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I have run Skid Row Garage for the last 12 years. Skid Row Garage is a DIY music venue in York, PA. I have hosted bands from all over the country and all over the world in a tiny room here in York. We have built a community of local musicians and music fans that bands and artists rave about everywhere they go. Recently, the venue was forced to closed. Skid Row Garage cannot continue as it has for the last 12 years. We can no long longer operate as a DIY space. I know how devastating this feels to many people. This will affect our scene locally here in south central Pennsylvania, as well as nationally.
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I am not seeing this as a defeat. I am seeing as as an incredible new opportunity; an opportunity to grow this idea that I have fostered into something bigger and better for everyone involved. We are receiving messages of support from far and wide, and I hope to ask each of you to help me take Skid Row to the next level.
I am going to open a new Skid Row Garage as a legitimate venue. I am going to give local musicians a chance to play to a bigger crowd. I am going to build a venue that can draw in bigger artists than I was capable of attracting to the old location. I am going to make sure that all the misfits and outcasts, who have felt welcome and accepted at Skid Row Garage, will still have a place to call home.
I cannot do this alone. Any building that I find will need to be built to suit our needs. We will need to build a stage, storage rooms, update the wiring and plumbing, install fire suppression, and, of course, build a suitable sound system. This is on top of the rental costs of the building itself, utilities, legal fees, and insurance costs, as well as all the unforeseen expenses that are sure to arise.
This is where I ask you, my community for the last 12 years, for help. I am raising funds to help offset all these costs. I hope we can get this up and running again as quickly as possible, and not cut any corners. The money you donate will be put into building a dream that started in a garage 12 years ago. Anything over the goal will only help us make the venue better for everyone.
So, I ask you to please donate. I ask you to help me to keep bringing bands from all over the world to our little corner of it. Every donation, big or small, is appreciated. If you are unable to donate, please share. Spread the word far and wide and help me keep DIY alive!
Skid Row is an American rock band formed in 1986 in Toms River, New Jersey. Their current lineup comprises bassist Rachel Bolan, guitarists Dave Sabo and Scotti Hill and drummer Rob Hammersmith, with Halestorm singer Lzzy Hale currently filling in on vocals.[2] The group achieved commercial success in the late 1980s and early 1990s, with its first two albums Skid Row (1989) and Slave to the Grind (1991) certified multi-platinum, the latter of which reached number one on the Billboard 200. Those two albums also produced some of Skid Row's most popular hits, both in and outside of the United States, including "18 and Life" and "I Remember You", which peaked in the top 10 of the Billboard Hot 100, and other charting singles such as "Youth Gone Wild", "Monkey Business", "Slave to the Grind", "Wasted Time", and "In a Darkened Room". The band's third album Subhuman Race (1995) was also critically acclaimed, but failed to repeat the success of its predecessors. Those three albums featured the band's "classic" lineup, which consisted of Bolan, Sabo, Hill, drummer Rob Affuso and frontman Sebastian Bach. The band had sold 20 million albums worldwide by the end of 1996. Amid rising tensions, Bach was fired and Affuso left Skid Row towards the end of that year, after which the band entered a three-year hiatus.
Skid Row was formed in 1986 in Toms River, New Jersey, by bassist Rachel Bolan and guitarist Dave Sabo.[5] The pair recruited guitarist Scotti Hill and drummer Rob Affuso through newspaper ads.[6] Lead vocalist Sebastian Bach replaced original singer Matt Fallon after the band spotted Bach singing at rock photographer Mark Weiss's wedding at the age of 18, and the members asked him to join in early 1987. Bolan claimed in a 2020 interview on the Chuck Shute Podcast that, before settling with Bach on vocals, then-future Mtley Cre singer John Corabi auditioned for Skid Row.[7] The band began playing shows in clubs throughout the eastern United States.[citation needed]
Sabo and Jon Bon Jovi were teenage friends and Sabo was briefly a member of Bon Jovi before being replaced by guitarist Richie Sambora. Sabo and Bon Jovi agreed that if one of them made it in the music business, he would help the other out. Bon Jovi's manager Doc McGhee sought out Skid Row and secured the band a record deal with Atlantic Records in 1988.[5] Skid Row recorded its debut album Skid Row at the Royal Recorders in Lake Geneva, Wisconsin with producer Michael Wagener. Before releasing the album, the management paid a reported $35,000 to guitarist Gary Moore for the rights to the name of his namesake band.[8]
The band's debut album Skid Row, released in January 1989, was an instant success. The record went 5 platinum on the strength of three singles: "Youth Gone Wild", "18 and Life" and "I Remember You", the latter two becoming Top 10 hits. Skid Row supported the album by opening for Bon Jovi on their New Jersey tour. As part of the six-month tour, Skid Row played its first-ever UK gig supporting Bon Jovi's outdoor show at Milton Keynes Bowl on August 19, 1989. The next day, Skid Row played a successful club show at London's Marquee Club in Charing Cross Road.[9] Skid Row also took part in the Moscow Music Peace Festival, which was set up to keep McGhee out of jail. McGhee was facing drug trafficking charges, and therefore set up an anti-drug/peace concert in Russia, featuring a few of the artists that he and his brother managed.[10]
Skid Row returned to the UK three months later, opening for Mtley Cre on their European Dr. Feelgood world tour in early November 1989 with Mr. Big.[11] That was followed by a UK headlining tour culminating in a show at London's Hammersmith Odeon, with Vain supporting.[12] Skid Row continued touring into 1990, including supporting Aerosmith on the North American leg of their Pump tour.[13]
In what is referred to as "The Bottle Incident" by fans of the band, Bach was hit onstage with a bottle thrown from the crowd at a concert in Springfield, Massachusetts, where Skid Row was opening for Aerosmith on December 27, 1989. Bach threw the bottle back, hitting a girl (not the thrower), then he jumped on the crowd to beat the person who can be seen on a tour video released by Skid Row called Oh Say Can You Scream in 1990.[14]
Shortly thereafter, at another show, Bach put on a T-shirt proclaiming the anti-gay slogan "AIDS Kills Fags Dead"[15] as a spoof of the slogan for the insecticide Raid, "Raid Kills Bugs Dead". The shirt was previously given to him by a fan, as Bach was seen wearing the year prior. On MTV News Bach dismissed the controversy saying "I don't see what the big deal is really but I guess if someone wore a T-shirt saying "Cancer Kills Grandma's Dead" I'd probably be a little bit pissed too."[16] Bach eventually expressed regret over the incident, claiming that he did not read the slogan before putting the shirt on, even though he wore it for a photo shoot in Metal Edge magazine.[citation needed] The band also recorded a cover of the Sex Pistols' "Holidays in the Sun" for the Make A Difference Foundation release Stairway to Heaven/Highway to Hell.[17]
Skid Row returned to the studio with Wagener in 1990 to record its second studio album Slave to the Grind. The album was released in June 1991 and debuted at number one on the Billboard 200, reaching 2 platinum status without any radio hits.[5] It was a departure for the band; while Skid Row was an album that followed the typical 1980s band formula, Slave to the Grind had a heavier sound. Skid Row once again went out on a worldwide tour that lasted over a year, including a leg supporting Guns N' Roses in 1991 and an appearance at Monsters of Rock in Castle Donington in 1992. The band then took out Pantera, Soundgarden, L.A. Guns and Love/Hate as supporting acts as part of the tour supporting Slave to the Grind.[18][19][20] Skid Row had originally asked upcoming grunge band Nirvana to open for them but they declined, saying that Skid Row was "too homophobic", relating to the Sebastian Bach T-shirt incident.[21] Coincidentally, an earlier incarnation of Nirvana was briefly also named Skid Row.[22]
After the Slave to the Grind tour ended in February 1993 in Australia, where they again opened for Guns N' Roses,[25] Skid Row took an extended hiatus on McGhee's recommendation to wait for the grunge movement to fade away.[26] Also during this period, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album Subhuman Race. The members of Skid Row have claimed that its recording sessions were filled with rising tensions between both the band members and Rock, including debates over the album's musical direction, and have also indicated that this was the beginning of the band's strained relationship with Bach.[27] Subhuman Race was released in March 1995, and peaked in the top 40 on the US charts, supported by the singles "My Enemy", "Breakin' Down" and "Into Another", the latter being the band's last to chart there. Although the album did not achieve the success of its predecessors, it received mixed to positive reviews and has also been viewed as Skid Row's darkest album.[28][29] As of 2019, the band rarely plays any songs from Subhuman Race live; most of them were last performed on the album's tour in 1995, while "Beat Yourself Blind" is the only song they have played live with its subsequent singers Johnny Solinger and ZP Theart.[30] 18c6514909
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