We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-09-23 · 7 min read · Independent comparison
If you want a plug-and-play gaming headset that works across every console you own, choose Nacon RIG 300; if you need a desktop microphone that captures your voice cleanly for streaming, podcasting or calls, choose EASEMELO USB/XLR Desktop Dynamic. These are two completely different tools, and the right pick comes down to one question: are you listening, or are you talking?
• Nacon RIG 300 — biggest strength: one wired headset that covers Nintendo Switch, Switch 2, Xbox, PlayStation, PC, tablets and phones through a single 3.5 mm jack, with a flip-to-stow mic and a headband built to survive rough handling.
• Nacon RIG 300 — biggest trade-off: it is a headset first and a chat mic second, so it is not a broadcast-grade microphone, and there is no USB or XLR option if you want a cleaner studio signal.
• EASEMELO USB/XLR Desktop Dynamic — biggest strength: a dedicated desktop microphone with dual USB-C and XLR outputs, on-body volume and reverb knobs, one-click mute, noise reduction and RGB lighting, aimed squarely at PC and console creators.
• EASEMELO USB/XLR Desktop Dynamic — biggest trade-off: it is a microphone only, so you still need your own headphones, and its best results come from close-range use rather than sitting across the room.
• Pick Nacon RIG 300 if you want one headset for solo play, co-op chat and travel across multiple systems.
• Pick EASEMELO USB/XLR Desktop Dynamic if your voice is the product — streaming, podcasting, commentary or video calls.
The RIG 300 PRO HN is a wired over-ear headset with 40 mm precision-tuned dynamic drivers, a 20 Hz–20,000 Hz frequency range, 32 ohm impedance and 111 dB sensitivity. In plain terms, that is an easy-to-drive headset that does not demand a headphone amp — a phone, a controller or a laptop headphone jack is enough to get it loud and clear. The 1.2-meter cable is short by desktop standards but sensible for controller use, and the inline controls put mute and volume within reach, including a max lock position so your settings do not drift mid-match.
Where it really earns its place is flexibility. One 3.5 mm connection covers the Nintendo Switch family — Switch 2, Switch, Switch Lite and OLED — plus Xbox Series X|S, Xbox One, PS4, PS5, tablets, phones, PCs and laptops. The red and blue accents are styled to match the Switch 2, so it looks like it belongs on that setup rather than being a generic black headset you happen to plug in. The microphone flips up to stow, which is the feature I appreciate most for travel and handheld play — you are not hunting for a detachable boom in a bag.
Comfort and durability are the other two pillars. Oversized oval earcups sit around the ear rather than pressing on it, the cushioned headband spreads pressure, and the signature small, medium and large size adjustments let you dial in clamping force instead of accepting whatever the factory set. The headband is described as ultra strong and highly flexible, and the earcups separate from it under force to avoid breakage — a design choice aimed at real-world accidents rather than gentle desk use. It weighs 230 g, which is light enough for long sessions, and it carries a 1-year manufacturer warranty.
Who should buy it: Switch and multi-console players who want one headset, wired reliability with no battery to charge, and a mic that is always there when a friend joins the party. Who should skip it: anyone who needs a broadcast-quality voice for streaming, or who wants wireless freedom — this is a 3.5 mm wired headset, and its mic is built for game chat, not studio recording.
The EASEMELO EM700 is a different category of product entirely: a desktop dynamic microphone with a moving coil core and a cardioid polar pattern. Cardioid means it favors what is in front of it and rejects what is behind it, which is exactly why the manufacturer recommends close-range use of roughly 5–15 cm. Sit near it and it captures your voice; sit far away and you lose the benefit. It lists a 48 KHz high-sensitivity sampling rate, a 50–12 KHz frequency response and a 90–120 dB dynamic range, with noise reduction designed to cut keyboard clicks and room echo. That frequency range is deliberately voice-focused rather than full-range music reproduction, which tells you what this mic is built for.
The headline feature is the dual connection. USB-C gives you plug-and-play into a PC, PS4/PS5 or phone with no drivers, and XLR feeds mixers, sound cards and audio interfaces for lossless transmission. A USB-C cable is included while the XLR cable is not, so if you plan to run it through an interface, budget for that separately. On-body controls are genuinely useful here: separate knobs for microphone volume and reverb (echo), plus a multi-function button where a short press mutes and a two-second long press toggles noise reduction. No software, no menu diving. The RGB breathing gradient light is aimed at gamers and streamers who want the desk to look the part.
Who should buy it: streamers, podcasters, commentators and anyone on calls who wants their voice to sound intentional, with the option to start on USB-C and graduate to XLR later. Who should skip it: people who mainly need to hear game audio — this is a microphone, so you will still need a separate headset or headphones, and it is not a portable solution you toss in a bag.
Side-by-Side: Which Should You Choose?
• Best for game audio and chat on a console → Nacon RIG 300. One 3.5 mm jack covers Switch 2, Switch, Xbox, PlayStation, PC and mobile.
• Best for voice quality on a stream or podcast → EASEMELO USB/XLR Desktop Dynamic. A cardioid dynamic capsule with noise reduction is purpose-built for one job: your voice.
• Best for plug-and-play simplicity → Nacon RIG 300. No drivers, no setup, no charging.
• Best for growing into a pro setup → EASEMELO USB/XLR Desktop Dynamic. Start on USB-C, move to XLR with an interface later.
• Best for travel and handheld play → Nacon RIG 300. The flip-to-stow mic and 230 g weight make it the portable choice.
• Best for on-the-fly control → EASEMELO USB/XLR Desktop Dynamic. Physical volume, reverb, mute and noise-reduction buttons beat software menus.
• Best for rough handling → Nacon RIG 300. The flexible headband and detaching earcups are explicitly designed to survive force.
• Best for desk aesthetics → EASEMELO USB/XLR Desktop Dynamic. RGB breathing lighting and a 360° adjustable stance are built for a visible setup.
• Best if you need both jobs done → buy both. They solve different problems and do not overlap.
In my opinion, most people asking this question should buy the Nacon RIG 300, because it is the one that plugs into whatever you already own and just works — no drivers, no charging, no extra gear. I would recommend the EASEMELO USB/XLR Desktop Dynamic only if you already own headphones and your priority is how you sound to other people. If you are a Switch 2 or multi-console player, the RIG 300 is the straightforward call. If you are building a streaming or podcasting desk, the EM700 is the more interesting long-term buy. Check the current price on Amazon for whichever fits your setup, then decide.
FAQ
Yes. The USB-C connection is plug-and-play with PCs, PS4/PS5 and phones with no extra drivers. XLR is there if you later add a mixer or interface. Note the USB-C cable is included but the XLR cable is not.
For streaming, I would pick the EASEMELO USB/XLR Desktop Dynamic — a cardioid dynamic mic with noise reduction and on-body mute is designed to keep your voice front and centre. The RIG 300's mic is built for game chat, not broadcast.
Only if you want great game audio and great voice capture at the same time. The RIG 300 handles listening and chat; the EM700 handles voice for an audience. They complement each other rather than compete.
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See also: ABLET Boom Microphone Cable vs EASEMELO USB/XLR Desktop Dynamic, SteelSeries Arctis Nova 1 vs FIFINE XLR/USB Dynamic Microphone, FIFINE XLR/USB Dynamic Microphone vs ATTACK SHARK L80