Arturia � Presets Floyd Tribute WIN (SYNTH PRESET)

The next rehearsal I showed up with just the Kurzweil, the Hammond and Leslie, and a Prophet 12 for strings and some leads. The guys were like, "That's it?!?" I spent weeks and weeks learning VAST on the Kurzweil and programming custom sounds and then putting those into MULTIs with multiple splits and layers. I also found Malc at Enjoy The Sirens and bought his stellar Shine On You patch for the Kurzweil. That saved a lot of time.

As of now, my rig is the Kurzweil Forte7 and a Hammond SK Pro. Two keyboards. I sometimes bring the UltraNova out for vocoder effects on Sheep, if we're performing it.

The Forte7 does 90% of everything. The SK Pro is for organ (both Hammond and Farfisa) and occasional Solina strings or Wurli. I don't even bring a Leslie anymore. Everything is in-ear and the Kurzweil sends program change messages to the Hammond and my vocal processor (since I also took over lead vocal duties two years ago... like I didn't have enough to do!)

The Kurzweil triggers samples. It does all the analog synth sounds. All pianos, electric pianos, even organ sometimes (like on Pigs: Three Different Ones). It does strings, both electronic (Solina) and acoustic (for Comfortably Numb), French horns, sound FX, pads, synth bass, etc. It's a BEAST. I could do the entire gig on it really, but I do like having the Hammond there for almost exclusively organ. Again, I sometimes use the Hammond SK Pro for Solina strings, Wurli, and even synth bass on Echoes. But I don't need to. It's just nice to have it ready to go.

But here's where it gets interesting regarding the Kurzweil.

These modern Kurzweils are designed for Broadway. In other words, they are designed to allow a keyboardist to cover a ton of parts quickly and easily. And that's why they are so good for Pink Floyd tribute bands, because there's so much you have to cover and you only have so many fingers.

Agree. I wasn't clear whether this was a serious gig for the OP, or perhaps a lesser project? If he's playing as part of a local bar band, "half-decent" to the regular readers of this forum would be more than enough. Conversely, if people are paying good money to see a PF tribute band, yes, it's a serious gig that should require extensive programming on multiple instruments, and not a handy preset pack as he was looking for . I probably spend more time than I should getting my PF sounds "right".

Arturia Presets Floyd Tribute WIN (SYNTH PRESET)

Download Zip https://tiurll.com/2y1FAo

This is all the synth section. Remember that you can find the synth presets for all the songs I've reviewed and the Ableton projects with all the tracks on my Patreon page, whilst also supoorting my project.

Esto ha sido toda la seccin de sintetizadores. Recuerda que puedes encontrar los presets de los sintetizadores de todas las canciones que he analizado y los projectos de Ableton con todas las pistas en mi pgina de Patreon para que puedas investigarlos a fondo, adems de apoyar este proyecto.

Espero que te haya gustado, no olvides ver el video en youtube y suscribirte si te ha gustado! Tambin puedes descargarte los presets y sonidos que he usado en mi Patreon.

The song's ascending string motif was recorded using a Solina String Ensemble, a classic string machine synth used by Pink Floyd in "Shine on You Crazy Diamond" and Elton John in "Someone Saved My Life Tonight." What made the Solina special was its built-in ensemble effect, which allowed it to mimic the width of a full orchestra. The Solina offered several preset waveforms, named after instruments such as violin, viola, and trumpet, and allowed you to mix them to create a sound as thin or rich as you want.

Unlike the CS-80, the GX-1 was strictly a preset instrument. Though it had no onboard synthesizer parameter controls, its analog synthesizer voicing could only be programmed using an external hardware programmer box through a very elaborate procedure.

Drew Schlesinger began developing third-party sounds for Casio CZ synths in 1986, leading to a career designing presets for over 200 products from 30 companies including Roland, Korg, Kurzweil, Alesis, E-mu, Ensoniq, TC, Lexicon, Eventide, and others. After a 20-year hiatus in the corporate world, he has recently returned to music and sound design.

Julie Kathryn (I AM SNOW ANGEL) is a recording artist, multi-instrumentalist, producer, and sound designer. She has developed a signature dreampop aesthetic as I AM SNOW ANGEL. She regularly designs MIDI presets for Ableton Live and has created audio sound packs for Splice and BandLab.

Sound designer, music producer, and songwriter. Dave has crafted sounds for major artists including Michael Jackson, Fleetwood Mac, The Cure, Bonnie Raitt, and Fleetwood Mac. He has created thousands of factory presets for synthesizer giants including Yamaha, Korg, Roland, and Dave Smith Instruments. be457b7860