Song sequences are an integral part of the Bollywood movies. In fact, it's an integral part in almost all Indian movies. Quite often, these songs are solely responsible for the commercial success of movies. Anyways, this question always comes to my mind - while shooting these song sequences do they play the songs in background? I mean, how exactly is the lip syncing done? Some sequences are shot in the studio where it seems plausible, but a lot of sequences are filmed at outdoor locations, like a desert or a mountain or some famous monument. How is the syncing done?

And this goes to the outdoor songs as well, where explicitly you need a close up of actors while singing otherwise, playing song is not required. For lip-sync, actors mumble to themselves, if actors are not native speaker and a close up of actors singing is involved in the worst case, directors ask them to say "abcd" or something close to those lyrics, and will be concealed through camera angles to give viewers an impression that they are indeed singing. Later a huge portion of issues are sorted in the editing table.


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I really don't understand this, and it seems to be across several music platforms (T-Series, SonyMusicIndiaVEVO, probably more). I guess it might not really matter to most people, but as a percussionist/musician myself who often likes to cover Desi songs, this really kinda bugs me as I don't understand why they don't just leave songs the way they were meant to be. Has anyone seen this phenomenon and maybe have a reason for this?

SS Rajamouli's Baahubali: The Beginning (2015), Telugu language film started new wave of Pan-India films. Due to COVID-19, the Hindi industry halted, many movies got delayed and released after pandemic ended, in the meanwhile due to years lockdowns audience got confined and got exposed to World cinema through number of OTT platforms such as Netflix, Prime video, Sony LIV etc who became popular, Indian audience not only watched Hollywood movies on them but also lots of movies of South Korean, Spanish etc film industries, and their web series. According to some film critics, the test and understanding of the audience evolved, they became more content driven, they began exploring various film genres. From 2015 onwards, the position of Bollywood as the top film industry of India waned. Some directors, exhibitors, actors and producers claimed that audiences became smarter, and they wanted movies with good stories, and they do not accept mediocre films. Instead of understanding it, Bollywood's film producers continued making films on cliched, bad stories, and did not evolve with their audience. Consequently, big-budget Bollywood films ended up as Box-office disasters in recent past. Since Bahubali (2015) released, many regional language movies emerged as hits throughout India and regional film industries such as Telugu, Tamil, Kannada Film Industry etc., started giving tough competition to the Bollywood movies at the box-office. Many regional actors became known outside their state, where previously they were unknown. Rajamouli's RRR (2021), Telugu film emerged as one of the highest grossing films of Indian cinema. Many Bollywood producers and directors acknowledge the might of regional film industries. Some trade experts and critics believe that audiences eventually will return to Bollywood.[28][29][30][31] In 2022, Hindi industry released 44 movies; out of those, 4 emerged as hits and 40 flopped.[32]

The influence of filmi may be seen in popular music worldwide. Technopop pioneers Haruomi Hosono and Ryuichi Sakamoto of the Yellow Magic Orchestra produced a 1978 electronic album, Cochin Moon, based on an experimental fusion of electronic music and Bollywood-inspired Indian music.[142] Truth Hurts' 2002 song "Addictive", produced by DJ Quik and Dr. Dre, was lifted[clarification needed] from Lata Mangeshkar's "Thoda Resham Lagta Hai" in Jyoti (1981).[143] The Black Eyed Peas' Grammy Award winning 2005 song "Don't Phunk with My Heart" was inspired by two 1970s Bollywood songs: "Ye Mera Dil Yaar Ka Diwana" from Don (1978) and "Ae Nujawan Hai Sub" from Apradh (1972).[144] Both songs were composed by Kalyanji Anandji, sung by Asha Bhosle, and featured the dancer Helen.[145]

In Hindi films, scripts, dialogues and song lyrics might be written by different people. Earlier, scripts were usually written in an unadorned Hindustani, which would be understood by the largest possible audience.[157] Post-Independence, Hindi films tended to use a colloquial register of Hindustani, mutually intelligible by Hindi and Urdu speakers, but the use of the latter has declined over years.[13][158] Some films have used regional dialects to evoke a village setting, or archaic Urdu in medieval historical films. A number of the dominant early scriptwriters of Hindi cinema primarily wrote in Urdu; Salim-Javed wrote in Urdu script, which was then transcribed by an assistant into Devanagari script so Hindi readers could read them.[114] During the 1970s, Urdu writers Krishan Chander and Ismat Chughtai said that "more than seventy-five per cent of films are made in Urdu" but were categorised as Hindi films by the government.[159] Encyclopedia of Hindi Cinema noted a number of top Urdu writers for preserving the language through film.[160] Urdu poetry has strongly influenced Hindi film songs, whose lyrics also draw from the ghazal tradition (filmi-ghazal).[116] According to Javed Akhtar in 1996, despite the loss of Urdu in Indian society, Urdu diction dominated Hindi film dialogue and lyrics.[161]

Bollywood film music is called filmi (from the Hindi "of films"). Bollywood songs were introduced with Ardeshir Irani's Alam Ara (1931) song, "De De Khuda Ke Naam pay pyaare".[169] Bollywood songs are generally pre-recorded by professional playback singers, with the actors then lip syncing the words to the song on-screen (often while dancing). Although most actors are good dancers, few are also singers; a notable exception was Kishore Kumar, who starred in several major films during the 1950s while having a rewarding career as a playback singer. K. L. Saigal, Suraiyya, and Noor Jehan were known as singers and actors, and some actors in the last thirty years have sung one or more songs themselves.

Songs can make and break a film, determining whether it will be a flop or a hit: "Few films without successful musical tracks, and even fewer without any songs and dances, succeed".[170] Globalization has changed Bollywood music, with lyrics an increasing mix of Hindi and English. Global trends such as salsa, pop and hip hop have influenced the music heard in Bollywood films.[170]

Playback singers are featured in the opening credits, and have fans who will see an otherwise-lackluster film to hear their favourites. Notable singers are Lata Mangeshkar, Asha Bhosle, Geeta Dutt, Shamshad Begum, Kavita Krishnamurthy, Sadhana Sargam, Alka Yagnik and Shreya Goshal (female), and K. L. Saigal, Kishore Kumar, Talat Mahmood, Mukesh, Mohammed Rafi, Manna Dey, Hemant Kumar, Kumar Sanu, Udit Narayan and Sonu Nigam (male). Composers of film music, known as music directors, are also well-known. Remixing of film songs with modern rhythms is common, and producers may release remixed versions of some of their films' songs with the films' soundtrack albums.

Songs typically comment on the action taking place in the film. A song may be worked into the plot, so a character has a reason to sing. It may externalise a character's thoughts, or presage an event in the film (such as two characters falling in love). The songs are often referred to as a "dream sequence", with things happening which would not normally happen in the real world. Song and dance scenes were often filmed in Kashmir but, due to political unrest in Kashmir since the end of the 1980s,[171] they have been shot in western Europe (particularly Switzerland and Austria).[172][173]

Another problem facing Bollywood is widespread copyright infringement of its films. Often, bootleg DVD copies of movies are available before they are released in cinemas. Manufacturing of bootleg DVD, VCD, and VHS copies of the latest movie titles is an established small-scale industry in parts of south and southeast Asia. The Federation of Indian Chambers of Commerce and Industry (FICCI) estimates that the Bollywood industry loses $100 million annually from unlicensed home videos and DVDs. In addition to the homegrown market, demand for these copies is large amongst portions of the Indian diaspora. Bootleg copies are the only way people in Pakistan can watch Bollywood movies, since the Pakistani government has banned their sale, distribution and telecast. Films are frequently broadcast without compensation by small cable-TV companies in India and other parts of South Asia. Small convenience stores, run by members of the Indian diaspora in the US and the UK, regularly stock tapes and DVDs of dubious provenance; consumer copying adds to the problem. The availability of illegal copies of movies on the Internet also contributes to industry losses.

Hindi films have become popular in Arab countries,[260]and imported Indian films are usually subtitled in Arabic when they are released. Bollywood has progressed in Israel since the early 2000s, with channels dedicated to Indian films on cable television;[261] MBC Bollywood and Zee Aflam show Hindi movies and serials.[262]

Bollywood movies are regularly screened in Dubai cinemas, and Bollywood is becoming popular in Turkey; Barfi! was the first Hindi film to have a wide theatrical release in that country.[266] Bollywood also has viewers in Central Asia (particularly Uzbekistan[267] and Tajikistan).[268]

Bollywood films are not influential in most of South America, although its culture and dance is recognised. Due to significant South Asian diaspora communities in Suriname and Guyana, however, Hindi-language movies are popular.[269] In 2006, Dhoom 2 became the first Bollywood film to be shot in Rio de Janeiro.[270] In January 2012, it was announced that UTV Motion Pictures would begin releasing films in Peru with Guzaarish.[271] 006ab0faaa

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