Paul Mccartney Live And Let Die Mp3 Download Free

Second way is the people who saw this tour. I saw it 3 times, NYC in Madison Square in December 1989, Worcester, MA in the winter 1990 and then in Foxborough Stadium in the summer. It was a great show. If you see a concert live, the album is reliving the memories of the great times you had at the concert and the people you were with, Nothing more or less.

Mary McCartney's midwifery paid well, and her earnings enabled them to move into 20 Forthlin Road in Allerton,[17] where they lived until 1964.[18] She rode a bicycle to her patients; McCartney described an early memory of her leaving at "about three in the morning [the] streets ... thick with snow".[19] On 31 October 1956, when McCartney was 14, his mother died of an embolism as a complication of surgery for breast cancer.[20] McCartney's loss later became a connection with John Lennon, whose mother, Julia, died in 1958 when Lennon was 17.[21]

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Wings followed Band on the Run with the chart-topping albums Venus and Mars (1975) and Wings at the Speed of Sound (1976).[104][nb 13] In 1975, they began the fourteen-month Wings Over the World Tour, which included stops in the UK, Australia, Europe and the US. The tour marked the first time McCartney performed Beatles songs live with Wings, with five in the two-hour set list: "I've Just Seen a Face", "Yesterday", "Blackbird", "Lady Madonna" and "The Long and Winding Road".[106] Following the second European leg of the tour and extensive rehearsals in London, the group undertook an ambitious US arena tour that yielded the US number-one live triple LP Wings over America.[107]

London Town (1978) spawned a US number-one single ("With a Little Luck"), and continued Wings' string of commercial successes, making the top five in both the US and the UK. Critical reception was unfavourable, and McCartney expressed disappointment with the album.[111][nb 15] Back to the Egg (1979) featured McCartney's assemblage of a rock supergroup dubbed "Rockestra" on two tracks. The band included Wings along with Pete Townshend, David Gilmour, Gary Brooker, John Paul Jones, John Bonham and others. Though certified platinum, critics panned the album.[113] Wings completed their final concert tour in 1979, with twenty shows in the UK that included the live debut of the Beatles songs "Got to Get You into My Life", "The Fool on the Hill" and "Let It Be".[114]

In 1980, McCartney released his second solo LP, the self-produced McCartney II, which peaked at number one in the UK and number three in the US. As with his first album, he composed and performed it alone.[115] The album contained the song "Coming Up", the live version of which, recorded in Glasgow, Scotland, in 1979 by Wings, became the group's last number-one hit.[116] By 1981, McCartney felt he had accomplished all he could creatively with Wings and decided he needed a change. The group discontinued in April 1981 after Laine quit following disagreements over royalties and salaries.[117][nb 16][nb 17]

McCartney ventured into orchestral music in 1991 when the Royal Liverpool Philharmonic Society commissioned a musical piece by him to celebrate its sesquicentennial. He collaborated with composer Carl Davis, producing Liverpool Oratorio. The performance featured opera singers Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral.[144] Reviews were negative. The Guardian was especially critical, describing the music as "afraid of anything approaching a fast tempo", and adding that the piece has "little awareness of the need for recurrent ideas that will bind the work into a whole".[145] The paper published a letter McCartney submitted in response in which he noted several of the work's faster tempos and added, "happily, history shows that many good pieces of music were not liked by the critics of the time so I am content to ... let people judge for themselves the merits of the work."[145] The New York Times was slightly more generous, stating, "There are moments of beauty and pleasure in this dramatic miscellany ... the music's innocent sincerity makes it difficult to be put off by its ambitions".[146] Performed around the world after its London premiere, the Liverpool Oratorio reached number one on the UK classical chart, Music Week.[147]In 1991, McCartney performed a selection of acoustic-only songs on MTV Unplugged and released a live album of the performance titled Unplugged (The Official Bootleg).[148][nb 26] During the 1990s, McCartney collaborated twice with Youth of Killing Joke as the musical duo "the Fireman". The two released their first electronica album together, Strawberries Oceans Ships Forest, in 1993.[150] McCartney released the rock album Off the Ground in 1993.[151][nb 27] The subsequent New World Tour followed, which led to the release of the Paul Is Live album later that year.[153][nb 28][nb 29]

Having witnessed the September 11 attacks from the JFK airport tarmac, McCartney was inspired to take a leading role in organising the Concert for New York City. His studio album release in November that year, Driving Rain, included the song "Freedom", written in response to the attacks.[168][nb 32] The following year, McCartney went out on tour with a new band that included guitarists Rusty Anderson and Brian Ray, accompanied by Paul "Wix" Wickens on keyboards and Abe Laboriel Jr. on drums.[170] They began the Driving World Tour in April 2002, which included stops in the US, Mexico and Japan. The tour resulted in the double live album Back in the US, released internationally in 2003 as Back in the World.[171][nb 33][nb 34] The tour earned a reported $126.2 million, an average of over $2 million per night, and Billboard named it the top tour of the year.[173] The group continues to play together; McCartney has played live with Ray, Anderson, Laboriel, and Wickens longer than he played live with the Beatles or Wings.[174]

McCartney's enduring fame has made him a popular choice to open new venues. In 2009, he performed three sold-out concerts at the newly built Citi Field, a venue constructed to replace Shea Stadium in Queens, New York. These performances yielded the double live album Good Evening New York City later that year.[192]

In May 2014, McCartney cancelled a sold-out tour of Japan and postponed a US tour to October due to begin that month after he contracted a virus.[208] He resumed the tour with a high-energy three-hour appearance in Albany, New York on 5 July 2014.[209] On 14 August 2014, McCartney performed in the final concert at Candlestick Park in San Francisco, California before its demolition; this was the same venue at which the Beatles played their final concert in 1966.[210] In 2014, McCartney wrote and performed "Hope for the Future", the ending song for the video game Destiny.[211][212] In November 2014, a 42-song tribute album titled The Art of McCartney was released, which features a wide range of artists covering McCartney's solo and Beatles work.[213] Also that year, McCartney collaborated with American rapper Kanye West on the single "Only One", released on 31 December.[214] In January 2015, McCartney collaborated with West and Barbadian singer Rihanna on the single "FourFiveSeconds".[215] They released a music video for the song in January[216] and performed it live at the 57th Annual Grammy Awards on 8 February 2015.[217] McCartney featured on West's 2015 single "All Day", which also features Theophilus London and Allan Kingdom.[218]

During McCartney's early years with the Beatles, he primarily used a Hfner 500/1 bass, although from 1965, he favoured his Rickenbacker 4001S for recording. While typically using Vox amplifiers, by 1967, he had also begun using a Fender Bassman for amplification.[268] During the late 1980s and early 1990s, he used a Wal 5-String, which he said made him play more thick-sounding basslines, in contrast to the much lighter Hfner, which inspired him to play more sensitively, something he considers fundamental to his playing style.[269] He changed back to the Hfner around 1990 for that reason.[269] He uses Mesa Boogie bass amplifiers while performing live.[270]

MacDonald identified "She's a Woman" as the turning point when McCartney's bass playing began to evolve dramatically, and Beatles biographer Chris Ingham singled out Rubber Soul as the moment when McCartney's playing exhibited significant progress, particularly on "The Word".[271] Bacon and Morgan agreed, calling McCartney's groove on the track "a high point in pop bass playing and ... the first proof on a recording of his serious technical ability on the instrument."[272] MacDonald inferred the influence of James Brown's "Papa's Got a Brand New Bag" and Wilson Pickett's "In the Midnight Hour", American soul tracks from which McCartney absorbed elements and drew inspiration as he "delivered his most spontaneous bass-part to date".[273]

During his years with Wings, McCartney tended to leave electric guitar work to other group members,[287] though he played most of the lead guitar on Band on the Run.[288] In 1990, when asked who his favourite guitar players were he included Eddie Van Halen, Eric Clapton and David Gilmour, stating, "but I still like Hendrix the best".[278] He has primarily used a Gibson Les Paul for electric work, particularly during live performances.[270]

McCartney's vocals have crossed several music genres throughout his career. On "Call Me Back Again", according to Benitez, "McCartney shines as a bluesy solo vocalist", while MacDonald called "I'm Down" "a rock-and-roll classic" that "illustrates McCartney's vocal and stylistic versatility".[300] MacDonald described "Helter Skelter" as an early attempt at heavy metal, and "Hey Jude" as a "pop/rock hybrid", pointing out McCartney's "use of gospel-style melismas" in the song and his "pseudo-soul shrieking in the fade-out".[301] Benitez identified "Hope of Deliverance" and "Put It There" as examples of McCartney's folk music efforts while musicologist Walter Everett considered "When I'm Sixty-Four" and "Honey Pie" attempts at vaudeville.[302] MacDonald praised the "swinging beat" of the Beatles' twenty-four bar blues song, "She's a Woman" as "the most extreme sound they had manufactured to date", with McCartney's voice "at the edge, squeezed to the upper limit of his chest register and threatening to crack at any moment."[303] MacDonald described "I've Got a Feeling" as a "raunchy, mid-tempo rocker" with a "robust and soulful" vocal performance and "Back in the U.S.S.R." as "the last of [the Beatles'] up-tempo rockers", McCartney's "belting" vocals among his best since "Drive My Car", recorded three years earlier.[304] ff782bc1db