This gloriously goofy cheese ball muscleman movie stars beefcake actor Reb Brown (star of those 'Captain America' TV movies of the 1970s) as the title character. Yor is a lone warrior wandering a prehistoric world, who falls in with young Ka-laa (super sexy Corinne Clery of "Moonraker") and her guardian Pag (Luciano Pigozzi, a.k.a. Alan Collins, utility player in many Italian films). He will ultimately go on a quest to learn his true identity, not really knowing the meaning of the medallion he wears around his neck. The three of them will meet other primitive peoples, fight dinosaurs, and end up battling a Darth Vader-like villain dubbed Overlord (John Steiner, another veteran of Italian exploitation cinema).
Yor in for a good time with this lively dose of nutty nonsense. It gets off to a grand start with that irresistible, hilarious theme song. The Leonard Maltin review describes it as "humorously tacky", and that it makes it something to treasure. The clunkiness of the special effects merely adds to the good vibes, as well as the expected (and priceless) antiquated English spoken by many of the characters. Generous on-location shooting in Turkey gives it some solid atmosphere and visuals, and pacing is more than adequate. It rarely passes up a chance to amuse you, with little let up and a tight running time of just under an hour and a half. But it isn't until the final half hour, when "future" and past meet up, that it becomes truly something special. It's just too delightful to see an old-style fantasy type hero in a science-fiction setting, complete with robotic minions working for Overlord.
Browns' performance is definitely acceptable for this sort of fare: he's amiable, and physical, if not possessing quite the same physique as, say, Arnold Schwarzenegger from this period. There's no shortage of truly gorgeous women in skimpy outfits: Clery, Carole Andre as Ena, Ayshe Gul as Roa, and Claudia Rocchi as Tarita. Steiner and Aytekin Akkaya as Ukan are wonderfully hammy villains.
One of the best bits occurs when Yor discovers a radio and smashes it on the rocks, dismissing it as a "damn talking box".
This is one of the best bad movies that this viewer has seen in a while.
Screenplay by Robert D. Bailey and director Antonio Margheriti, based on a graphic novel by Juan Zanotto and Ray Collins.
Eight out of 10.
Where things really start to get interesting is that while they encounter other tribes and more prehistoric monsters they also come in contact with advanced technology and a spaceship. This makes one question what world the movie takes place in. Does the film take place in a true prehistoric age? Or have we gone so far into the future that Earth has destroyed itself with the luckiest humans escaping the planet via space travel while the rest of the globe is sent back to the beginning of man? Or maybe the film involves time travel and all the advanced technology and the spaceship found in this prehistoric world is from someone that traveled back in time? And how exactly does Yor factor into all of this?
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"Yor's World, he's the man! Yor's World, he's the man! [Yor's World!]
Lost in the world of past, in the echo of ancient blast. [Yor's World!]
There is a man from future, a man of mystery. [Yor's World!]
No trails to lead the way, in his search for a yesterday. [Yor's World!]
Misty illusions hiding, his famous destiny. [Yor's World!]
Yor, the Hunter from the Future is a combination of those genres, pulling a Teenage Caveman-esque third act twist to reveal that Yor is a descendant of a more technologically advanced remnant of humanity in a post-nuclear future where humanity has regressed to the dark ages and dinosaurs once again roam the land.
Ken: And it also reveals something else: Yor is not from the future! Rather, this is the future relative to us, but like, Yor is not any more futuristic than the other characters. The title of this film is a lie, Jim. be457b7860
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