列支敦士登护照能做假吗,【telegram:十852 55367074】（whatsApp:+852 55367074）『真实办护照，可根据客户样本制版印刷』可加急 ,【telegram:+852 55367074】【WHATSApp:+852 55367074】『办理驾驶证、身份证id、居留证、各种证明，发货速度快。』 联系我们【飞机\whatsapp 同号:+852 55367074】列支敦士登护照能做假吗,列支敦士登护照能做假吗,列支敦士登护照能做假吗 Original Wang Buyi, business figure, included in the topic #姹熸箹2#娣卞絸2#鍑彂椹姳2#寰蜂簯绀?#Guo Degang2 Author: Wang Buyi Source: Business Figure (ID: biz-leaders) After "Hello, Li Huanying" became popular, some people began to impatiently settle accounts with Jia Ling.The investment cost of "Hello, Li Huanying" is about 80 million yuan. Based on the estimated box office of 5.22 billion yuan, Jia Ling's Dawan Entertainment revenue range is 19.16 million yuan to 121 million yuan.This is the second time a comedian鈥檚 income has been so focused on.The last time was in 2017, when Happy Mahua disclosed the name of its supplier for the first time, and Shen Teng鈥檚 鈥渟alary鈥?was exposed: 60.76 million yuan.In 2018, this number was 92.49 million yuan.Comedy is a good business.Yi Comedy Jianghu is very interesting, with several of the most popular comedy labels on the market running through one thread: In 2001, Zhao Benshan spent 200,000 to hold the first "Benshan Cup" duet contest. Feng Gong participated in that event, and Xiao Shenyang and his wife won the bronze medal.After the competition, Zhao Benshan began to recruit outstanding duet actors from the Northeast and established the Liaoning Folk Art Troupe, which was the predecessor of Benshan Media.In 2003, Jia Ling, still known as Jia Yuling, signed up for the first Beijing Crosstalk Competition and won the championship.Guo Degang also participated in that cross talk competition and won third place.After the competition, Jia Ling became a teacher of Feng Gong, and Guo Degang became a teacher of Hou Yaowen.At that time, Jia Ling and Guo Degang were both in their teens, living in a basement and earning dozens of dollars per performance.In 2009, Deyun Club had already caught the express train of Beijing TV. The cross talk group "Zhiyou" took advantage of this opportunity to join the "Deyun Cross Talk Alliance" initiated by Guo Degang. Deyun Club was one of the top ten in the cross talk world.Wang Zijian is one of the "best friends".Zhang Boxin and Wang Zijian also said a piece of "I Love Guo Degang".Wang Zijian later went to Dragon TV and opened a program called "Tonight, Post-80s Talk Show". Li Dan worked as a screenwriter there, and Ye Feng, the founder of Xiaoguo Culture, served as the program director.鈥斺€擝enshan Media, Deyun Society, Xiaoguo Culture, and Dawan Entertainment are all strung together on this shining golden thread of comedy.If you add Happy Twist, sketches, cross talk, dramas, and talk shows will all come together, and everyone will be in the same pool.Undoubtedly, it was Uncle Benshan who was the first to turn comedy into a golden pastry.But in fact, before Zhao Benshan, the first person to make a comedy movie was Chen Peisi.In the 1980s, when "scar literature" was still dominant, Chen Peisi and his father were trying comedy movies, and made "Father and Son", "Two Sons Open a Shop", "Idiot Manager" and so on.In 1991, Chen Peisi founded Hainan Comedy Film and Television Co., Ltd., which was later renamed Avenue Pictures and is now called Avenue Culture.But in business, Chen Peisi is not as good as Zhao Benshan, or in other words, he was born at the wrong time.At that time, the Chinese film market was sluggish, and Chen Peisi's films were relatively popular at the time, but he didn't make much money. At the most difficult time, he even owed 2 million, and had to rely on acupuncture and commercial acting with Zhu Shimao to repay the debt.Zhao Benshan's thinking is more grounded than Chen Peisi's, and he also knows how to use his own advantages.He defined his own sphere of influence: Northeast, Errenzhuan, and rural areas.Two-person stage performances have always been the revenue pillar of Benshan Media. The total box office revenue of "Liu Laogen Stage" in 2007 reached 58 million yuan, and the total revenue in 2008 reached 100 million yuan.At its most glorious moment, the "Liu Laogen Stage" opened in the center of Beijing. There were so many political and business celebrities who came to show their support that Jackie Chan could only sit three rows away.Film and television is another major cash flow for Benshan Media.The "Liu Laogen", "Ma Dashuai" and "Hometown Love" series produced by Benshan Media are basically guaranteed to make a profit, because Zhao Benshan uses his own apprentices as actors, and the venues are mostly provided by locals. The cost of each drama does not exceed 10 million.Judging from the ratings of "Hometown Love 1" on CCTV, which surpassed "Wulin Gaiden", and "Hometown Love 2"'s highest ratings of 11.62%, surpassing the popularity of "Xinwen Lianbo", the dramas produced by Benshan Media are not worried about sales.Some media have revealed that before 2014, the price of each episode of the "Hometown Love" series was 500,000 to 600,000 yuan, and later increased to one million yuan per episode.Zhao Benshan also wants to make movies.In 1998, he participated in "The Director". Later, Benshan Media invested in "Laughing in the River", hoping to promote Xiao Shenyang, but he encountered "Let the Bullets Fly" and "The Orphan of Zhao", and the film schedule was squeezed out."Laughing Out Loud" had an investment of 50 million and a box office of 158 million. It was not a loss, but its reputation was very poor. It set a precedent for traditional comedians to make bad movies.Zhao Benshan rarely touched movies later.There are only two things that make Zhao Benshan worried: one is football and the other is movies.Football is too dirty and the movie water is too deep.There are few traditional comedians who can build an entertainment empire like Zhao Benshan.For example, comedians such as Feng Gong, Chen Peisi, Pan Changjiang, and Jiang Kun who came out of the Spring Festival Gala or CCTV have not been successful in commercialization after enjoying the benefits of the television media.To say that Zhao Benshan's successor is Guo Degang.In 1995, Guo Degang, Zhang Wenshun, and Li Jing founded the Beijing Crosstalk Conference, bringing crosstalk back to the theater. In 2003, the Beijing Crosstalk Conference was renamed Deyun Club.The trajectories of Guo Degang and Zhao Benshan are very similar. Zhao has a close relationship with CCTV and later became inseparable from Liaoning Satellite TV, while Guo is closely tied to Beijing TV. They are both very good at using the platform.After the rise of online media, they have become very close to several major video websites.The models of Deyunshe and Benshan Media are also very similar, both in terms of management and industrial chain.Even Yue Yunpeng and Xiao Shenyang have the same path to becoming famous: after becoming famous, they will appear in variety shows, make movies and TV shows, and inspire other actors to support offline performances.Zhao Benshan said: "No matter who is wearing big floral cropped pants and standing behind me, he will be famous." Guo Degang said: "If I want, I can bring out a Yue Yunpeng a month. If you want to become famous in cross talk, I can calculate the exact date for you." In the comedy world, they are golden fingers. Whoever they click on will soar to the sky.Guo Degang's career in film and television has not been as smooth as Zhao Benshan's. Deyunshe has never produced a TV series, but he has made a lot of movies, but one of them was bad, and Yue Yunpeng's record is not very good. Fortunately, "Pancake Man" became popular and "Song of the Five Rings" became popular.However, the variety show resources of Deyunshe and Benshan Media are pretty good, especially after "Happy Comedian" became a new exposure platform for comedians in 2015, it has almost become the world of these two artists.But now their paths are a little different: Guo Degang began to embrace the fan circle, and Zhao Benshan turned to live broadcasting.In any case, Deyunshe and Benshan Media (renamed "Liaoning Folk Art Troupe" in 2019) are representatives of the Chinese comedy industry who have taken a relatively smooth commercialization path.Neither of them has gone public, and the outside world is full of curiosity about the revenue of the two comedy empires.Zhao Benshan wanted to go public a few years ago, but later gave up. He said: "What is the purpose of going public? It is to expand the company and raise funds. I have money that I have not spent, so what kind of financing can I raise?" Let's talk about "Happy Comedian" again. This program can be said to be the biggest contributor to revitalizing comedians after the sketches declined and the Spring Festival Gala fell into disrepair.Jia Ling and Happy Twist's Shen Teng and Allen all came from here.Cao Yunjin participated in the first season, but after the second season, Guo Degang hosted it, and Deyun Club took the majority. Yue Yunpeng's comedy peak was also promoted by Guo Degang through this program.Shanghai Dragon TV has a comedy gene.Before 2012, Zhou Libo's "Libo Show" was broadcast on Dragon TV.After Zhou Libo was pried away by Zhejiang Satellite TV because "they gave me a number that I couldn't refuse", Dragon TV quickly opened "Tonight, the Post-80s Talk Show" for Wang Zijian.In 2015, Dragon TV assembled a group of sketch and drama comedians and launched "Happy Comedians".It can be said that it is the largest comedy stage after CCTV Spring Festival Gala.In 2016, Dragon TV produced four comedy variety shows in one year.After rising to prominence in "Happy Comedian", Jia Ling established Dawan Entertainment in 2016, with Sun Jibin, the screenwriter and director of "Happy Comedian", holding 25% of the shares.Some of the more famous comedy variety shows in recent years, such as "Comedy Story", are all produced by Dawan Entertainment."Hello, Li Huanying" was originally a sketch that Jia Ling performed on the stage of "Comedy Story".Happy Twist also released the movie "Charlotte" in 2015, with a cost of 30 to 40 million yuan and a box office of 1.4 billion. Shen Teng, who had just won the championship of "Happy Comedian Season 1", became popular again.At the end of the year, Kaixin Mahua was listed on the New Third Board with a valuation of 5.18 billion yuan. In 2013, its valuation was 300 million yuan.Later, Happy Mahua produced "The Donkey Gets Water" with a cost of 25 million yuan, a box office of 173 million yuan, and an excellent reputation.Then there were "The Shameful Iron Fist" and "The Richest Man in Xihong City", both of which made considerable profits. In this way, Happy Twist has established a firm foothold in the comedy world.Before getting involved in film and television, Happy Twist focused on "Lunar New Year dramas" and concentrated on offline theaters. The reason for seeking transformation, Happy Twist CEO Liu Hongtao said, was stimulated by the 1.2 billion box office of "鍥?in Thailand" in 2012.The success of "鍥? is a double blessing from the popularity of movies and comedy.Happy Mahua, which has been simmering for ten years, saw this opportunity and became an instant hit.Under this wave, not only Kaixin Mahua, but also emerging comedy content companies such as Xiaoguo Culture and Happy Media have caught on.From 2015 to 2017, capital was frantically pursuing the comedy content market.The investors behind Happy Twist at the time included Weiying Capital, Shengge Investment, which had invested in Luoji Siwei and Bilibili, and Ning Hao鈥檚 Bad Monkey Pictures.Dawan Entertainment received a 10 million investment from Beijing Culture when it was first established, with a post-investment valuation of 50 million.The youngest Xiaoguo Culture was founded in 2014 and received tens of millions of angel rounds of financing from Wang Sicong Pusi Capital in 2016.In 2017, "Tucao Conference" was born, and Xiaoguo won three rounds of financing, with a total amount of more than 200 million and a valuation of 1.2 billion.Wang Sicong is very optimistic about "Tucao Conference": "This is a form of comedy that young people like, and it is also the direction I am optimistic about the upgrade of comedy consumption." The comedy market is now in a stage of alternation between old and new.Comedy forces old and new are vying for the attention of audiences, especially younger audiences.As Wang Sicong said, comedy consumption is escalating.Where the audience's attention is, there's the money.Chi Zi wrote something after breaking up with Xiaoguo Culture: "The development of talk shows in China is really not that long. It can be said to be a very shallow pool of water, but in such a shallow water, there are so many actors, one on top of the other, like a tower, a spectacle." Nowadays, in the comedy pool, contestants are also stacked one on top, and they are prosperous."I touched my face tremblingly. Could it be said that talk shows have stood up? Has comedy changed?" *The title picture was purchased from Visual China 驶付拷颇坪沮偻壮骋珊悄碧谒疤颇