Princess Mononoke (Japanese: , Hepburn: Mononoke-hime) is a 1997 Japanese animated epic historical fantasy film written and directed by Hayao Miyazaki and animated by Studio Ghibli for Tokuma Shoten, Nippon Television Network and Dentsu. The film stars the voices of Yji Matsuda, Yuriko Ishida, Yko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo, Akihiro Miwa, Mitsuko Mori, and Hisaya Morishige.
Princess Mononoke is set in the late Muromachi period of Japan (approximately 1336 to 1573 AD) and includes fantasy elements. The story follows a young Emishi prince named Ashitaka, and his involvement in a struggle between the gods (kami) of a forest and the humans who consume its resources. The film deals with themes of Shinto and environmentalism.
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Studio Ghibli's computer graphics department was created in 1995 following the experimental use of digital techniques on Pom Poko (1994).[22] For the production of Princess Mononoke, the studio worked with Microsoft to develop the "Toon Shader" tool, which was used to blend the various digitally generated images with the hand-drawn animation in the rest of the film.[23] According to animation writer Dani Cavallaro, the use of computer graphics in the film is "judicious", used primarily to enhance the traditional animation.[24] The decision to use computer graphics was made early in the production at Miyazaki's request, starting with the opening sequence of the demon god.[25] A variety of techniques were eventually used in the animation process: digital ink and paint, used to color the frames; 3D rendering and digital compositing, which put the hand-drawn images in a three-dimensional environment to create more visual depth; and morphing and particle effects, which create additional detail and smoother transitions.[26] Approximately five minutes of the film were animated entirely using digital processes. A further ten minutes use digital ink and paint, a technique used in all subsequent Studio Ghibli films.[27]
The Daily Yomiuri's Aaron Gerow called the film a "powerful compilation of Miyazaki's world, a cumulative statement of his moral and filmic concerns."[74] Leonard Klady of Variety said that Princess Mononoke "is not only more sharply drawn, it has an extremely complex and adult script" and the film "has the soul of a romantic epic, and its lush tones, elegant score by Joe Hisaishi and full-blooded characterizations give it the sweep of cinema's most grand canvases".[75] Roger Ebert of the Chicago Sun-Times called Princess Mononoke "a great achievement and a wonderful experience, and one of the best films of the year."[52] Ty Burr of Entertainment Weekly called the film "a windswept pinnacle of its art" and that it "has the effect of making the average Disney film look like just another toy story".[76] Kenneth Turan of the Los Angeles Times said that the film "brings a very different sensibility to animation, a medium [Miyazaki] views as completely suitable for straight dramatic narrative and serious themes."[77] In his review, Dave Smith from Gamers' Republic called it "one of the greatest animated films ever created, and easily one of the best films of 1999".[78]
In 2001, Animage ranked Princess Mononoke 47th in their list of the 100 best anime.[79] It ranked 488th on Empire's list of the 500 greatest films.[80] Time Out ranked the film 26th on 50 greatest animated films.[81] It also ranked 26 on Total Film's list of 50 greatest animated films.[82]
Princess Mononoke is the first animated feature film to win the Japan Academy Prize for Best Picture.[83] For the 70th Academy Awards ceremony, Princess Mononoke was the Japanese submission for the Academy Award for Best Foreign Language Film, but was not successfully nominated.[84] Hayao Miyazaki was also nominated for an Annie Award for his work on the film.[85]
James Cameron cited Princess Mononoke as an influence on his 2009 film Avatar. He acknowledged that it shares themes with Princess Mononoke, including its clash between cultures and civilizations, and cited Princess Mononoke as an influence on the ecosystem of Pandora.[101]
Lots of friends requested Warcraft theme for Nokia C3 /X2-01. After some cartoon character and lovethemes, now I make this World Warcraft theme for Nokia c3 / X2-01. I used original warcraft icons in this theme. So now enjoy the original atmosphere of World Warcraft in your mobile. I hope you people will like this theme. Please send your comments.
A new code commit (via Mishaal Rahman on Twitter) in Google's Material Components library, titled "Add supporting manufacturer list of dynamic colors," reveals at least some of the manufacturers that will support dynamic system themes. The current list includes OPPO, Realme, OnePlus, Vivo, Xiaomi, Motorola, Itel, Tecno Mobile, Infinix, HMD Global (manufacturer of Nokia-branded Android devices), Sharp, Sony, TCL, Lenovo, Google, and Roboelectric.
Google already confirmed that the code for Monet would be added to AOSP, the open-source code repository for Android, sometime after the initial release of Android 12. However, it was still unclear if any manufacturers besides Google would be interested in supporting dynamic themes, as many of them have their own Android skins with their own design languages.
The main catch is that the color palettes generated from your wallpaper could be different from what Google's own Monet implementation does since manufacturers might create their own algorithms entirely. For example, the Android 12 beta for the OPPO Find X3 Pro has its own dynamic themes implementation for the system UI, and it's likely that OPPO would utilize this engine for dynamic themes, instead of implementing the monet engine.
We are proud to beta release Professional Theme Creator! This new creator includes a full preview of mobile phone screens, over hundreds of configurable icons, making use of template and much more! Below are some themes created via our new tools!
The phone's main menu has two view modes: a 4 x 3 grid of icons and a list. However, with the E52 you cannot opt for having animated icons like on some other Nokia phones. This is probably just another way of reiterating the specific business focus of the phone. At least the font size is widely configurable depending on your preferences and thanks to the Font.
The customization options for the user interface of the Nokia E52 are mainly restricted to its functionality out of the box. There are three themes preinstalled on the handset, each in two flavors - business and personal. You can assign a different theme to each of the modes - the preinstalled ones have subtle differences, just enough to indicate which mode you're in.
In Anti-Authoritarian Traditions: Activism and Media, Zach Yandrich looks at music, across all genres, as a vehicle for revolution and a form of resistance to capitalism, colonialism, and authoritarian regimes. Yandrich also explores revolutionary themes in popular animated movies, and looks at current organizations and movements that uphold anti-authoritarianism.
Evocative images taken by prominent photojournalists, bloggers, amateur photographers and celebrities across the world using Nokia's Lumia 920 smartphone will be projected onto the Tate Modern the evenings of 11-13 June. Moreover Nokia is encouraging its community to make their voices heard by capturing and sharing images, stories and experiences that support ONE's "Progress via Protest" theme. The images, inspired by protest songs, are available to view and can be shared on Twitter using the official hashtag #nokiaxONECampaign or uploaded to Nokia's official Facebook page (facebook.com/Nokia).
Nokia is a global leader in mobile communications whose products have become an integral part of the lives of people around the world. Every day, more than 1.3 billion people use their Nokia to capture and share experiences, access information, find their way or simply to speak to one another. Nokia's technological and design innovations have made its brand one of the most recognized in the world. For more information, visit -nokia. 0852c4b9a8
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