The score for the film was written by John Williams; it is his 28th collaboration with Spielberg.[31] The music is a combination of traditional orchestral instrumentation and what Williams has called "very light, computerised electronic effects."[32] Williams was originally attached to write the music for Spielberg's Ready Player One, but, because both films had similar post-production schedules, Williams chose to work on The Post, while Alan Silvestri composed for Ready Player One.[32] Spielberg has said that The Post was a rare instance in which he went to the recording sessions "having not heard a note" in advance.[33]

The first official image from The Post was released on October 31, 2017.[40] The trailer for The Post premiered exclusively on The Late Show with Stephen Colbert, on November 7, 2017,[41] and the film's poster, designed by BLT Communications, was released the next day.[42][43] The first TV spot, titled "Uncover the Truth", was released on November 21, 2017. Music for the trailer featured the Boston Typewriter Orchestra.[44][45]


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I will also say again, for the record, that I have been very blessed and am eternally grateful that the movies brought so many people to the books. That is a wonderful thing movies can do for books, and all authors dream about getting that opportunity. Very few actually get to experience it. I just wish, well . . . You can read below, and see exactly what I was wishing and worrying about, back in 2009!

"Don't worry, we'll fix it in post," the director says. Post production in the real world generally involves scores of computer generated graphics that alter things, such as reducing the size of Lindsay Lohan's breasts in Herbie: Fully Loaded. Man, Disney sucks.

Also, you can effectively access Post Production through the Movie Player option on the main menu of the game. You can't re-shoot scenes if you see problems (because there's no icon anywhere to drag and you're technically not in a game), but you can still add subtitles, change music, export movies, and so on.

What's the point, you may ask? Let's say you shot a conversation scene, and in post, you see that it ran too long. You could re-shoot that scene to get a shorter one, but to save time, you can split it. Play the movie through that scene, then pause it when you feel the speech went on long enough. Hit the Split Scene button. Now, you can delete the second part of the scene (the method is below), and you're left only a partial piece of the original scene, and it's exactly the length you wanted it.

The next button is the Online Thumbnail button.

 When you upload movies to the official Lionhead website, you are asked to submit a thumbnail for the movie too. By clicking this button, the game will take a tiny screenshot of whatever you're currently looking at. This does not appear to export a picture like a JPG, but if you upload the file, the site will automatically know what to display for the thumbnail.

The price on high quality stereo conversion varies in the range of $25,000..100,000 per minute according to several estimates. In your case, Titanic's 3D conversion is estimated to $18,000,000. You can read more about techniques here or read about the art of stereo conversion of some famous movies here.

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Marvel Studios may have perfected the art of the post-credits scene (or end credits stinger), but the fact is that the practice of adding an extra scene at the end of a film's credits has been going on for a long time. Movies like Young Sherlock Holmes and Ferris Bueller's Day Off had stingers tacked onto their movies ages before Nick Fury showed up in Tony Stark's living room, telling the narcissistic superhero that he was putting a team together.

The thing is, most people nowadays tend to associate post-credits scenes with superhero movies, even though they all don't have one. Sure, every Marvel movie has a post-credits scene, but the majority of DC Comics offerings don't. Even the X-Men franchise has managed to feature only a few stingers. There's a slew of films out there with end credits scenes most people haven't seen (or even know exist), so we thought we'd help out with that.

When it comes to comic book movies, most people think of costumed superheroes. But the genre has a bit more to it than just people in capes taking on the villain of the week; there are people like John Constantine, an antihero and occult detective from DC Comics' Vertigo imprint. The character recently made his live-action debut on television in the Arrowverse, played by Matt Ryan, but almost a decade prior, Keanu Reeves appeared as Constantine in Francis Lawrence's movie of the same name, which also happened to be the director's feature film debut.

At one point in the movie, Shia LaBeouf's character, Chas Kramer, is beaten to death by the archangel Gabriel, who was masquerading around as an invisible creature. While the movie's ending is as happy as it could be, the real happy ending comes in the post-credits scene. When Constantine visits Chas' gravesite, he places a lighter on top of the grave and says, "You did good, kid." At that moment, Chas appears as an angel and then flies up into the sky, presumably to Heaven.

Walt Disney Animation Studios has been experiencing something of a renaissance these past few years, evidenced by releases such as Tangled, Frozen, and Big Hero 6 -- the latter of which is loosely inspired by the Marvel superhero team of the same name. Even though Big Hero 6 isn't a Marvel Studios production, that doesn't mean Disney was going to pass over the opportunity to include a post-credits scene.

During the credits, newspaper headlines reveal that the university dedicated a building to Tadashi's memory while also awarding a highly-coveted grant to Hiro. Then, in the post-credits scene, we discover that Fred's father was actually a superhero, played by Stan Lee. He then shows up, in person, and tells Fred that they have a lot to talk about.

Zombieland was an unlikely success when it released in 2009, becoming the highest-grossing zombie flick in the U.S. until Brad Pitt's World War Z. It's also in good company, being one of the most critically acclaimed zombie movies of all time. Still, those two points don't begin to describe Zombieland's wackiness. After all, a significant portion of the movie is dedicated to finding the last Twinkie in the country.

In a post-credits scene, Skeletor pops out, breaks the fourth wall, and tells audiences not to fret, for he will be back. The way he said it was more blunt, of course, and less like Arnold Schwarzenegger in Terminator 2. Still, the big baddie promised an inevitable return, one that we still haven't seen come to pass three decades later. Perhaps he'll show up in the planned reboot instead?

Liam Neeson is an Academy Award-nominated actor, and someone who has appeared in countless roles as a mentor, but in recent years, he's redefined himself as a modern day action star. Still, not all of Neeson's films are traditional action movies. In 2012, he starred in Joe Carnahan's survival thriller The Grey, which centered around a group of petroleum landmen who brave the harsh conditions of the Alaskan woodlands. Along the way, they encountered grey wolves who are determined to kill every last one of them, and, well, that's exactly what happens.

After a while, Neeson's character, John Ottway, ends up as the last man standing. He eventually finds himself unwittingly walking straight into the wolves' den, and instead of running, he decides to go head-to-head with the alpha wolf. Unfortunately, the movie ends before we find out the result of the fight. In a post-credits scene, though, we see both Ottway and the wolf lying on the ground, both breathing, but gravely injured. Whether Ottway survives or not is still undetermined.

Instead of teasing a potential sequel, or poking fun at a scene earlier in the movie, the post-credits scene in Jingle All the Way reminds audiences that you can't forget to get gifts for everyone in the family, not just your children: as Howard sets up the Christmas tree and begins to celebrate with his wife and son, he realizes that he never got his wife, Liz, a present. The shock on Schwarzenegger's face is enough to muster a chuckle or two from audiences -- those that actually stuck around through the credits, that is.

The J.J. Abrams-produced, Matt Reeves-directed Cloverfield pulled off one of the most impressive marketing campaigns in cinematic history when the film released in 2008, and the movie has since become one of the most beloved monster movies in recent memory.

The Simian Flu is the primary source of human eradication in the rebooted Planet of the Apes series, and that is teased early on in Rise, though we actually don't see it take hold. What we do see are the apes freeing each other and becoming smarter -- much smarter. Caesar even learns to speak. However, in the film's post-credits scene, we see David Hewlett's Hunsiker, a pilot, at the airport, getting ready to board a flight while suffering from a not-so-innocuous nosebleed. This is after he was exposed to the virus earlier in the movie, so it's a clear sign that he's at least partially responsible for the spread of the Simian Flu.

If there's any franchise out there that has defied all rules and expectations, it's Fast and Furious. What started out as a rather forgettable street racing movie in 2001 has turned into one of the biggest, highest-grossing franchises in movie history, and there are still three installments left that we know of. Each movie has tacked on a few additional cast members and tweaked the franchise's formula in some way, though you may not have realized that they've each featured a post-credits scene. They've all been interesting, but the scene from Fast Five stands out the most. be457b7860

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