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The Nightmare Before Christmas premiered at the New York Film Festival on October 9, 1993, and was given a limited release on October 13, before its wide theatrical release on October 29. The film was met with commercial and critical success upon release, earning praise for its animation, particularly the innovation of stop-motion as an art form, as well as its characters, songs, and score. While initially a modest box office hit, it has since garnered a large cult following and is widely regarded as one of the greatest animated films of all time.[7][8][9][10][11] It was nominated for the Academy Award for Best Visual Effects, a first for an animated film, but lost to Jurassic Park.[12] The film has been reissued by Walt Disney Pictures and was re-released annually in Disney Digital 3-D from 2006 until 2010.

Unknown to Jack at first, his presents terrorize the real world's populace, who contact the authorities and lock down their homes for protection. When word spreads about Jack's actions, he is shot down by military forces, causing him to crash in a cemetery. While the residents of Halloween Town believe him to be dead, Jack survives. He bemoans the disaster that he has caused ("Poor Jack") and realizes that, even though he never intended to frighten anybody, he enjoys his newfound methods of scaring people. This reignites his love for Halloween, but before he can start making plans for next Halloween, he must first fix the mess that he has made of Christmas.

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Bored with the same old scare-and-scream routine, Pumpkin King Jack Skellington longs to spread the joy of Christmas. But his merry mission puts Santa in jeopardy and creates a nightmare for good little boys and girls everywhere.

Parents need to know that The Nightmare Before Christmas is an offbeat stop-motion-animated movie that's one of the greatest family films for all ages. That said, it does have scares: Characters take off their own heads and limbs, and there are skeletons, demons, zombies, worms, etc., as well as a very creepy villain named Oogie Boogie (voiced by Ken Page). Younger kids who aren't old enough to distinguish fantasy from real life (or those prone to nightmares) might steer clear. Characters kiss, and a main character, Sally (Catherine O'Hara), pines after the charming Jack (Chris Sarandon). She's kind and helpful but falls into gender stereotypes, sacrificing herself to support the male lead and becoming a damsel in distress. The film also uses the "disabled villain" clich, and the voice cast is almost entirely White. But stereotypes and creepiness aside, the film has positive messages about gratitude and valuing what you already have -- as well as catchy songs and extremely memorable visuals. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

OVERVIEW: Panelists from the Colorado State Archives will discuss their experience with surviving their worst nightmare - a massive leak on Christmas Eve affecting 8,000 cubic feet of archival records. Discussion points will include ongoing challenges of an insufficient storage facility that finally failed, navigating bureaucratic red tape, extreme weather conditions, and adapting to evolving circumstances under chaos on the biggest holiday weekend of the year. Also covered will be how to distribute staff according to their strengths and weaknesses, and why maintaining a sense of humor is vitally important.

With Oogie gone, Santa reprimands Jack before setting off to deliver the right presents to the world's children. He makes snow fall over Halloween Town to show that there are no hard feelings between himself and Jack; the townspeople are confused by the snow at first, but soon begin to play happily in it. After seeing the doctor with his new creation, Jack spots Sally heading out to the graveyard and follows her there. After Sally comes to short stop on top of the graveyard's big hill, Jack reveals that he is just as strongly romantically attracted to Sally as she is to him. As they admit their love, they embrace each other and they kiss under the full moon in the cemetery.

As director Tim Burton's upbringing in Burbank, California, was associated with the feeling of solitude, the filmmaker was largely fascinated by holidays during his childhood. "Anytime there was Christmas or Halloween, [...] it was great. It gave you some sort of texture all of a sudden that wasn't there before", Burton would later recall. After completing his short film Vincent in 1982, then-Disney animator Burton wrote three-page poem titled The Nightmare Before Christmas, drawing inspiration from television specials of Rudolph the Red-Nosed Reindeer, How the Grinch Stole Christmas! and the poem A Visit from St. Nicholas. Burton intended to adapt the poem into a television special with the narration spoken by his favorite actor, Vincent Price, but also considered other options such as a children's book. He created concept art and storyboards for the project in collaboration with Rick Heinrichs, who also sculpted character models; Burton later showed his and Heinrichs' works-in-progress to Henry Selick, also a Disney animator at the time. After the success of Vincent in 1982, Disney started to consider developing The Nightmare Before Christmas as either a short film or 30-minute holiday television special. However, the project's development eventually stalled, as its tone seemed "too weird" to the company. As Disney was unable to "offer his nocturnal loners enough scope", Burton left the studio in 1984, and went on to produce the commercially successful films Beetlejuice and Batman.

Around the release of the film, Disney executive David Hoberman was quoted, "I hope Nightmare goes out and makes a fortune. If it does, great. If it doesn't, that doesn't negate the validity of the process. The budget was less than any Disney blockbuster so it doesn't have to earn Aladdin-sized grosses to satisfy us." Tim Burton's The Nightmare Before Christmas was given a limited release on October 15, 1993, before being wide released on October 29. The film earned $50 million in the United States on its first theatrical run.

A key element of the film revolves around Sally going to extreme measures to leave Dr. Finkelstein only to return to his lair a few scenes later. This is consistent with people experiencing domestic violence. According to the National Domestic Violence Hotline, without supportive services, a person experiencing abuse will attempt to leave 7 times before they are able to leave for good. 17dc91bb1f