In January 2014, Rani Mukerji who plays the role of a crime branch officer in the film met Mumbai Police Crime Branch chief as part of research for her role.[10] It was speculated that her role was inspired by IPS officer Meera Borwankar, who was also an investigation officer in the Mumbai 26/11 case.[11] For her role, Mukerji trained in Krav Maga, a street-fighting, self-defence system developed for the Israeli military. It was directed by Pradeep Sarkar and written by Gopi Puthran.[12]The cinematographer for the movie was Polish Artur urawski.[13]

In Pakistan, Central Board of Film Censors gave the film adult Certificate but objected on few scenes. The Board asked for seven cuts and wanted certain scenes to be blurred, but the film makers were of the view that "it would lead to loss of the essence of the narration of the movie" and hence decided not to screen the movie in Pakistan.[17]


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In the first five minutes of the movie, Mukherjee chastises a colleague for slut-shaming a survivor of sexual violence, saying that she had it coming. Mardaani 2 constantly challenges victim-blaming and the notion of the ideal victim; it questions and condemns the Madonna-Whore complex that years of patriarchy and misogyny have conditioned a whole culture to have.

Poet Chauhan just wanted to praise Rani of Laxmibai and her bravery. With good intent and poetic license she coined the term mardaani to refer to a brave woman. She wasn't saying "Rani of Jhansi is masculine" nor is she saying "bravery is masculine". She is simply saying "Rani of Jhansi is brave".

The use of the term "mardaani" is a nod to Subhadrakumari's poetry and nothing more. To discard the term simply because it does not meet modern sensibilities would mean erasing the work and intent of a prominent female poet and her contribution to Hindi literature and culture. 

Seriously? a supposed "feminist" film would not require to show such gory depiction of a sexual assault, that too in a freaking trailer to entice audiences.. adults in audience can fully understand what a crime means without the 80's style woman-screaming-in-pain-and-dragged-out-of-clothes filming, their only excuse to show such a graphic depiction is because seeing rape on-screen is actually exciting for many. As for the title, yes mardaani, when used in context of 21st century, is effectively praising the mard qualities.

Poet Chauhan just wanted to praise Rani of Laxmibai and her bravery. With good intent and poetic license she coined the term mardaani to refer to a brave woman. She wasn't saying "Rani of Jhansi is masculine" nor is she saying "bravery is masculine". She is simply saying "Rani of Jhansi is brave". 

The use of the term "mardaani" is a nod to Subhadrakumari's poetry and nothing more. To discard the term simply because it does not meet modern sensibilities would mean erasing the work and intent of a prominent female poet and her contribution to Hindi literature and culture.

So `Mardaani` is exactly a remake of `Taken`. The story, plot, some characters, and even certain sequence of events are very similar. The obvious changes like female protagonist and Indian setting influence the other changes as a domino effect for the rest of the movie.

This is obvious as Liam Neeson wasn`t almost raped in the climax of `Taken`. (How interesting would it have been if he was though. Imagine this conversation on mainstream Hollywood movie sites.) I was initially surprised by the amazing phone conversations between Mukherji and the antagonist, until I realize that it`s an attempt to re-create the, now meme-worthy, scene of Neeson threatening his daugther`s captors. But the plot of daughter (figure) getting abducted, then groomed, drugged and moulder into being an play thing as part of a sophisticated sex trafficking ring for influencial clientelle is pretty much bang on.

I`m glad you liked this movie, as a lot of people complained that Mukherji`s role is just that of a man, with a women stepping into it. While I kind of agree, I don`t think that`s necessarily a bad thing. The thing that makes me wary of this feminism debate, is that sometimes I find that the rare instances that some progressive things do happen, are overshadowed as being `not enough`. But isn`t any change or forward movement a good thing? Similarly, while you find Mukherji`s depiction as a woman in this role to be reflective of how all women have to shrug off emotional attacks and function in their daliy lives, I see the opposite, but in a complimenting way. The fact that the supporting actors (not counting the antagonists, because they have to be assholes) don`t reference or acknowledge that fact that she`s a woman police officer in charge, etc, to me is awesome. And to the point, even the villain didn`t talk down to her simply because she`s a woman, but spoke to her with the same level of respect + hero/villain dynamic that would be extended to a male protagonist.

In certain situations, we can`t achieve equality if the differences are always being distinguished to the point of paralysis. And this holds true a lot more in occupations such as law enforcement. You can accomodate between a man and woman till you win elections, but if that accomodation gets someone killed, then what`s the point? So Mukherji being completely masculine (while not becoming a joke) in the sense that she`s doing things that are usually associated with men in Bollywood movies as action `heroes`, and no one in the movie is drawing attention to that, is commendable. be457b7860

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