertebrates fly the peach to New York City with a flockof seagulls (each tied with a string to the peach stem), as James has dreamed of visiting the Empire State Building like his parents wanted to. Obstacles include a giant mechanical shark and undead skeletal pirates in the Arctic Ocean. When the group arrives, they are suddenly attacked by the tempestuous form of the rhinoceros that killed James' parents. James, though scared, gets everyone to safety and confronts the rhino before it strikes the peach with lightning. James and the peach fall to the city below, landing on the Empire State Building. After he is rescued by firefighters, Spiker and Sponge arrive and attempt to claim James and the peach. James tells the crowd of his amazing adventure and exposes his aunts' abuses. Enraged at James, Spiker and Sponge attempt to attack him with stolen fire axes, but are scared by the insects and arrested by police.

Walt Disney Pictures acquired the film rights to the book from the Dahl estate in 1992.[8] Brian Rosen was hired as producer by Disney for his experience in animated projects like FernGully: The Last Rainforest (1992) and live-action films such as Mushrooms (1995).[9]

Dennis Potter was hired to write a draft. Rosen described it as "slightly black and bizarre", a tone Disney did not approve of, particularly with the sharks being Nazis. Once Potter died, Karey Kirkpatrick and Bruce Joel Rubin came in to write separate drafts, of which Kirkpatrick's was chosen.[9] Unlike the novel, James's aunts are not killed by the rolling peach (though his parents' deaths occur as in the novel) but follow him to New York.[10] The character Silkworm was removed to not overload on the amount of characters to animate; in the book, her purpose was limited to what Miss Spider did in the film, which was to attach the peach to several seagulls during the shark chase.[11]

Before the start of production, Disney and Selick debated on whether the film should be live-action or stop-motion-animated, the company skeptical of the stop-motion solution.[9] Selick had originally planned James to be a live actor through the entire film, then later considered doing the whole film in stop-motion; but ultimately settled on entirely live-action and entirely stop-motion sequences, to keep lower costs.[14] The film begins with 20 minutes of live-action,[10] but becomes stop-motion animation after James enters the peach, and then live-action again when James arrives in New York City (although the arthropod characters remained in stop-motion).[14] Like The Wizard of Oz (1939), the color palette changes when James enters the Peach to indicate he has entered a magical setting, from greys and greens to vibrant colors.[9]

Though Roald Dahl refused numerous offers to have a film version of James and the Giant Peach produced during his lifetime, his widow, Liccy, approved an offer to produce a live-action version. She thinks Roald "would have been delighted with what they did with James. It is a wonderful film."[24]

Owen Gleiberman of Entertainment Weekly gave the film a positive review, praising the animated part, but calling the live-action segments "crude."[27] Writing in The New York Times, Janet Maslin called the film "a technological marvel, arch and innovative with a daringly offbeat visual conception" and "a strenuously artful film with a macabre edge."[28]

In August 2016, Sam Mendes was revealed to be in negotiations with Disney to direct another live action adaptation of the novel,[30] with Nick Hornby in talks for the script.[31] In May 2017, however, Mendes was no longer attached to the project due to his entering talks with Disney about directing a live-action film adaptation of Pinocchio, which he would also drop out on with Robert Zemeckis taking his place.[32]

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A video stream is scheduled for June 18, 2013 at 4.00 pm Central European Time live from the VIII International Peach Symposium (Matera, Italy) covering a round table discussion preceded with a lecture by Des Layne entitled Everything about peaches: website, social media, YouTube and other tools for peach grower education. e24fc04721