Orchard Raymond Songs Download NEW!

He noted that he also started singing during the time when freedom fighting songs were a trend in Northern Uganda at around 2006 when Lucky Bosmic Otim plus other musicians were singing encouraging songs that touched souls.

Naomi Slade An Orchard Odyssey

This is a cheerful book, stuffed full of high quality, evocative photos and also lots of practical advice for starting your own orchard, even in the most urban of locations. Naomi is big on community action, from orchards to smaller growing schemes, and she shows clearly how every little bit of green benefits the whole habitat, including the humans who live there. Her enthusiasm shines through this book, giving us no excuse for not getting out there and getting involved. I would recommend giving this book to anyone who wears their eco status with pride, and to anyone thinking about starting any kind of community green project, not just an orchard. Although the more community orchards there are, the better, of course.

Orchard Raymond Songs Download

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We emailed ideas back and forth, and talked on the phone (landline). We shared our musical projects with each other, sending CDs by post in the days before Dropbox and WeTransfer. We then started thinking about songs to record. We were both big fans of Shirley Collins and Martin Carthy, so drew on their repertoires. Dave had just ordered the 20 CD Voice of the People anthology from Topic Records, so that gave us a lot to wade through and I'd been digging around in books for lesser known traditional songs to sing at my local folk session. Most of the songs we ended up working with were ones we took from Shirley Collins and Martin Carthy, one exception being the Child Ballad 'Brown Robin' with its story of love, deception and cross-dressing involving a king's daughter and her lover, which we were keen to include. We could find neither a recorded version of that song nor a tune associated with the words, so I wrote a tune for it and we recorded it.

There is a bird in my father's orchard,

And dear, but it sings sweet!

I hope to live to see the day

This bird and I will meet.'

'O hold your tongue, my daughter Mally,

Let a' your folly be;

What bird is that in my orchard

Sae shortsome is to thee?

I was certainly not appalled and replied expressing interest in the project. Dave and I started corresponding and quickly found common ground: a shared love of and respect for traditional music, coupled with an eclecticism and experimental approach. At that stage Dave told me that he wasn't what he considered to be a real musician, saying \u201CMy instruments are my computer, my samplers and lots of pieces of tape. Having said that I have always strived to make sounds and music that is organic. I suppose I am more of a sound sculptor really, who understands the conventions of music and uses them. I am obsessed by rhythms and drones. I love working with real singers and musicians because they give needed life and vitality, sometimes difficult to create entirely on a computer.\u201D I was a more conventional though largely self-taught musician, and had just released my first album, Beautiful Twisted, which was a collection of songs I'd written on guitar and banjo, taking melodic cues from traditional songs and tunes.

We fed off each other's excitement about the way the songs were developing and hoped other people would also be enthusiastic about the project, which by then had been named 'Birdloom'. Dave played some tracks to his Loop Guru bandmate Sam Dodson and reported back that \u201CRosemary Lane is becoming totally addictive. I played it to Sam, who not a renowned folk love. He adored it.\u201D I shared tracks with Oxford friends John Spiers and Jon Boden, who were just starting to make a splash in the traditional folk world. They also loved what they heard and wanted to get involved, so we scheduled in recording sessions with the two of them, adding John's melodeon and Jon's fiddle to a number of tracks.

At the time of that broadcast, we described the project as follows: \u201CThe idea behind Birdloom is to mix ancient with even more ancient and tradition with modern. To take traditional English folk songs and enhance their stories with cinematic tendencies. To breathe rhythmic life into the cobwebs and create a new twenty-first century folk music.\u201D We had high hopes and sent out demos to a number of record labels. None of them wanted to release the music, though, so it got shelved. We both became busy with other projects and life moved on. Over the years Dave and I corresponded intermittently and after a 3 year gap I received a nice email from him catching me up with his latest news and saying \u201CI still listen to the Birdloom music. It doesn\u2019t date. I would still like to see it released sometime. I think it is worthy of that.\u201D

I have yet to attend one of their live shows; however, the footage on YouTube is proof enough that this band has true talent. The studio and live versions of their songs are nearly identical and their energy is phenomenal.

He had a strong, Christian faith that he was comforted by even in his final days. Jerry enjoyed bowling in league earlier in life. He had passion for music and liked writing and performing his own songs. Jerry was also a lifelong Elvis fan. Being from Illinois, he was a fan of the Chicago Cubs, but when it came to football season, Jerry was a proud Green Bay Packers fan. Above all, he loved spending time with Lori Raymond, his longtime girlfriend of 28 years, who cared for him as his health began to decline in recent years. Jerry also enjoyed spending time with his dog, Lana.

POP Orchard Director Alkebu-Lan and I were weeding the food forest orchard at the Fairmount Park Horticultural Center on a humid late July afternoon, when I saw a dragonfly unlike any other that I had seen before. In between breaks from sudden, summer cloud bursts, it zipped quickly through the air, landing on a branch in among the asters, long enough for us to observe it. Its bright turquoise face, black-and-white zebra-striped body, and shimmering light blue tail captivated me, catching my curiosity in questions about its life and interrelationships in our local ecology in these times of intensifying climate change.

"There is a long list of great Raymond Scott songs from which to pick, but we knew that were some tunes we had to include, such as 'Powerhouse' and 'Toy Trumpet,' but we were excited when the Raymond Scott Archives presented us with an unfinished lead sheet to a song called 'Cutey and the Dragon' that Scott was working on with, and for, his granddaughter Kathy. They asked if I wanted to arrange it, but as I examined the lead sheet, I realized that it really wasn't a finished composition, but rather a work in progress. So the Scott family gave me the honor of finishing the composition. This allows us to present something rare-a previously unheard composition by Raymond Scott."

Traditionally, Tikopia life has been permeated by the contrast between land and sea. Living on a tiny island less than three kilometres across, more than 150 km. from any larger land and 100 km. from Anuta, an even smaller dot in the ocean, the people of Tikopia were habituated to the constant sight of a horizon without a break all round, and the constant sound of the sea, from the quiet wash of the surf on a windless night to the roaring of breakers in a storm. The sea was a vital economic resource, for daily bathing, and for supply of almost their only flesh food, fish. It was also their sole avenue of communication with the outside world, by outrigger canoe, until in the nineteenth century European vessels made an occasional visit. And while it offered Tikopia men the opportunity to travel to other islands and satisfy their thirst for adventure, it continued to be a grave for large numbers of their most active young men and distinguished elders. Awareness of the sea was built into the Tikopia language. Not only has there been a large vocabulary connected with the sea, canoes and fishing, but also consciousness of the sea has entered into the most elementary directional indicators. In spatial distribution of objects, and orientation of personal activity, the most general sign has been the ascription of ngatai or ngauta - seawards or landwards - terms which can be used even if one is working on an orchard in the centre of the island or wrapped up in a blanket in a house (cf. Firth 1936: 18-21).

The programme started with a lively sing-along session led by Creative Expression Ministry (CEM). The audience actively participated in belting out Hokkien, Teochew, Cantonese and Mandarin songs. A bonus act was the duet between guest speaker Rev Dr Koh Nam Seng (one of the pioneers of the Xinyao movement back in the 1980s) and our Pastor-in-Charge Rev Raymond Fong.

Following that, Rev Koh presented the message. He asked us, in the midst of the seasonal gaiety, what happened during the moments when we were alone after the festivities. Did we have faith, hope and love in our hearts? He beautifully wove in a few of his songs which addressed the topics of loneliness and second chances, and gave an invitation for the audience to accept the true gift of Christmas, which is our Lord Jesus Christ. 006ab0faaa