News701bt Bolda Font Download [CRACKED]

This fonts are authors' property, and are either shareware, demo versions or public domain. The licence mentioned above the download button is just an indication. Please look at the readme-files in the archives or check the indicated author's website for details, and contact him if in doubt. If no author/licence is indicated that's because we don't have information, that doesn't mean it's free.

I'll refer to this as a "PostScript installation" because it tellsApplixWare to use the PostScript Type 1 font files a bit more directlythan does the FontTastic installation. I use this name despite thefact that much of what I describe here also applies to TrueType fontsinstalled with the help of a TrueType font server such as xfsft. Thismethod is more of a pain than the FontTastic method, and it has itsown problems, but it also has its advantages. Note that this involvesediting (at least) three files with similar names in differentdirectories: fonts.dir, fontmap.dir, and Fontmap. I describe whateach is, but be sure to keep them straight. To do this type ofinstallation, do the following:

News701bt Bolda Font Download

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Whether or not to include a Type1FontFileName entry is up to you. Ifyou do include it, that'll make your PostScript files larger, but they'llbe more portable (in case you want to create a printout file on onemachine and print it elsewhere) -- but distributing the fonts in thisform in a PostScript file may violate the copyright on the font, so Idon't recommend doing this with any file you might want to make broadlyavailable.

The fonts.dir and Fontmap entries for a set of fonts can be generatedautomatically by a handy utility called type1inst. (Sorry, I don'trecall any more where I found it -- try a web search, or browse a Linuxarchive site like sunsite.) This certainlydoes help a lot in adding many fonts. I've found that with some fonts,though, it creates bizarre entries -- for instance, an entry with no fontname in the fonts.dir file for a font called Benquad from an Expert Software CD. In fairnessto type1inst, I suspect this is because of malformed information in thefont itself, though the font works fine when I manually edit the relevantfile(s).

Note that the font name ("news 701") includes a space. There's also afonts.scale file in the same directory with the same information. I'mnot an X fonts expert, but I get the impression that X uses the fonts.dirfile for display purposes, but fonts.scale is used to generate thefonts.dir file, so that's the one that's important. It wouldn't hurt tocreate both files, though. My Ghostscript Fontmap entry for this font isalso just one line:

Note that the font name here includes no space, and it doesn't match thefont name in the fonts.dir file. This isn't a problem, since it'sApplixWare that has to know both names and put them together correctly --that's one purpose of the fontmap.dir file. Also, I've included thecomplete path to the .pfb file for this font. It would be possible to addthat path to Ghostscript's GS_LIB environment variable and omit the fontpath, too, or to install these fonts somewhere that's already on thatpath.

The last line could easily be omitted on my system, since I've got it setup in Ghostscript; I've left it in for illustrative purposes. If youinclude both a Type1FontFileName line in fontmap.dir and an entry inFontmap, the Type1FontFileName entry seems to take precedence. Someimportant points to note about this entry:

Hey guys , I have seen alot of high quality fonts on torrent sites and other sharing sites. To begin with , I have mad respect for the people who design fonts and I would surely pay for them if I wasnt poor as fuck. So can anyone explain to me the rules that follow fonts and what the repurcussion for using a pirated font could be :S?

This is Fontname 2.1, a naming scheme for (the basepart of) external TeX font filenames. This makes at mosteight-character names from (almost) arbitrarily complex font names, thushelping portability of TeX documents. We point out some shortcomingsof the scheme, and ways of dealing with them.

Besides this document, the Fontname distribution includes variousencoding files, mapping files, and utilities. See the file`README' for details. You can retrieve the most up-to-date versionof these lists by anonymous ftp as` '. This directory is mirrored onall CTAN hosts (`ftp.dante.de', `ftp.tex.ac.uk', and theirmirrors, such as `ftp.cdrom.com') in the directory`tex-archive/doc/fontname'. For a list of CTAN mirrors, finger`ctan@ftp.tug.org'.

In August 1995, Fontname version 2 was released, concomitantly with a newrelease of the PostScript fonts for use with LaTeX and Dvips. Afterseveral years of experience, several modifications of the originaldistribution seemed desirable: more precise specification of encodings(see section Variants); machine-readable mapping files (the `*.map'files in the distribution) and standardizing directory names as well asfont filenames (included in `supplier.map' and`typeface.map').

In Fontname version 1, some encoding variant characters (`0',`2', etc.) have been reassigned to a `7' or `8' sequence(see section Variants). Although this is an incompatible change, theadvantages of (1) consistency in naming encoding variants, and (2)having some free variants makes it worthwhile. Also, not socoincidentally, new metrics for PostScript fonts in the Cork encodingwere issued--same encoding, different metrics. So a new name served apractical purpose as well.

You should use the supplier letter which matches the supplier youobtained the font from, not the original source; for example, AvantGarde was designed by Herb Lubalin for ITC, but Adobe also sells it.The name of the font that you get from Adobe should start with `p'.This is because font resellers typically make modifications to theoriginal design.

A fontname may require multiple variants. To resolve the worstambiguities, we specify that any encoding variant (`7', `8',or `9', see below) come last and any other numeral variant comefirst (to avoid confusion with a design size). We recommend but do notrequire that the other variants be given in alphabetical order. (It'snot required because it's too painful to implement the sorting inTeX, and many existing names already have non-alphabetized variants.)

The letterspacing possibilities introduced by fontinst andvirtual fonts have not yet become sufficiently widespread to makestandardization beneficial. Likewise for the many possible ways togenerate small caps fonts.

Expansion or compression of fonts is sometimes done automatically (as bythe PostScript scale operator), and sometimes done by humans. Inthe latter case, the human will also presumably choose a font name whichincludes `Extended' or `Expanded' or `Condensed' or `Narrow' or whateveraccording to their own preferences; the abbreviation can follow along.When creating a new synthetically expanded or compressed font for usewith TeX, e.g., with Afm2tfm or fontinst, use `n' and`e'.

Eight characters is not enough to unambiguously represent all fonts. Todo that, we have to allow ourselves arbitrarily long names. Although wecertainly cannot use such names for the files themselves, we could stilluse them in TeX documents given a simple mapping file, as discussedbelow.

At the moment, most implementations of TeX look up a TFM file (aspart of the \font command), by searching for a file with the namegiven by the user (possibly in any of series of directories). But if wealso looked TFM names up in another file (or set of files), whichspecifies the actual filename, the fontname given in the TeX sourcefile could be almost anything at all, of any length.

In version 5.851d of Web2c, I implemented this mapping file. Each file`texfonts.map' in a search path is read for abbreviations. The filehas a straightforward format: each line specifies the filename and theTeX name for one font, separated by whitespace. Extra information onthe line is ignored; then more information could be specified for thebenefit of DVI-reading programs in the same file. Comments start with% and continue to the end of the line.

Besides allowing long names, this sort of mapping file has otherbenefits. TeX source or DVI files can be more easily transported,because the font names in a particular file can be made work on everysystem. Also, when combined with a consistent naming scheme, macroscould be written to access any of a number of fonts. Right now, eachfont family has to have specialized macros written to deal with it.

supplier is the usual Adobe, Autologic, etc., aswell as unknown or bizarre---this last meaning the rest ofthe name is nonstandard. If the supplier is missing, i.e., thename starts with a -, "public domain" is assumed. For fontsmade by individuals, the initials of the designer would probably make agood supplier.

If there is more than one variant, they are separated with somecharacter other than `-', say `=':B+H-Lucida-Bold-Sans=Typewriter--10encoding is what Metafont calls thefont_coding_scheme---the layout of the characters in the font.For example, `Cork' or `ISOLatin1' or `AdobeAlternate'.

The following sections define various encodings as PostScript encodingvectors. These files can be installed in the Dvips header directory andthen used in `psfonts.map' to change font encodings of downloadableor builtin fonts (see section `psfonts.map' in Dvips).

This section owes a great deal to Charles Bigelow (co-designer with KrisHolmes of the Lucida typeface family, among others), who has generouslyanswered our many queries about fonts and the law around the world withremarkable patience and understanding. (But he is naturally notresponsible for any errors here, much less our opinions.)

Fonts have always been treated rather strangely under the law, as befitstheir rather strange nature: letterforms are indivisibly bothuseful and artistic. In most countries--in all countriesuntil recently--utility has taken precedence; i.e., it has been legalto copy fonts without permission or fee.

This is Fontname, a naming scheme for (the base part of) external TeXfont filenames. This makes at most eight-character names from (almost)arbitrarily complex font names, thus helping portability of TeXdocuments. We point out some shortcomings of the scheme, and ways ofdealing with them. e24fc04721