Loïc Frazier-Spooner. If a tree falls, does your fat ass mom hear it with her huge fucking ears, 2024.
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OiL. [overt-internet-literature] is a Montréal [Tiohtià:ke] based collective of artists. Bi-monthly editions of OiL. will contain pieces of art pertaining to a central theme (often not, also). Nothing will be censorsed. This, the first edition will surround themes of oil and oily-ness. Every single one of you is the oily-est. Kisses.
Since the dawn of industry oil has lubricated, expedited, and calibrated societal change and industrialization. The only available tool in the ever present fight against friction, fuelling and facilitating industrial development and production, oil is the backbone of industry; subsequently, the foundation of western society. The production and consumption of oil have remained foundational to global politics since the onset of industrialization.
The use of and demand for oil has propelled modernity, freedom of movement, social inequities, colonialism et cetera. Oil is a microcosm for the human desire to further industrial progress in competition with moral and ethical trepidations regarding environmental and humanitarian concerns.
Kayla Sivilla. Would You Still Love Me if I Was a Worm. Acrylic on canvas, 2024.
Maintenance Account in the Most Inferior Ventricle XIII
Maintenance Account in the Most Inferior Ventricle XIII, Sections 2.a and 2.c
January, 1032 A.U.
Chicago, Illinois
“Unity is a funny thing. You shouldn’t get too hung up on it.”
Inside an astrocyte deep under the surface of Chicago, a maintenance man named Abir
sat back and looked at Clancy with his shy eyes. The light was low, and the colour of lymph and
blood. Between them smoke curled in musky obscurity, wafting in gauzy exhalations from the
hookah on the low table, and at sage intervals, from fine pores in the walls.
“I don’t know what it is, Clancy,” Abir said, and the shy crinkles beside his shy eyes asked the
question crouching in his throat. “The growing thing.”
Scritty trickles dribbled drab from the spout of the alabaster tub at the edge of the small
room, dragging dredges drowsy through crooked copper pipes. There was a coloured window
across from the giant face growing out of the wall; a stained-glass mosaic of the Chicago Glial
Department crest. Underneath, the letters ‘B.B.B.’ were embossed in a subtle brass, half
occluded by a fluted ceramic vase holding sleepy yellow camelias.
“Unity?” Clancy sighed expansively, and the walls, which were of course the partitions of his
own innards, fluttered gently. “Well, I suppose it is everything, my friend.”
“Not unity. The other thing, the thing that’s growing down there,” Abir insisted.
“Which other thing ?” Clancy said, laughing with compassion and without sound.
“The other.”
Though they were deep, at least a kilometer from the uppermost skin of the city, Clancy
was nonetheless an epithelial cell – more measured than his subcutaneous cousins, yet every bit
as ready to strangle Abir, reduce his strange, wiry body to its constituent elements, and digest
him. Outside of his jurisdiction, the maintenance man had no titles and no right, and acted
accordingly.
“How do you know it?” Clancy asked.
There had been a work order from the Maintenance Authority. A boy-friend in Lincoln
Park had lured him up to the stratum corneum with pretty slim cigarettes and amphetamine
© Matthew Fudge, September 2nd 2025 for OIL MAG
Adriana Richard. Oil paint on canvas, 2024.
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