Oliver Twist Musical Full _HOT

Oliver! received thousands of performances in British schools, becoming one of the most popular school musicals.[1] In 1963 Lionel Bart received the Tony Award for Best Original Score. Many songs are well known to the public, such as "Food, Glorious Food", "Consider Yourself" and "I'd Do Anything".[2]

Oliver! was the first musical adaptation of a famous Charles Dickens work to become a stage hit. There had been two previous Dickens musicals in the 1950s, both of them television adaptations of A Christmas Carol. The plot of Dickens's original novel is considerably simplified for the purposes of the musical, with Fagin being represented more as a comic character than as a villain, and large portions of the latter part of the story being completely left out. Although Dickens's novel has been called antisemitic in its portrayal of the Jew Fagin as evil, the production by Bart (himself Jewish) was more sympathetic and featured many Jewish actors in leading roles: Ron Moody (Ronald Moodnick), Georgia Brown (Lilian Klot), and Martin Horsey.[3]

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The musical opens in the workhouse, as the half-starved orphan boys are entering the enormous dining hall for supper. They are fed only gruel, but find some solace by imagining a richer menu ("Food Glorious Food"). Oliver gathers up the courage to ask for more, and is immediately apprehended by parish beadle Mr. Bumble and the Widow Corney, the heartless and greedy caretakers of the workhouse ("Oliver!"). Mr. Bumble and Widow Corney are left alone, and Mr. Bumble begins to make amorous advances ("I Shall Scream!"). Mrs. Corney pretends to resent his attentions, but ends up on Mr. Bumble's lap, as he eventually proposes to her. Mr. Bumble then takes Oliver and sells him as an apprentice to an undertaker, Mr. Sowerberry ("Boy for Sale"). Mr. Sowerberry and his wife taunt Oliver and Mr. Bumble ("That's Your Funeral"), causing Mr. Bumble to become angry and storm out. Oliver is sent to sleep in the basement with the coffins ("Where Is Love?").

Oliver! premiered at the Wimbledon Theatre for a preliminary engagement before opening at the New Theatre (now the Nol Coward Theatre) on 30 June 1960 and ran for 2,618 performances, a record for a musical in London at the time.[4][5] Directed by Peter Coe, the choreographer was Malcolm Clare and costumes and scenery were by Sean Kenny. The original cast featured Ron Moody as Fagin, Georgia Brown as Nancy, and Barry Humphries in the supporting role of Mr. Sowerberry, the undertaker. Keith Hamshere (the original Oliver) is now a Hollywood still photographer; Martin Horsey (the original Artful Dodger) worked as an actor/director and authored the play L'Chaim.[citation needed] Other boys who alternated in the juvenile leads included Phil Collins, Leonard Whiting and Davy Jones as the Artful Dodger. The cast also included Tony Robinson as one of the Workhouse boys/Fagin's Gang, and John Bluthal as Fagin. Former professional boxer Danny Sewell was the original Bill Sikes and remained in the role (including the original Broadway and US touring productions) for almost six years.[citation needed] Steve Marriott played workhouse boys including The Artful Dodger, and he is featured on the original soundtrack LP. Michael Cashman played the role of Oliver during his time in the production.[citation needed]

Georgia Brown, Davy Jones, Ronnie Kroll, Joan Lombardo, and Robin Ramsay appeared performing two musical numbers from Oliver! ("I'd Do Anything" and the Act II reprise of "As Long as He Needs Me") on The Ed Sullivan Show on the evening of 9 February 1964, the same evening that the Beatles made their first U.S. television appearance on that show.[9][10]

LuPone had asked the show's Musical Director to change her keys because they were too low for her, but was told she could not. She wrote that she "had major battles with the musical director", one concerning the term "vamp"; "he never waited for me to finish my dialogue."[13]

Cameron Mackintosh produced another revival of the show which opened at the London Palladium in the West End on 8 December 1994. The production team included a young Sam Mendes as director, with Anthony Ward as designer, Matthew Bourne as choreographer, Martin Koch as music supervisor and William David Brohn as orchestrator. The cast included Jonathan Pryce (after much persuasion) as Fagin, Sally Dexter as Nancy, Miles Anderson as Bill Sikes, James Villiers as Mr. Brownlow, James Saxon as Mr. Bumble, Jenny Galloway as Widow Corney, David Delve as Mr. Sowerberry and Julia Deakin as Mrs. Sowerberry. The role of Oliver was played by numerous child actors during the run of four years, including Gregory Bradley, Ben Reynolds, Jon Lee, Steven Webb, James Bourne, James Rowntree and Tom Fletcher, while the Artful Dodger was played by Adam Searles and others including Matt Johnson, Paul Bailey and Bronson Webb. The role of Bet was played by Danielle McCormack, Rosalind James, Francesca Jackson and Lindsey Fawcett.[16] The musical closed on 21 February 1998.[17] The role of Fagin was later played by many notable British actors and comedians including George Layton, Russ Abbot, Jim Dale and Robert Lindsay (who won an Olivier Award for his performance in 1997). Bill Sikes was later portrayed by Steven Hartley and Joe McGann, and Nancy by Sonia Swaby, Claire Moore and Ruthie Henshall.

A production heavily based upon the 1994 Palladium production opened in London's West End on 14 January 2009. Produced once again by Cameron Mackintosh, this revival was directed by Shakespeare expert Rupert Goold and choreographed/co-directed by Matthew Bourne. Anthony Ward repeated his acclaimed scenic and costume designs while William David Brohn joined the team as orchestrator, revising some of the musical arrangements. Designer Anthony Ward created a new cobblestone effect for the entire stage while the orchestrations were expanded with new dance arrangements given to "Consider Yourself" and "Who Will Buy?" as well as new curtain call/exit music. The prologue from the Palladium production was removed, and the show now opens as it originally did in 1960, with the workhouse children entering, singing "Food, Glorious Food".[citation needed]

British comedian Rowan Atkinson played Fagin. He had played the role in a school production but had turned it down in the Palladium revival. Burn Gorman played Bill Sikes, making his West End musical debut. Three actors shared the role of Oliver: Harry Stott, Laurence Jeffcoate and Gwion Wyn Jones. Robert Madge, Ross McCormack, Eric Dibb Fuller and Jack Glister played The Artful Dodger. Jodie Prenger won the role of Nancy, shared with Australian Tamsin Carroll, who played two performances each week. Sarah Lark, a runner-up on "I'd do Anything" understudied the role. Royal Shakespeare Company actor Julian Glover played Mr. Brownlow with Julian Bleach as Mr. Sowerberry/Dr. Grimwig, Louise Gold as Mrs. Sowerberry, Julius D'Silva as Mr. Bumble and Wendy Ferguson as Widow Corney. The revival was nominated for three 2010 Olivier Awards: Best Revival of a Musical, Best Actor in a Musical (Atkinson) and Best Theatre Choreography, but failed to win any. After the departure of the original Olivers, the role was passed on to Zac Hurst, Francesco Piancentini-Smith, Edward Cooke, Edward Holtom and Ethan Smith. Edward Holtom made a sad departure, one month before his scheduled leave and the date on his contract expired. No reason was given for this.

On 1 March 2013, a planned remake of Oliver! was announced. It was originally aiming for a 2016 release. Cameron Mackintosh, the producer of the film version of the musical Les Misrables was announced as producer, and potential talent included Les Misrables' Samantha Barks, who played Nancy on the 2011-2013 UK Tour, repeating her part and Stephen Daldry as the director.[30]

Oliver! is a 1968 British period musical drama film based on Lionel Bart's 1960 stage musical of the same name, itself an adaptation of Charles Dickens's 1838 novel Oliver Twist.

Directed by Carol Reed from a screenplay by Vernon Harris, the picture includes such musical numbers as "Food, Glorious Food", "Consider Yourself", "As Long as He Needs Me", "I'd Do Anything", "You've Got to Pick a Pocket or Two", and "Where Is Love?".

Oliver! received widespread acclaim from critics. It was hailed by Pauline Kael in her review published in The New Yorker as being one of the few film versions of a stage musical that was superior to the original show, which she suggested she had walked out on. "The musical numbers emerge from the story with a grace that has been rarely seen since the musicals of Ren Clair."[10]

Roger Ebert of the Chicago Sun-Times awarded the film four out of four stars. "Sir Carol Reed's Oliver! is a treasure of a movie," he wrote. "It is very nearly universal entertainment, one of those rare films like The Wizard of Oz that appeals in many ways to all sorts of people. It will be immediately exciting to the children, I think, because of the story and the unforgettable Dickens characters. Adults will like it for the sweep and zest of its production. And as a work of popular art, it will stand the test of time, I guess. It is as well-made as a film can be." He particularly admired Carol Reed's working relationship with the children in the film: "Not for a moment, I suspect, did Reed imagine he had to talk down to the children in his audience. Not for a moment are the children in the cast treated as children. They're equal participants in the great adventure, and they have to fend for themselves or bloody well get out of the way. This isn't a watered-down lollypop. It's got bite and malice along with... romance and humor." Although he stated that the film's roadshow presentation was a minor problem for children, who are not used to long films, he praised the production design, musical adaptation score, and casting and acting, particularly that of Ron Moody and Jack Wild. He concluded, "Oliver! succeeds finally because of its taste. It never stoops for cheap effects and never insults our intelligence. And because we can trust it, we can let ourselves go with it, and we do. It is a splendid experience."[11] He later named the film as the seventh-best film of 1968.[12] e24fc04721