Theme music is a musical composition which is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program.[1] The purpose of a theme song is often similar to that of a leitmotif.

The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance.


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From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies.[2] One of the first big successes, which proved very influential, was the theme song for High Noon (1952).[3]

Theme music has been a feature of the majority of television programs since the medium's inception. Programs have used theme music in a large variety of styles, sometimes adapted from existing tunes, and with some composed specifically for the purpose. A few have been released commercially and become popular hits.

Other themes, like the music for The Young and the Restless, Days of Our Lives, and Coronation Street[4] have become iconic mostly due to the shows' respective longevities. Unlike others, these serials have not strayed from the original theme mix much, if at all, allowing them to be known by multiple generations of television viewers.

Most television shows have specific, melodic theme music, even if just a few notes (such as the clip of music that fades in and out in the title sequence for Lost, or the pulsing sound of helicopter blades in the theme music for Airwolf). One exception is 60 Minutes, which features only the ticking hand of a TAG Heuer stopwatch. Another recent exception is Body of Proof which has no theme song, and barely even has a title sequence.

In most television series, the theme song is played during the opening sequence. One exception to this rule is Regular Show, the theme music of which is played only during its ending credits in most episodes. In lieu of its theme music, its opening sequence instead features a tone played on a synthesizer overlaid with a ticking sound effect.

Notable is the theme for the game show The Price Is Right, reimagined as Crystal Waters's "Come On Down" which marked the first time that lyrics were added to The Price Is Right theme song and was the first song based on a television theme song (and the first to come from a game show) to reach number 1 on the Billboard Hot Dance Club Play chart on the week of December 29, 2001.[6][7]

Radio programs with notable theme music include Just a Minute, which uses a high-speed rendition of the Minute Waltz by Frdric Chopin; The Archers, which has Barwick Green; Desert Island Discs which has By the Sleepy Lagoon, and The Rush Limbaugh Show, which uses the instrumental from "My City Was Gone."

In talk radio, a different theme song is often used to introduce each segment, and the music (usually popular music of some sort) will often relate to the topic being discussed. John Batchelor is noted for his use of highly dramatic orchestral scores leading in and out of each segment of his weekly show.

Many video games feature a theme song that is distinctive to the series. A popular one to date is the "Prelude Theme" from the Final Fantasy series, which is played on most, if not all, of the title screens of the original games, most notably Final Fantasy I to Final Fantasy IV. The newer ones also feature the theme, albeit usually modernized, and played during the ending credits.[8][9]

And whether you're streaming on Peacock or tuning in on NBC, you may feel a bit of nostalgia whenever the theme song hits your speakers. The broadcast channel has curated its own music catalog since it got the rights to the Sunday spot in 2006.

"American Idol" season 4 winner and pop/country star Carrie Underwood currently sings the coveted theme song, "Waiting All Day for Sunday Night." The tune is a reworked version of the Joan Jett song "I Hate Myself for Loving You."

Ironically, "Waiting All Day for Sunday Night" was the original theme song choice in 2006 before NBC tried out a few other tunes, finally returning to the Jett remake in 2019 and sticking with that ever since.

Singer-songwriter Pink performed the theme song in NBC's first year airing Sunday Night Football in 2006. Country singer Faith Hill, who sang a new arrangement of the Jett "I Hate Myself for Loving You" remake, replaced her the following year.

From her first year as the Sunday night vocalist in 2007 up until her final season in 2013, Hill stuck to the widely-beloved "Waiting All Day for Sunday Night" tune, which soon became part of the country's zeitgeist. The song was parodied in a 2010 episode of "Saturday Night Live" and referenced in TV shows "30 Rock" and "South Park."

Two years later, Underwood switched to the tune "Game On," with not-so-positive reactions from NFL audiences. Underwood and NBC landed back at the original tune, "Waiting All Day for Sunday Night," in 2019. To celebrate the song's comeback, Underwood's 2019 performance featured Joan Jett herself.

Write something unique into your song lyrics in order to make it stand out from the rest. A memorable first line to draw the listener in. Perhaps an unusual twist of events, or the way the person talking perceives or solves the problem. You could repeat phrases or lines, or use an unpredictable rhyming word. Maybe a rhetorical question would work, or a pause after a particular word or phrase could be added when harmonizing the music and lyrics. If you can make your song unique, you will be much happier with the outcome of your efforts. Remember if you are looking for ideas for a rap song to tell it like it is. Be honest with the emotion behind the lyric. Choose ideas for a rap song that are within your field of experience. Scenarios taken from everyday life can prompt lyrics too.

Theme tunes began in the earliest days of radio, where there were no specific networks to switch to and listeners would often have to tune their crystal sets with some precision in order to pick up the correct station, which may have been located hundreds of miles away. A theme tune allowed them to select the correct station. Shortwave radio stations still use theme tunes, called interval signals, at the beginning of their transmissions. Well-known interval signals include the Voice of America's Yankee Doodle and the BBC World Service's Lilliburlero.

Originally, theme tunes were important in part because all programs were broadcast live (with no possibility of home recording) and audiences needed some advance warning that the show was actually starting. You could leave your TV on in the next room while you ate dinner or whatever, and as soon as the tune came on there'd be just enough time to get ready for the show. The modern world has increasingly turned to streaming services, which have eliminated that particular need.

Sitcom theme song lyrics have gone through various phases. Radio theme songs were generally instrumental, possibly because it was hard to hear lyrics over music on old low-fidelity radio sets. Sitcoms that moved to television kept their old instrumental tunes, while new sitcoms created for television could choose an instrumental tune or an Expository Theme Tune. From the mid-1970s to the mid-1990s most sitcoms featured a Thematic Theme Tune. The current trend is toward the Surreal Theme Tune or No Theme Tune whatsoever. It's also possible for theme tunes to be replaced.

For further listening, TelevisionTunes.com has a huge library of various theme songs and other musical numbers.Theme Tune subcategories include: Alternative Foreign Theme Song: When a TV show is dubbed, the theme song is replaced with a different one. Anime Theme Song: A jaunty pop-type song that's the theme tune to an anime. Anime Opening Parody: When a work parodies or imitates typical anime openings. Bootstrapped Theme: When a theme that was formerly only associated with one character/setting/whatever becomes extremely popular, which leads to it getting heavily associated with the work, and then it becomes the main theme tune. Bragging Theme Tune: The theme tune boasts about how amazing a character is. Cyber Punk Is Techno: Techno theme music is used for a technologically-advanced, dystopian future setting. Diegetic Soundtrack Usage: The theme tune is sung/played/hummed/whistled/etc in an episode. "Do It Yourself" Theme Tune: The theme song is written/sung by one or more characters (but not necessarily within an episode). Ending Theme: A certain tune that plays at the end of all or most episodes. Expository Theme Tune: The theme tune explains the premise of the show. Foreign Language Theme: The theme tune is in a different language than the rest of the show. Instrumental Theme Tune: The theme tune has no lyrics, just music. Last Episode Theme Reprise: The theme tune gets played in the score of the climax of the last episode. National Anthem: The theme song of a whole country. No Theme Tune: The show doesn't have a theme tune. Opening Narration: A short voice-over at the beginning of every episode, explaining the show's premise. Opening Shout-Out: A reference to the theme tune in the show itself. Real Song Theme Tune: The theme tune was already a song before the show was made. Rearrange the Song: Rewriting the theme tune. Replaced the Theme Tune: Similar to Rearrange the Song, but replacing the theme tune with an entirely different song. Signature Song: The creator's most famous song, not always a theme tune, but often is. Solemn Ending Theme: An Ending Theme that sounds wistful. Surreal Theme Tune: A theme tune with surreal, nonsensical and often irrelevant lyrics. Thematic Theme Tune: A theme tune where the premise is similar to the show's premise but is not an Expository Theme Tune. Theme Tune Extended: The show's writers make a longer version of the theme tune. Theme Tune Rap: The theme tune is a rap. Theme Tune Roll Call: The theme tune lists the characters. Theme Tuneless Episode: The episode doesn't open with the theme song. Title Theme Drop: The theme tune is in the score. Title Theme Tune: The title of the show is said within the theme tune. Translated Cover Version: Dubs of the theme tune. Truncated Theme Tune: The theme tune gets cut down to one verse, usually for profit. Variations on a Theme Song: The theme tune gets changed up for an episode. What Song Was This Again?: The dubbed song has extremely different lyrics than the original. be457b7860

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