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DreamWorks has released a trailer for its upcoming animated film, “The Croods: A New Age.”

The trailer begins with Emma Stone’s character, Eep, reintroducing the prehistoric Croods family as they search for the “perfect place to call home.” They soon discover an idyllic paradise that meets all their needs, except there’s one problem: A family called the Bettermans already live there.

It’s not long before the Bettermans welcome the Croods and introduce them to their “modern life.” However, tensions soon arise and just when all seems lost, a new threat will propel both families on an adventure that will force them to embrace their differences, draw strength from each other and forge a future together.

Universal dropped the first theatrical (?) trailer for The Croods: A New Age, just days after announcing that the animated sequel would open not on December 23 but on November 25. It looks fine, with rich colors, a game vocal cast and a kind of world expansion/amusement park ride sensibility that reminds me of Fox FOXA -2.6% and Blue Sky’s blockbuster Ice Age sequels. Dawn of the Dinosaurs (part 3) really went to town with its 3-D capabilities (six months before Avatar) to create a cinematic equivalent of a theme park ride and earned $195 million domestic and $690 million overseas, then the third-biggest foreign total ever behind Titanic and The Return of the King. Continental Drift would earn $164 million domestic and $718 million overseas in the summer of 2012.

It wasn’t just the 3-D (canny scheduling, an aggressive use of local voice talent overseas), as it was also during a time when any big budget animated movie was automatically an event. This was a time when DreamWorks Animation’s Monsters vs. Aliens could nab $198 million domestic from a $59 million domestic debut in 2009 as The Polar Express could leg out to $164 million (not counting reissues) from a $24 million debut in late 2004. And in this arena, DreamWorks Animation had an earned reputation as the “second best” behind a top-tier Pixar and frankly ahead of a “still getting its mojo back” Walt Disney DIS -3.3% Animation. Pixar was at its best (Finding Nemo to Toy Story 3) when DreamWorks was at its best (Shrek 2 to Madagascar 3).

That’s not to say that Pixar didn’t have its share of “new classics” after they went comparatively sequel-heavy, as I’d put Inside Out and Coco alongside any of the mid-2000’s gems. Ditto DWA, which stumbled during the Fox years but still knocked How To Train Your Dragon 2 out of the park. The Croods represents an interesting dotted line, both the first DWA movie distributed by Fox (Paramount PGRE -4% did the deed from 2006 to 2012) and what is still their second-biggest-grossing non-sequel ($587 million worldwide in early 2013). The Croods also marked the last time that the mere idea of a new DreamWorks Animation flick was itself an event for general audiences. By year’s end, Illumination’s Despicable Me 2 would earn $970 million and Walt Disney Animation’s Frozen would earn $1.276 billion.