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Spotify is the most-used audio podcast platform in many key markets around the world and is also the number-one podcast publisher in the U.S., according to the most recent Edison Research data. And for the fourth time in a row, The Joe Rogan Experience takes the honor of top podcast of the year globally. In second place for the second year is Call Her Daddy, and in third, Huberman Lab, followed by anything goes with emma chamberlain and On Purpose with Jay Shetty. Eight of the top 25 podcasts on the global top lists are Spotify Owned & Licensed podcasts, and nine of the top 25 podcasts in the U.S. are as well.

A few weeks ago, I wrote about how difficult it is to determine what the most popular album is. To show that, I put together a dataset of the 50 most popular albums in Spotify history. I decided to start my investigation on the most popular track on an album with that dataset.

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There are two takeaways from this chart. First, among the 50 most popular albums on Spotify, track 4 just ekes out track 3 as the most popular. So, my friend was almost right. Regardless, the most popular tracks are always near the front of the record. Why? Every album has a track 1, track 2, and track 3. Not every album has a track 10. In short, the earlier songs have an inherent advantage.

This time I dipped into the millions of albums that have been uploaded to Audiomack. When I scanned across every upload with more than 8 songs (i.e., an album), track 3 was most often the most popular. My friend was vindicated. But then I noticed something odd. The most popular track changed depending on how many streams the album had.

People listen to albums differently based on how popular the album and the artist are. For the unknown artists of the world (i.e., artists whose albums are getting fewer than 100,000 streams), listening is focused on singles. Track 3 is the most common place for a single to be located among those albums. Interestingly, we see the same thing with the most popular artists (i.e., artists whose albums are getting more than 10,000,000 streams). Among albums with more than 10,000,000 streams, track 2 is the most common location for a single. Among albums with more than 100,000,000 streams, track 6 is.

I\u2019m going to see Taylor Swift this weekend. While I was listening to her latest album Midnights in preparation for the show, I noted to my friend that the third song \u201CAnti-Hero\u201D was the most popular on the record. He told me that\u2019s not shocking. The third song is always the most popular. I was skeptical, so I decided to look into his claim.

My friend wasn\u2019t satisfied with this answer, though. A sample of 50 albums is small. Plus, the most popular albums might be very different from the average album. I agreed, so I decided to grab some more data.

When you look at all albums and albums with at least 1000 streams, track 3 is the most popular on average. Then when you look at albums with at least 100,000 and 1,000,000 streams, the most popular shifts to track 1. If you set the minimum at 10,000,000 streams, the most popular shifts to track 2. Then it goes to track 6 when you move the threshold to 100,000,000 streams. What\u2019s going on here?

I actually don\u2019t think this is that shocking. If you come across a super small artist, you\u2019re probably going to play a single before you play an album. It\u2019s a great way to get a taste of what the artist is about. For superstars, singles can be genuine hits. By definition, people listen to hit songs a lot.

But something strange happens for mid-tier artists (i.e., artists whose albums are getting more than 100,000 streams and less than 10,000,000 streams). These are artists who you might be familiar with, but who don\u2019t have massively popular singles. Because of this, listeners are invested enough to click play on that album, but not invested enough to listen to a single endlessly. Since not everyone is going to make it through your entire album, track 1 is going to be inherently advantaged.

The biggest songs on TikTok in 2023 were sped-up remixes of songs, indicating the wide appeal of a musical trend that went viral on the app this year and prompted artists and labels to try and capitalize on the increasing demand for sped-up tunes.

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"Happy Birthday to You" is the best-known and most frequently sung song in the world. Many - including Justice Breyer in his dissent in Eldred v. Ashcroft - have portrayed it as an unoriginal work that is hardly worthy of copyright protection, but nonetheless remains under copyright. Yet close historical scrutiny reveals both of those assumptions to be false. The song that became "Happy Birthday to You," originally written with different lyrics as "Good Morning to All," was the product of intense creative labor, undertaken with copyright protection in mind. However, it is almost certainly no longer under copyright, due to a lack of evidence about who wrote the words; defective copyright notice; and a failure to file a proper renewal application. The falsity of the standard story about the song demonstrates the dangers of relying on anecdotes without thorough research and analysis. It also reveals collective action barriers to mounting challenges to copyright validity: the song generates an estimated $2 million per year, and yet no one has ever sought adjudication of the validity of its copyright. Finally, the true story of the song demonstrates that a long, unitary copyright term requires changes in copyright doctrine and administration. With such a term, copyright law needs a doctrine like adverse possession to clear title and protect expectations generated when, as with this song, putative owners do not challenge distribution of unauthorized copies for more than 20 years. And Copyright Office recordkeeping policy, which currently calls for discarding correspondence after 20 years and most registration denials and deposits after five years, must be improved to facilitate resolution of disputes involving older works. Over two hundred unpublished documents found in six archives across the United States have been made available on a website that will serve as an online appendix to this article.

Classical music remains a popular choice for funerals, setting the stage for an emotional and moving service. Many people opt for light classical music for funerals, whilst others may prefer a more dramatic piece which reflects the personality of their loved one.

Wind Beneath My Wings was performed by Bette Midler for the soundtrack of the film Beaches, and was named Song of the Year at the Grammy Awards in 1990. It has become one of the most popular funeral songs as a way to remember a loved one.

A soaring and sweet duet between the world-famous tenor and soprano. The popularisation of opera has seen this musical piece become a regular choice at funerals for those that have lost a romantic partner.

This well-known, well-loved hymn was written by Rev. John Newton in 1773 after he miraculously survived a storm at sea. The recording by the pipes and drums of the Royal Scots Dragoon Guards in 1972 spread its popularity and this piece of music was played at funerals and memorial services for members of the New York Police and Fire Departments following the attacks of September 11 2001. The history of this hymn makes it a popular choice for those who are proud of their Scottish origins.

When organising a funeral for your father, there are several things you need to consider. One of those is the choice of funeral songs; it could be his favourite song, or something a bit more comforting. We have compiled a list of funeral songs that are appropriate for the funeral of a father. 17dc91bb1f