Being the best wedding photographers in Kolkata, we know which songs are perfect to be played at wedding events. So, here we are sharing a few melodious Bengali songs for wedding that adds a special meaning to the moment.
Tumi Amar Chirosathi is a beautiful melody sung by Shreya Ghoshal. It is a perfect song to be played at a wedding reception. It can portray the beautiful relationship of the bride and groom like a fairy tale.
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This is a classic song sung by Geeta Dutta from the movie Hospital. This old retro hit is still fresh as the morning dew. The wording and lyrics of this song emphasize the beauty of a romantic evening.
A melodious song like Tomake can add a romantic feeling to your Sindoor Daan ceremony. This beautiful song is voiced by the famous singer Shreya Ghoshal for the movie Parinita. You can play this song to express your true feelings for your life partner.
The most vibrant moment in Bengali wedding photography is a Gaye Holud ceremony. This pre-wedding ritual needs a song that is filled with love, joy, and happiness. Sannai Baje is a perfect song to be played during the joyful Haldi ceremony.
This is most famous Bengali song sung by Arijit Singh is Tomake Chai. You can play this song in your post-wedding or reception event to continue the romantic vibe. As soon as this song gets played you will start feeling the magical vibe all around.
Egiye De is one of the popular Bengali wedding songs that can depict the beautiful meaning of the seven vows taken during the wedding. This is a surprising melody that you must add to your wedding song list.
Amaro Porano Jaha Chay is one of the best Bengali wedding songs for couples who are a die heart fans of Rabindra Sangeet. This beautiful music is a subtle representation of the wedding ceremony. It is a perfect song to be played during the Subho Drishti ritual.
This classic Rabindra Sangeet signifies the beauty of wedding festivity. It is a perfect song that you can choose to play in your pre-wedding rituals. Morning functions would be a good fit for this ever-green song.
This music is something that goes well with the ambiance of Subho Drishti. You can beautifully highlight your love and commitment towards each other with this soulful melody. It can make everyone emotional with its heart-touching lyrics.
Praano Bhoriye Trisha Horiye is a romantic composition by Rabindranath Taogore. Such a beautiful melody is perfect for the joyful Mala Bodol ceremony. Adding this romantic hit to your wedding song playlist can fill the space with romanticism.
Another classic melody that you should have in your Bengali wedding songs list is Tomar Khola Hawa. The heart-touching lyrics and soulful melody of this song make it an evergreen hit. This is the right song for your Bengali wedding film.
Sudhu Tomari Jonnyo is a popular song sung by Arijit Singh and Shreya Ghoshal. The romantic lyrics and music of this song will surely increase your heartbeats. It can make your surroundings magical. Not including such a beautiful song is an absolute loss.
This song is a romantic masterpiece that can fill the whole atmosphere with the feeling of love. Kichu Kichu Kotha is the most popular Bengali song played at recent weddings. The melodious voice of Arijit Singh and Kaushiki Chakraborty adds a magical vibe all around.
Sundori Komola is one of the greatest hits in Bengali folk songs that can make you dance on the floor. This song will be a great choice for the bridal entry. It highlights the beauty of the new bride by using beautiful words and a joyful melody. This is the must-to-be-added song to your Bengali dance songs list.
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Music is one of the most powerful tools to use with people with dementia, right up until the very advanced stages. Especially in people in advanced stages of dementia, when cognition and physical abilities may have drastically deteriorated, social interaction is nil, and very few mentally and physically stimulating activities are feasible, stimulation, be it emotional, cognitive, or social, is very, very negligible. At such a time, music can bring in multiple therapeutic benefits the most important of which being- encouraging emotional expression and communication, and bringing about a feeling of social connectedness.
But what is important at this stage of dementia is to understand how to really personalise the use of music. For, any music will not touch the person since their memory, attention and language may be failing. It has to be music that they can really connect to, despite their weakened cognitive abilities.
The first time I met Mrs S, she was already in the advanced stages of dementia. She was bedridden, and looked very frail- her body wasted from complete muscle loss; she was using diapers because of her toileting incontinence, and needed her food to be pureed to be able to swallow it. Her room was lined with pictures of her younger self with her family, some black and white ones in which one could see how pretty and regal she had once been.
Finally having exhausted all other tactile methods, I started to sing some Old hindi songs. With this, Mrs S turned her head slowly and fixed her eyes on me. I could tell she was listening. I was a little encouraged for it was clear that so far music was at the least getting her to pay attention.
The attendant started using this particular music at other times too. When Mrs S got agitated when her diaper was being changed, or late at night if she found it hard to go to sleep, or days when she refused to eat. And it always had a very positive effect of calming her, encouraging her and stimulating her whenever needed. The attendant then told me that Mrs S had started trying to respond to her verbally when she spoke to her in Bengali, albeit in small sounds or words, but definitely more than before.
In this manner, undoubtedly, it was her deep connection with her Bengali roots, the heart of a Bengali that resided in Mrs S, which helped bring some solace into her life in her advanced stages of dementia. And when chosen wisely, the right kind of music has the incomparable power to tap into and touch these very roots and deep recesses of the psyche for each one of us.
The film begins with a disheveled Abhijit (Abir Chatterjee) entering a room to find Debjani (Raima Sen) lying dead on the bed. The film then describes previous events. Abhijit is a professor of mathematics at St. Xavier's College, Kolkata. He lives with his only sister, Mallika, who is a crime journalist.
Abhijit has a chance meeting with a soothsayer (Sohag Sen), who warns him to stay away from love for his own good, but the warning is ignored by the professor. On a rainy night in Calcutta, he notices a damsel in distress, Debjani. She is stranded, since her taxi has broken down. Abhijit gives Debjani, a trainee heart surgeon, a lift in his car. They date and fall in love. Abhijit, however, faces a problem at his job when an infatuated student proposes to him. He rejects her, so she retaliates. Afterwards, he is initially arrested, and then ostracized by others. Faced with issues at work, he goes to the Andamans, along with Debjani, in search of a new life.
There, they meet Subhro (Indrasish Roy), who is Debjani's younger acquaintance from their high school days. Subhro runs a non-governmental organisation at Port Blair and composes music as his pastime. Subhro and Debjani spend time together, reviving their friendship. At times, Abhijit gets jealous of Subhro's unwavering attention to Debjani. Subhro dies in an accident, leaving Abhijit in a confused state. He begins to question himself about the prophecy of the soothsayer. The film ends on another rainy evening in Port Blair, which in the Andaman Islands.
The first draft of the screenplay was written in 2008 and underwent rewrites until a producer was hired for the film in 2012. This was an assignment in the scriptwriting syllabus at Whistling Woods International Film Institute, where Ghosh was a screenwriting student from 2007 to 2009.
Hrid Majharey is one of the two Bengali films (after Sabuj Dwiper Raja in 1979) to be shot in the Archipelagos; it also is the first ever Bengali film and one of the few Indian films to have been shot inside of the Cellular Jail in Port Blair. The crew also filmed at Ross Island, Havelock Islands, Chidia Tapu, Corbyn's Cove Beach, Munda Pahar Beach, Wandoor Beach, Aberdeen Bazaar, the Marine Jetty, and other private and government-owned locations.[14][15][16]
Hrid Majharey focuses on topics such as love, jealousy, faith, delusion, destiny and free will. The central theme of the film is that a person's destiny is determined by their character. It talks about a "Self-fulfilling prophecy," wherein a prophecy is made about a person and they, in the process of trying to prevent it from happening, fulfill it. The film is also about how a person's dreams may remain out of their reach.[17]
The film was the focus of the "Bengali Shakespeares" segment in an international conference titled "Indian Shakespeares on Screen," which was held in London by the British Film Institute and The University of London in April 2016 to mark 400 years after the Bard's death.[20]
Having established the benefits of worshipping the Supreme, Shree Krishna now explains how easy it is to do so. In the worship of the devats and the ancestors, there are many rules to propitiate them, which must be strictly followed. But God accepts anything that is offered with a loving heart. If you have only a fruit, offer it to God, and He will be pleased. If there is no fruit available, offer Him a flower. If it is not the season for flowers, offer God a mere leaf; even that will suffice, provided it is a gift of love. If leaves are also scarce, make an offering of water, which is available everywhere, but ensure again that you do it with devotion. The word bhakty has been used in both the first and second lines of the verse. It is the bhakti of the devotee that is pleasing to God, and not the worth of the offering. 152ee80cbc
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