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If you want a light, foldable DJ monitor headphone with single-ear monitoring, a swivel-and-fold frame and a coiled cable that already ends in both 3.5mm and 6.35mm plugs, choose OneOdio A71; if you need a closed-back 50mm driver monitor with an 18Hz–22kHz response, a long attached cable and a one-year limited warranty, choose Turnstile Audio TAPH100.
• OneOdio A71 — biggest strength: a genuinely DJ-friendly build. The earcups swivel 90° for single-sided monitoring, both cups fold inward, the headband stretches, and the coiled cable ends in both 3.5mm and 6.35mm gold-plated plugs, so you can go from laptop to mixer without hunting for an adapter.
• OneOdio A71 — biggest trade-off: with 40mm dynamic drivers and a 20Hz–20KHz range, it is the less extended of the two on paper, and the spec sheet lists both a wired 3.5mm jack and Bluetooth, which is worth clarifying before you buy if you specifically want a pure wired monitor.
• Turnstile Audio TAPH100 — biggest strength: larger 50mm dynamic drivers and a wider 18Hz–22kHz frequency range, in a closed-back design with pivoting, folding padded earcups and passive noise cancellation for isolation.
• Turnstile Audio TAPH100 — biggest trade-off: a single 9.8' attached cable with a 3.5mm connector, so 6.35mm gear needs an adapter, and the fit is described as on-ear rather than over-ear.
• Who the A71 is for: DJs and home-studio users who want swivel cups, one-ear cueing, a coiled dual-plug cable and a compact folding frame.
• Who the TAPH100 is for: buyers who prioritize driver size, low-end extension and closed-back isolation over cable flexibility and on-the-fly monitoring.
The A71 is built around the way DJs and home recordists actually work. The 90° swiveling earcups are the headline here: you can rotate one cup away and cue a mix with one ear while the other stays on the room, which is exactly what you do behind a controller or when tracking a vocalist who needs to hear you. Both earpads also fold inward, and the headband stretches, so the whole thing collapses small enough to live in a gig bag. At 290 g it is listed as a lightweight design, and the protein-leather cushions are shaped for noise isolation and long sessions.
The cable setup is the part I like most for studio duty. You get one coiled cord that stretches roughly 6.6 to 9.8 ft, with gold-plated 3.5mm and 6.35mm plugs on each end. Plug into a laptop, an amp, a mixer, an electric guitar, a keyboard or an e-drum module without an adapter. There is even a shared audio port, so a second pair can piggyback on yours for listening together. Sound is described as Hi-Res compatible with powerful bass, clear vocals and crisp highs, and the spec sheet lists a 32-ohm impedance, 110 dB sensitivity, and a 20Hz–20KHz range.
Buy the A71 if you are a DJ, a podcaster or a bedroom producer who wants one headphone that handles cueing, tracking and casual listening. Skip it if your priority is the biggest possible driver and the deepest bass extension, or if you want a closed-back monitor with published isolation figures.
The TAPH100 is positioned as a closed-back studio monitor that also covers field and DJ work. The 50mm dynamic drivers are the biggest single difference from the A71, and Turnstile describes the tuning as loud, clear, distortion-free and bass-infused. On paper the frequency range backs that up: 18Hz at the bottom against the A71's 20Hz, and 22kHz at the top. That extra reach at both ends is the kind of thing that matters when you are checking sub content in a mix or want a bit more air on cymbals.
Isolation is the other reason to pick this one. Closed-back cups plus passive noise cancellation mean the pads are doing real work keeping room sound out and your track in — useful for tracking, for noisy shared spaces, and for anyone who does not want to be the person whose click track leaks into the room. The earcups pivot both vertically and horizontally, which is a genuinely useful fit feature, and they fold down for storage. You get a 9.8' attached cable terminated in a 3.5mm connector with a 1/8" adapter included, and a 32-ohm impedance that the manufacturer calls out as suitable for mobile devices.
Buy the TAPH100 if you want a closed-back monitor with larger drivers, wider frequency range and a one-year limited warranty, and you mostly work from 3.5mm sources. Skip it if you need a 6.35mm plug without an adapter, want a coiled cable, or rely on swiveling cups for single-ear cueing.
• Best for DJ cueing and one-ear monitoring → OneOdio A71. The 90° swivel is the whole point.
• Best for driver size and low-end extension → Turnstile Audio TAPH100. 50mm drivers and an 18Hz floor beat 40mm and 20Hz on paper.
• Best for plug-and-play with pro gear → OneOdio A71. Dual 3.5mm and 6.35mm plugs on a coiled 6.6–9.8 ft cable, no adapter needed.
• Best for isolation in a shared or noisy room → Turnstile Audio TAPH100. Closed-back cups with passive noise cancellation.
• Best for travel and storage → OneOdio A71. Foldable cups, stretchable headband, 290 g, and a protective case in the box.
• Best for long-cable freedom at a desk or field rig → Turnstile Audio TAPH100. A single 9.8' attached cable.
• Best for fit adjustment → Turnstile Audio TAPH100. Cups pivot both vertically and horizontally.
• Best for sharing audio with a second listener → OneOdio A71. The built-in share port means no splitter.
In my opinion, the A71 is the better buy for anyone whose main job is DJing. The swiveling cups, the coiled dual-plug cable and the folding frame are the features that actually get used at a gig, and the 32-ohm, 110 dB spec means it will get loud off a controller or a phone. I would pick the TAPH100 instead if I were mixing in a closed-back monitor and wanted the bigger 50mm drivers, the 18Hz–22kHz range and the isolation that comes with a sealed cup. Decide which of those two jobs is yours, then check the current price on Amazon — that is the last variable, and it changes.
what is studio monitor headphones
Studio monitor headphones are designed for accurate, neutral listening rather than a heavily colored consumer sound — the idea being that what you hear while tracking or mixing is close to what you are actually recording. Both headphones here are dynamic-driver, 32-ohm wired designs aimed at that job, with the TAPH100 specifically sold as a closed-back studio monitor and the A71 aimed at studio recording, monitoring and mixing.
why do djs wear headphones
DJs wear headphones to cue the next track before the audience hears it, and to beatmatch by ear. That is why single-ear monitoring matters: you keep one cup on the incoming track and one ear on the room. The A71's 90° swiveling earcups are built exactly for this, and the TAPH100's pivoting, folding cups let you angle one side away too.
why do djs need headphones
Because the booth monitor and the crowd do not tell you what is coming next — your headphones do. You need a sealed or semi-sealed cup for isolation, enough sensitivity to get loud off a controller, and a cable that reaches your mixer. The A71 covers all three with 110 dB sensitivity, a coiled 6.6–9.8 ft cable and both 3.5mm and 6.35mm plugs.
why djs wear headphones
Same reason as above, and it is worth repeating because it drives the buying decision: cueing and mixing. If you cue with one ear, favor the A71. If you mostly track or mix in isolation and want a closed-back monitor with larger 50mm drivers, the TAPH100 is the more natural fit.
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See also: Audio-Technica ATH-M30x vs LEKATO P30: Studio Monitor, Audio-Technica ATH-M40x vs OneOdio DJ Hi-Res Over-Ear, Audio-Technica ATH-M40x vs OneOdio Pro10