Massive Entertainment AB is a Swedish video game developer and a studio of Ubisoft based in Malm. The company has been fully owned by Ubisoft since 2008. The studio is known for Tom Clancy's The Division, The Division 2, Ground Control, and World in Conflict.

In 2002, the studio was acquired by Vivendi Universal Games through their NDA Productions subsidiary.[3] In October 2007, they released the game World in Conflict, described as a further development of the real-time tactics gameplay formula from the Ground Control games, but set on Earth during an alternate history late Cold War. The game was released on 18 September 2007 and won critical acclaim, including nominations for one of the best games of 2007. It was followed by an expansion, World in Conflict: Soviet Assault. In December 2007, the studio moved into new offices on Drottninggatan in Malm, employing 130 people at the time.[4]

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Massive Entertainment is a world-leading AAA studio located in Malm and part of the Ubisoft family.

We are a multinational team of more than 750 passionate and highly skilled people from 50+ different countries.

We always put the satisfaction of the user first and we understand the purpose and context of our craft. We strive for the highest possible quality in everything we do, no matter what our role in the studio is.

We are inclusive, friendly, and treat each other fairly. We protect, support, and challenge each other to grow. We believe in diversity. We are a team that collaborates and builds bridges beyond the studio to include our global family.

When I open Massive vst3 in Fl.studio 20 it plays sound until I adjust any knob then it goes quiet. I then have to close the window and reopen it to hear the adjusted sound. seriously frustrating. I hope somone knows what my problem is, I appreciate your help.

hi jeremy, thanks for the fast response. im pretty new to all of this, when you say whats my operating system does that mean my laptop? im on intel i7 16gb ram, or 32 bit/ 64 bit? when i have the synth window open (photo below) on massive I can play notes on my laptops keyboard but when I adjust any knobs in the synth then the sound becomes silent. I have to close the synth and re open it to hear the changes the knob adjustememt has made.

I've never figured out how to midi learn in FL Studio specifically with Massive even though my keyboard plays the notes with massive in FL Studio. the midi learn option is always greyed out. I've searched the internet multiple times and played with UI but no cigar. My keyboard has no other flaws with any other VST's when it comes to midi learning, and it can "midi learn" with massive in ableton, just not in FL Studio. Is there something I'm missing or is there a solution to that?

49GB is an almost impractical file size to manage but I am little obsessed with finding out what our upper limit is for super massive memory dumps. So if you have a massive memory dump, try opening it in Visual Studio and please let me know how it goes via the Developer Community portal.

We are a BAFTA-winning game studio, developing innovative storytelling titles. We have released a number of successful titles and are best known for Until Dawn, The Dark Pictures Anthology - a series of stand-alone, horror games - and teen-horror game The Quarry.

His moves follow speculation that the artist was evicted from his former studio in Chelsea. Vulture reported in 2014 that the family who owned the building where Koons set up shop leased their property to Douglaston Development.

Thanks the funny thing is I demoed the new Waves Germano studio plugin this only uses 5% CPU. All versions are v13.0.0 so not sure what is going on. I am using stereo version for all plugins. Snaphot below.Also compared with Activity monitor and similar issue.

However, there's a world of difference between a small project studio designed for writing and pre-production, and a full-blown 5.1-capable recording facility that can be used to record and mix an entire album or film music project. If you're going to put something like that together, you have to be pretty sure of your finances, and see the investment as a long-term career strategy that fits in with the way you want to record.

The new facility Davidge refers to is bound to be called the Massive Attack studio, although it actually belongs personally to Davidge and Robert Del Naja, the creative force behind Massive Attack. Nevertheless, it's where most of the work will now be done on Massive's future projects, because Del Naja has chosen to make it his base. "This is something we've always wanted" he says. "When the band was first formed, our two aims were to get our own studio and our own label, and in an idealistic way, become self-sufficient. The label idea went by the wayside, but my relationship with Neil has made the studio a reality, and I'm really excited by the creative possibilities it opens up for us.

"We wanted to get out of the cycle of hiring studios to make albums, and then promoting and touring them because there isn't much flexibility in that" continues Del Naja. "Creativity isn't something you can easily define because it comes and goes in a very random way. I've lost track of the number of times I've gone on writing weekends or holidays and done nothing, only to find myself facing a really busy time but unable to sleep because I've got so many ideas in my head. That's the perverse nature of creativity, but having our own studio gives us an outlet for it, because we can come in here and use it whenever we want.

"I had my own personal reasons for wanting to build a studio, but from the band's point of view it always made sense, because of the way in which they record," explains Neil Davidge. "With Massive Attack, it's not about sitting down with an acoustic guitar or piano, writing a song, going into a studio, recording it and then mixing it. That's just not how we work. What we tend to do is build the sound up in layers, which can be a much more convoluted process.

The new studio has a live area with a separate overdub booth, which is big enough to record a chamber ensemble but too small for full orchestral strings. Davidge says he doesn't mind, as he's happy to go to London if that's what a project demands.

"At some point, I'm going to have a drum kit in our live room and mike it up all round the building just to see what happens. I'll probably have to do it at night when the road outside is quiet and no one else is around, but I will do it because I want to see how it sounds. It's that potential for experimentation that I've always wanted. We didn't have the space at the old studio and if we went elsewhere, we were up against time constraints and budgets."

"Initially, buildings like this were our last choice," admits Del Naja. "But reality crept in, especially as we got towards our lease deadline at our other studio, and we realised that this was going to save us a lot of hassle and planning problems."Pro Tools remains the main recording and writing tool in Massive Attack's setup.Photo: Richard Ecclestone

The building was already being run as a rehearsal studio and although it was a nightmare of 1970s decoration and in need of a complete overhaul, it did have the bones of a recording area and control room in place. Davidge chose studio-design company Munro Acoustics to handle the refit. "The live room and control room were already in place, so there wasn't too much to change" says Del Naja. "The Munro guys came in and looked at the floor plans, but as the two main rooms were already purpose-built floating rooms, we didn't have to spend any money putting them in. It was simply a case of maximising the audio quality."

Del Naja explains: "For the last 10 years, we've been working on an SSL at Olympic, so it's a console we understand and can relate to. Also, we're keen to get [SSL fan] Spike Stent into our studio when the time comes to mix, because he's been a co-collaborator on our albums for a long time. Having a desk he knows and likes will make that much easier."

For nearfield work, Davidge has his Genelecs and a pair of ubiquitous Yamaha NS10s. He also likes playing with cheap and cheerful computer speakers so that he can tell how the track might sound when his audience plays it at home. "When you're in the studio it's very difficult to judge what your track will sound like on any old system. Our approach is to stem the mix down into eight tracks of stereo, then put that through cheap computer speakers and listen to what's happening. Is the snare drum in front of the vocal? Is the guitar solo drowning everything out? You get a feel for the overall perspective, which is important when you're mixing, because if you record a great vocal and then mix it down by as little as half a decibel too much, you can end up clouding the song. Half a decibel may not sound much, but it's enough to make all the difference to the intelligibility. Keeping a sense of perspective like this is especially important when you've been working on a track for a long time, and have got to the stage where you know every single note, every single sound, every single bit of crackle and buzz. At that point, trying to put yourself into the headspace of the person who is listening for the first time is very, very difficult."

As you would expect, the studio contains some of the finest processors in the world, including an SPL Transient Designer, two Empirical Labs Distressors, an Audio & Design F760XRS compressor/limiter/expander, a Focusrite Platinum Compounder, a Drawmer LX20 dual expander/compressor and two DS201 dual gates, Fairman and Smart Research C2 compressors, a Mutronics Mutator filter bank, an Electrix Filter Factory, a Teletronix LA2A compressor, a Massenburg Model 8000 EQ, a Tubetech LCA2B compressor, a Drawmer 1960 valve compressor/preamp, a Focusrite Red 7 mic preamp/dynamics processor, and a Joemeek stereo compressor.Photo: Richard EcclestoneThere's a more curious mix of budget and high-end in this rack, including Manley, Neve, Avalon and Focusrite EQs and voice channels (including the new Liquid Channel and Voicemaster Pro), and Zoom Studio effects, two Electrix MOFXs, a Line 6 Echoplex, and an old Alesis Quadraverb!Photo: Richard Ecclestone 0852c4b9a8

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