We all love Vijay's dance. But for the first time, we are watching Ilayathalapathy (now Thalapathy) in a frame that is covered by Shankar's vision. Colours and costumes play an important role in this song and the visual is pleasing to the viewers.

When Shankar watched the final copy of Nanban just a few hours before shipping out the prints to overseas, the perfectionist felt that something was slightly missing after the final credits rolled. So, he got an idea to insert a short song. He summoned lyricist Vivega to show up immediately along with singers at Harris' studio to sing the new lines based on "En Frienda Pola" track. The lines penned by Vivega were recorded on the spot and inserted in the movie end credits before the master copy went out to the labs. Insiders claim the lines and music are expected to give a nice finishing touch.


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RDM: I wanted to portray their relationship in the first 20 minutes of the film. The song was there to establish the husband-wife intimacy, because it connects at a critical point towards the end of the film.

Vetri Maaran: When we are doing our first film, we are not very sure, and we are conditioned to think in a certain way, based on the films we have watched while growing up and the films that we have worked on earlier. I think that with the advent of direct OTT films, this thought will die away, because we are wasting time and money. The song can be in the background as well and a space without theatrical compulsions can be created. When this film was made two years ago, all this seemed relevant. Today, after OTTs have opened up and post the pandemic, I don't think many people think of songs. In my opinion, there is no need for songs to portray intimacy. And, it also comes with practice and the confidence you have when writing your script. 2351a5e196

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