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Kancherla Gopanna (Goparaju), later known as Bhakta Ramadasu, was born in a moderately well to do Telugu speaking Niyogi Brahmin family to Linganna Mantri and Kamamba in Nelakondapalli village in the Khammam District of Telangana. He was orphaned in the teens, triggering an impoverished life, sustained by singing bhakti songs to Rama and collecting rice door to door.[3] His life story has been largely reconstructed from poems he composed or is assumed to have composed, where there is a mention of events of his life. For example, one bhakti song mentions Narayanadasulu, a term linked to the Narayana mantra, is believed to be linked to Sri Vaishnavism guru Raghunatha Bhattacharya, who initiated him as a boy into the Dasarathi tradition. These and other hagiographic accounts found in Yakshagana or Harikatha compilations present him as a boy-prodigy with an impulsively creative mind composing lyrics on the Hindu god Rama.[4]

The story continues that soon after the reconstruction, his miseries started. He was dismissed from his job by his enemies who spread a lot of fake news.[8] (near Hyderabad) Ramadas was cast into jail with orders that he be released only after the exchequer received all the taxes in full. Ramadas implores Rama through many emotional songs that were popularized from the stanzas of 'Dasaradhi Sathakam ' and 'Keertanas' of Bhakta Ramadasa. They praise the Lord for all his mysterious ways in popularizing his devotees and Ramadas regularly sings to the Lord. The songs end in a state of total and unconditional surrender to the will of the Almighty.

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In non-scholarly claims feeding the popular imagination, many more compositions are attributed to him. For example, according to the Indian newspaper The Hindu, Ramadasu composed nearly 300 songs and his works on Rama moved the Sultan.[13] The Navaratna krithis of Ramadasu are as follows:

As sound vibration can affect the most subtle element of creation, it is interpreted in Hindu scriptures that spiritual sound vibrations can affect the atman (soul) in a particularly potent way. Such spiritual sound vibrations are said to have the ability to awaken our original spiritual consciousness and help us remember that we are beyond the ambivalence of life, and actually originate from the Divine. As such, the main goal of many types of Hindu musical expression is to help stir us out of our spiritual slumber by evoking feelings of love and connection that help us to better perceive the presence of the Divine within all. Some of the more popular examples of musical expressions within Hinduism include shlokas (verse, or poem), mantras (sacred syllables repeated in prayer), kirtans (congregational singing of mantras), and bhajans (devotional songs). You can find musical spiritual expressions through the US in temples, Mandirs, and community centers.

Sathyanarayana was a precocious child, learning more things than anyone could teach Him and much quicker than most; He could sing all the songs and Stotras (prayers) that were recited at the village operas. He evencomposed at the tender age of seven or eight, some touching songs for the cast, which was gladly accepted by them for public presentation!

When He was about ten years of age, Sathya formed a 'Pandhari Bhajan' group in the village of Puttaparthi. The group consisted of about sixteen to eighteen boys dressed uniformly in ochre clothes, each holding aflag in the hand and wearing jingling anklets. They all danced to the tune of folk-songs and ballads, describing the yearning of pilgrims for Lord Panduranga's Darshan. He also added some Bhagavatha songs ofHis own. It was noticed that He added to these traditional themes, songs on a pilgrimage to a new shrine of which no one had heard, and the majesty of a new Deity of whom they had not even the faintest idea,Shirdi and Sai!

Sathya was a quiet, well-behaved boy and the favourite of His teachers. Once, He sang the prayer song before the curtains went up on a drama in the town and those who heard His sweet voice spread the news that a'fine musician' had come to town. Prayer songs at functions like public meetings became His monopoly thereafter. 17dc91bb1f