Sid Meier’s Civilization VI is a 2016 strategy video game in which the player guides a civilization from the Ancient Era to the present day and beyond. In this paper, I interrogate the use of the vocal polyphonic music of Georgia in Civilization VI and how it complicates our understanding of authenticity and representation. The Georgian musical performances are by Trio Kavkasia, a North American group with over eighty-five years of experience singing Georgian music. These performances are arranged and adapted by composer Geoff Knorr, known for his work on other Civilization games. This music is placed in relationship to Georgian music scholarship as well as musical and non-musical scholarship on the Civilization series. Special attention is given to the hymn “Shen Khar Venakhi” (“You Are the Vineyard”). This hymn was written in the twelfth century by King Demetre II and has survived both Russian and Soviet censorship to become one of the most beloved pieces of music in the country. Its history of suppression and revival has also led to disagreements about authentic performance practice. It is used as the theme music for Georgia, appearing in four arrangements of increasing orchestrational complexity corresponding to four eras of history (Ancient, Medieval, Industrial, and Atomic). Ultimately, due to the long and complex history of Georgian music, coupled with the very structure of Civilization VI and its musical progression, complete authenticity is impossible. At the same time, the game offers a platform to represent Georgian music to tens of thousands of players.