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"Gravity" is a song by American musician John Mayer. It is written by Mayer and produced by Mayer and Steve Jordan. "Gravity" is featured on three of Mayer's releases: the 2005 live album Try! by the John Mayer Trio, his 2006 studio album Continuum, and his 2008 live album Where the Light Is: John Mayer Live in Los Angeles. In 2007, the song was released as the third single from Continuum.

Mayer suggested in an interview with the magazine Performing Songwriter that "Gravity" was the song he was always trying to write, using the example of "Come Back to Bed" (from Heavier Things) as being an early attempt at "writing Gravity". Along with "Vultures", the song is one of only two songs featured on the John Mayer Trio's debut album, Try!, that carried over into the release of Continuum. Alicia Keys provides background vocals at the end of the song.

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On February 22, 2007, "Gravity" entered Billboard's Hot 100 singles chart at #71;[6] at that time, Mayer had two singles charting on the Hot 100 (the other song was "Waiting on the World to Change"). It also entered Billboard's Hot 100 Digital Songs Chart at #63

Stevie Wonder introduced the trio's performance, and each artist performed some aspect of every song through the entire medley. For Rae's "Like a Star", Mayer performed various backing guitar licks, while during Legend's "Coming Home" he performed little. For "Gravity", both Rae and Legend performed backing vocals and Legend played piano.

So, I'm watching a kind of an old series on hulu called Awkward (kind of random, but I promise it's related to Gravity Falls and I'll get why it's important in a minute). I'm watching am episode called Queen Bee-atches (season one episode 6) and toward the end of the episode the character Jenna says hi to Jake and I noticed that that's when the song starts.

"Gravity" is a song written by Dan Hartman and Charlie Midnight and recorded by James Brown. It appears on Brown's 1986 album of the same name. It was also released as a single and charted #26 R&B and #93 Pop.[1]

Now that it's been awhile, Johnny came out, we all leaned, and people that actually can play Asuka are popping up (hi, not well tho), I was wanting to gauge general takes on The Gravity, Asuka's theme not only as a song that's enjoyable but the meaning as well since I've been having a hell of time trying to "get it"

For me, growing up in such a convectional society made me feel like I was weird. I was always the one who was into the world outside of the home. Going through the schools and the cubic farm, I thought about Elphaba and this song quite a lot. I was the one with the green skin. I was different.

As the Second Gravity isn't voting on unit member placements, instead fans voted for the title track out of eight possible choices. Between December 1 to December 7, snippets of each song was posted. Song A and Song B's voting took place on December 1, Song C and Song D's on December 2, Song E and Song F's on December 3 and Song G and H on December 4.

On December 5, the two winning songs from the Song A to Song D pool were voted upon, with the winning songs from the Song E to Song H pool's voting being held on December 6. On December 7, the final two songs were voted upon to determine the title track.

SIMON: It's "Defying Gravity" from "Wicked." Kaley Johnson has never actually seen the musical, but she says the power of the songs by Stephen Schwartz - that they tell a story in which you can find yourself.

JOHNSON: I think that was all cumulated from this disconnect between what I was like by myself and what I was putting on a show for other people. I think that this song, you know, is kind of about Elphaba basically saying, screw it; I'm going to do what I want, and I'm going to defy what people expect of me and what I've been led to believe is how I should live my life, and I'm just going to be true to myself.

JOHNSON: You're kind of questioning the society you're in. And you're kind of asking those questions maybe some people don't want you to. And at this point, maybe some people think you're an enemy. And it might be easier sometimes to stop doing this job and do something easier. And I think that this song - it encourages me to, at some point, kind of just stand up and say, OK, you know, bring it on, and I'm just going to defy it.

The song can be interpreted in many ways and by other types of people. The song may be about a heartbroken person to someone or a depressed man to someone else. But to me, this song talks about being brought down. As the writer, John Mayer, says that gravity wants to bring him down, it helps me understand the song in this aspect.

Gravity (stylized as gravity) is the closing theme used in the Wolf's Rain anime, performed in English by singer, Maaya Sakamoto. The lyrics by were written Troy and the arrangement was by Yoko Kanno.

These chords come from the parallel scale of G minor, so we have some modal mixture happening here. Where did John get this idea? Perhaps he stole it from some other song, or maybe he came up with it on his own while experimenting with different chord shapes.

Pynchon loves to embed song lyrics into the text of his stories, but why? For him the writing process does not involve only the traditional dialogue and description; music heavily colors his books too. Though present in nearly all of Pynchon's novels, more attention has been paid to the songs in Gravity's Rainbow over any other (probably as a mere consequence of the book's overwhelming clout). On this topic reference must be made to the collaborative band, The Thomas Pynchon Fake Book, who have composed and performed music to many of the songs written for GR.

An interesting discovery was made by someone in the Pynchon community that connects a song from Mason & Dixon to "Love Lifts Us Up Where We Belong" (the Joe Cocker and Jennifer Warnes duet from An Officer and a Gentleman). Such a connection implies that Pynchon could have written the M&D song intentionally to fit with the tune and melody from "Love Lifts Us Up." This possibility opens up the opportunity for a surmountable research effort, the aim of which would be to discover which other of Pynchon's lyrics fit to existing songs (such research is par for the course when attempting to decode any Pynchon novel). With many minds serving as the eyes and ears for such a project it may be possible for other tunes to be connected.

The aim of this page is to serve as a database to which interested readers can refer in their attempts to decipher Pynchon's songs, and ultimately to better understand his novels. If a connection to an existing song is made, that song can be listed directly following the Pynchon lyric.

Template:SpoilerThe song is highly unusual in that the lyrics express something very different to what Kat's philosophy and beliefs are, which are more accurately expressed in the song A Red Apple. While Kat has a "lawful good" alignment in her actions and desires to help everyone no matter how small and insignificant, the song's message is more "neutral" in that it doesn't matter if you help everyone, because everyone is dying anyway.

This has a deeper meaning when considering the events alluded to in the first game and which happen in the second, that the end of the world will happen very soon. And it further contradicts Kat's actions as Queen Alua when she desires to save the people below Eto, as in the beliefs of the song's writer, such actions would be pointless and not accomplish anything.

Ultimately its appearance in Discovery of Gravitation suggests that the two songs are in opposition to each other, with the beliefs expressed in this song being similar to those initially expressed by Cyanea and possessed by The Darkness, in that time was created to be cyclical and there is no use resisting it. However, the Creators ultimately change their minds about this and sacrifice themselves to help Kat do the exact opposite and resist the world's ultimate fate.

A 2012 interview with series director Keiichiro Toyama might help further elucidate the song's meaning. Toyama wrote the lyrics in the aftermath of the 2011 Thuko earthquake, which caused widespread devastation and caused Toyama to feel, in his words, "reacquainted with death." At the same time, he was feeling frustrated with the development of Gravity Rush, disliking the direction the game was going and unsure of how to continue. However, he realized that one day everyone will die, and thus he should worry less and attempt to live more in the moment. In this light the lyrics take on a more positive connotation, reflecting a more carefree (albeit decidedly existential) attitude. [1]

"Gravity" is a song by singer-songwriter Sara Bareilles from her 2007 album, "Little Voice" that was featured prominently in the Community Season Two episode "Paradigms of Human Memory". The use was intended to be an homage to a similarly titled Jeff/Annie shipping fanvid that was created by a Community fan known as Veritas724. It is a rare instance of a fan labor that has been incorporated within the canon of a television show.

The vidding that inspired its homage in "Paradigms of Human Memory" was mentioned by the actors themselves in interviews as well as by creator Dan Harmon on his twitter account. It was first uploaded on youtube on November 14, 2009 and was inspired by the then just recently aired episode "Debate 109". It features the song "Gravity" playing over an edited montage of footage featuring Jeff and Annie. It was brought up further in Season One DVD commentaries by the cast. It currently has been viewed over 200,000 times. The homage in the episode not only used the song but also mimicked the look as well as the editing in the fanvid. Sara Bareilles would later guest star as the"Balloon guide" in the Season Four episode "Intro to Felt Surrogacy".

At the time Veritas724 made the video, about 9 episodes into Season One, there wasn't a lot of footage for her to use of Jeff and Annie interacting. A few scenes where Jeff or Annie were looking at someone else was edited to make it seem as if they were looking at each other. Much of the footage used was also slowed down considerably in order to fill out the length of the song. These editing techniques would later be incorporated into the homages. 2351a5e196