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Glass Animals’s Dreamland blurs the line between dreams and reality, winding its way through a diaristic tour of frontman Dave Bayley’s life. The album catalogues the singer-songwriter’s relationships, observations, and growing pains with a typically felt and colorful attention toward the senses. As such, it’s more personal than either of the band’s previous two efforts, but that also means that it sacrifices the kaleidoscopic alignment of feeling and imagination that helped make those albums so distinct. It’s a bit of a trade-off, then, as the change in subject matter allows Glass Animals to find new direction, but their previous mode of world-building was, in some ways, more satisfying.
Over the last 75 years, the role of music producer has evolved from a cigar-chomping session boss who corralled musicians, wrote arrangements and ran the soundboard to a musician who often uses the recording studio—often with little more than a laptop—as a musical instrument, creating whole songs and albums entirely ‘in the box’ without having to deal with the fuss and muss of other musicians and mountains of gear.
On-and-off again lockdowns have made everyone nostalgic and glued to their phones, which is why Glass Animals asks you to disconnect and take a trip down memory lane and recall warm, fuzzy thoughts. “Pulling down backstreets deep in your head / Slippin thru dreamland like a tourist,” sings Bayley on the title track, inviting listeners to sit back, relax, and journey through his fluid and vibrant thoughts. It’s a different tone than the band’s past albums, but then again, the band has grown up and evolved since their last record dropped in 2016. Like a lullaby, the track rocks you along with its Bayley’s soft vocals humming sweet nothings against a twinkly bassline and gentle steel drums.
The band’s 2014 debut, Zaba, was seemingly dispatched from another planet, with lyrics filled with oddball imagery that was accompanied by vaguely exotic, waterlogged instrumentals and distant birdcalls, while 2016’s How to Be a Human Being was a playfully literary collection of songs about a cast of fictional characters. Dreamland still makes room for evocative, sensory lyrics and sonics that verge on the cinematic, highlighting the sense of physical touch (the latter word is used several times throughout), but it also spends a lot of time on the mundane artifacts in Bayley’s personal memory bank—Grand Theft Auto, hotels with “pool paintings on the wall,” Scooby-Doo, The Price Is Right—to middling effect. And his expressions of lust for various lovers alternate between the pedestrian (“Sometimes all I think about is you/Late nights in the middle of June” is repeated ad nauseam on “Heat Wave”) and the nonsensical (“You taste like surfing videos,” from “Waterfalls Coming Out Your Mouth”).
reamland, the latest album from British studiophiles Glass Animals, feels like it was created entirely within the boundless cyberspace of the microchip. But like the proverbial ghost in the machine, the digitized musical emanations created by the band’s singer, songwriter and producer, Dave Bayley, along with his childhood friends Joe Seaward, Ed Irwin-Singer and Drew MacFarlane, pop with an Auto-Tuned vitality that transcends their disembodied composition.
Dreamland updates an old-school soul and hip-hop aesthetic with all the bells and whistles available to 21st century beatmakers, including bone-rattling bass sounds, lots of Auto-Tune and pristine sound quality.