Come back to cinema, WKW! Tencent Pictures is China has debuted yet another new promo trailer for a web series + feature film project called Blossoms Shanghai, also known as only Blossoms () for China. This has been in the works for years and years. We featured a different trailer for this last year already, but it still hasn't been released yet. It's all rather vague. This is an adaptation of a 2012 novel of the same name from Jin Yucheng, telling the story of a young entrepreneur named Mr. Bao as he seeks wealth, status and romance set against a backdrop of China's 1990s economic boom. The story of a "self-made millionaire" in Shanghai during the 1990s, a young opportunist with a troubled past. Wong has said it is a "deeply personal venture as a return to his hometown of Shanghai," and he has been working on its script and development for five years." Starring Hu Ge as Mr. Bao, with Kris Wu, Ma Yili, Tang Yan, and Xin Zhilei. There's still no English subtitles in the trailer but it's all about that WKW aesthetic & mood, of course. Have a look.

Elizabeth's heart is broken. For solace, she drops in late at night a few times at Jeremy's diner for blueberry pie a la mode; they talk. Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain. She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works. Then, she's in Nevada, working at a casino where she uses her savings (she wants a car) to stake Leslie, a busted gambler, in a high rollers' game. After, Beth drives Leslie to Vegas where Leslie's estranged father lives. Broken relationships. What about Jeremy?


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In New York, Elizabeth (Norah Jones) has a broken heart when her boyfriend leaves her without saying goodbye. She stops by the diner of Jeremy (Jude Law) seeking out her lover, leaves his keys with Jeremy and ends the night having a conversation with him and eating a thrown away piece of blueberry pie. She arrives in the place for the next late nights and they become close, with Lizzy eating a piece of blueberry pie, until the day she drinks too much, has a blackout and is kissed by Jeremy. On the next day, she takes a bus to Memphis, Tennessee, and gets two jobs, working as waitress in the morning in a diner and as a bartender during the night in a bar and saving money to buy a car. Lizzy sends postcards to Jeremy without her address and she befriends Officer Arnie Copeland (David Strathairn), who spends the nights drinking missing his wife Sue Lynne (Rachel Weisz) that left him. Later she moves to Ely, Nevada, workings as waitress in a casino, where she meets the gambler Leslie (Natalie Portman). When Leslie loses a poker game, they travel together to Las Vegas to visit Leslie's father. Then she return to New York, where she meets Jeremy again.


This classy and melancholic romance has a sweet story, great direction and performances, wonderful music score and a stunning cinematography. I was not familiarized with the wonderful voice of Norah Jones and her debut as actress is magnificent, showing a perfect chemistry with Jude Law. The excellent David Strathairn and Rachel Weisz have awesome performances in very dramatic roles, and the magnificent Natalie Portman has a different appearance with her vulgar character. My vote is seven.


Title (Brazil): "Um Beijo Roubado" ("A Stolen Kiss")

Elizabeth (Norah Jones) dumps her boyfriend after caf owner Jeremy (Jude Law) tells her that he was in his caf with another girl. She stays there eating a blueberry pie as he talks about the bowl of forgotten keys. She returns several time finding comfort talking to Jeremy. One night, she walks away, leaves NYC and drifts to Memphis where she's waitressing. One of her customer is drunken cop Arnie Copeland (David Strathairn) whose wife Sue Lynne (Rachel Weisz) left him for a younger man. Elizabeth now calling herself Lizzie continues to write letters to Jeremy. Jeremy keeps trying to track her down. She finds herself as Beth waitressing in a Nevada casino. Leslie (Natalie Portman) is a busted gambler, and Beth stakes her in a game. Leslie is willing to give Beth her car if she loses or a third of her winnings.


Norah Jones is underwhelming in her performance. Her stone-faced acting is a blank in the middle of the screen. The problem is that she's not a minor character that can be hidden away. She's taking up valuable space and wasting it. All the other actors look like they're overacting just because of the bland acting from the other side. A minor problem is the slow motion blur sequences that scream trying-too-hard. Director Wong Kar Wai tries to present his cross country American vision but it's missing a beating heart. I imagine that this could be quite a compelling character in a lovely indie. Norah does make some wonderful music for the movie but it needs a real actor to play the character.

As I think about the importance of basic study before we do some kind of application, I think of the blueberry bushes at my house. We go out and pick blueberries. We never find strawberries on those blueberry bushes. We never find blackberries on those blueberry bushes. We don't find figs. The figs come from the fig tree nearby. And the reason is because that plant produces fruit according to the kind of plant it is, according to its nature. And when we do Bible study, we need to start with exegesis of the text so that our application grows organically out of that text rather than being read into the text or being done in spite of what the text is saying. The fruit of that text is going to come out of the text itself and our application needs to be after we have really understood and studied that text and discerned what it is that God was saying through that text. So we need to do our exegetical work before devotional.

It's strange to think of this new drama from Jean-Pierre and Luc Dardenne as a thriller, but that's exactly what they've created. The clock is ticking on a factory worker (Marion Cotillard) who has two days and one night to try to persuade co-workers to give up a precious bonus so that she can return to a job eliminated while she was on medical leave. For all the excellent work Cotillard has done, this performance stands among her best. She absorbs a young wife and mother's indecision, insecurity, depression and weariness down to the bone. (Betsy Sharkey) (In French with English subtitles.) Read more

We all have particular ideas of what a porridge restaurant might look like, whether a Hong Kong-style congee shop like Delicious Corner in Monterey Park or a Taiwanese porridge hall like Lu's Garden in San Gabriel, Atlacatl and its list of Salvadoran atoles, the Koreatown pumpkin-porridge specialist Bon Juk or Veronica's Kitchen in Inglewood, with its Nigerian fufu menu. I consider myself open-minded when it comes to porridge. But I never expected a spot like Porridge and Puffs, the semi-elegant restaurant that takes over the lunch counter Field Trip a few nights a week. The porridge is prepared with the obsessive care that the hairy-chested kitchens devote to charcuterie and is served in flights as if rare vintages of Montrachet. It is easy to laugh at the idea of a porridge-intensive restaurant until you taste a spoonful of the rice porridge with pickles and jam: an arrangement of herbs, fermented mustard greens and a spoonful of a sharp, lemongrass-infused chile condiment as dazzling in its complexity as anything coming out of the most famous kitchens in town. Read more be457b7860

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