Priyanka Chopra Jonas recently visited India to promote her haircare brand alongside a visit to some rural areas in Uttar Pradesh as a Goodwill Ambassador of UNICEF. Apart from work, she indulged in some fun by dancing to veteran actor Mithun Chakraborty's hit song 'Ye Raat Mein Jo Maza Hai' in a bathrobe.

K-pop star Aoora popularly known for his songs like Love Back, Body Part, and Swag Se Swagat has come up with his latest rendition of the iconic song Jimmy Jimmy starring Mithun Chakraborty. The new version has a blend of Indian music elements and K-pop and the fans can't stop gushing about it.


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Talking about the song, Aoora said: "I am thrilled to sing in Hindi for the very first time and present the K-pop version of a beloved Bollywood song like Jimmy Jimmy which happens to be one of my favorites. This collaboration exemplifies my deep admiration for Indian music and my desire to create something truly special that resonates with fans from both cultures."

He further mentioned: "It has been such an honor to be able to work with India`s most prestigious label Saregama and to infuse the K-pop flavor in a wonderful song like Jimmy Jimmy. I had so much fun working on it, and it was also challenging to recreate it in the K-pop style while maintaining its original essence. Between me and my music producer Friday, we were, however, able to create a sound that I am very proud of. I hope that all my fans will remember this version for a very long time."

For the song, Aoora partnered with India`s oldest music label Saregama to recreate a K-pop version of the track. In February 2023, Aoora mesmerized Indian audiences with his concerts in Mumbai and Jammu and is now determined to foster cultural exchange between India and South Korea with his music.

Not just Indians, but even people in Uzbekistan are fond of Bollywood movies and songs. A video shared on Twitter on Friday showed that performers in an Uzbekistan club were singing the popular hit song, Jimmy Jimmy, which was picturised on actor-politician Mithun Chakraborty. Several attendees were seen grooving to the peppy dance number. Along with this song, I am a Disco Dancer was also played at a dinner hosted for international media on Thursday night ahead of the Shanghai Cooperation Organisation (SCO) Summit main event in Samarkand.

In the past, news reports have highlighted that Bollywood movies and songs are very popular in Uzbekistan. In July, Foreign Minister S Jaishankar had shared a video of a band singing the track Bol Radha Bol from the well-known Bollywood hit movie Sangam, starring Raj Kapoor, Vyjayanthimala, Rajendra Kumar, which was released in 1964. The minister was at a two-day foreign ministerial conclave in Tashkent.Ā 

The minister had written: Another reminder from SCO Tashkent why Central Asia is our extended neighborhood."

Ā Disco Dancer and the Idioms of the Global-PopularĀ  Neepa Majumdar (bio) Ā  Even in the wake of the relatively recent academic respectability of popular Indian cinema, there are areas of South Asian film culture that were still too lowbrow to merit much scholarly discussion. Lowbrow cultural products such as the 1982 Hindi-language film Disco Dancer (dir. Babbar Subhash) tend to elicit studies of reception, while higher-brow texts more commonly elicit formal and aesthetic responses. In this article, I would like to partially reverse this tendency by considering the experimental form forced by the global "disco sensibility" on conventional stylistic and thematic modes of popular Bombay cinema of the 1970s and early 1980s. This offers us an opportunity to consider the encounter of a global sonic mode or sensibility with a localized popular media form, in the process generating a new popular text that in turn traveled globally and generated new popular and even viral media. Disco Dancer, however, serves as much more than a representative case study when one considers its seminal retooling of narrative, thematic, and star practices to accommodate new flows of international popular media such as Saturday Night Fever (John Badham, 1977) or Ottawan's disco song "T'es OK," which Disco Dancer's last song, "Jimmy Jimmy aja" reworked. 1 In the Soviet Union, as Sudha Rajagopalan points out in her important study of Indian cinema in the Soviet Union, "the hysteria around the film has often been compared to the phenomenal success of Awara in 1954" (164). 9af72c28ce

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