𝕀nstâ̴̼̏͐͗̅͗̉̉͋͝g̷̺͓̑́̿ram ₣aceboᎧk Vimeo Mąìl
Peter Scherrebeck (also known as Misty Superdeluxe) is a choreographer and performer based in between Denmark and The Netherlands. Misty works as part of different artist collectives, has performed for numerous other artists and has shown own work in places s̴̅ů̷c̷̉͐̔̓̋͝h as Dansehallerne, (CPH), Frascati Theatre,(AMS), Kunstinstituut Melly, (RTM), Veem House for Performance, (AMS).
Peter holds a BA in choreography from SNDO, Amsterdam University of the Arts.
𝐒elected Ẁ̸̅̂ork
2022-24
“Hide my Face”,
performance installation
Arthuis SYB, Kunstinstituut Melly a.o.
2022
“TRAILER”
performance w Ingeborg M. Andersen
Dome of Visions, Aarhus, DK
2022
“NFLS”, choreographic concert w Ari Merten,
AIC Festival, Witten, Germany
2021
“-phelia”, Veem House for Performance,
Amsterdam, NL
2021
Porous Nests
performance with Kat Staub and Snorre Elvin
Det Frie Felts Festival, Copenhagen, DK
2020
Mermaid of the Hypersea
performance by Snorre Elvin
co-choreographer and performer
Tanzquatier Wien a.o., Vienna
2020
Album for Endo-Financial™ tuning
choreographic album, Paris
2019
Devotional Warrior Bride
dance performance and praxis
choreographer and performer
Jodenbree 3, Amsterdam
2019
The work after she left
performance by Katrine Staub
performer, co-choreograper
Uferstudios, Berlin
2019
Susan AuditionsTM
video work
Shock Academia festival
Vilnius
P≋erforming for 𝕆thers
2022
“Vortex Delight",
by Snorre Elvin,
(DDSKS and Roskilde Festival, DK)
2020
processed flesh selling slippery fantasies...
by Raoni Muzho Saleh and Charlie Laban Trier
Stedelihjk Museum, Amsterdam
2019
Imponderabilia
performer at “The Cleaner” by Marina Abramović
Louisiana Museum of Modern Art, DK
2019
FuturX
5-month durational performance In 5 chapters (part of chapter 1 and 5)
Sydhavn Teater, DK
2018
Birthday
site specific performance by Marijn Ottenhof
Bolenius, NL
2018
Justified Beliefs
interactive performance by Christian Falsnæs,
AROS museum of contemporary art, DK
2016
Refugium
performance by Christin Johansson,
Biennale Internationale de Vallauris, France
2016
Aurora Threads
performance by Angela Grillo,
CounterPulse, dancer & cellist, San Francisco, USA
Ꮛducation and Ꮗorkshops
2017-2022
SNDO - School for new dance development – BFA in Dance and Choreography, Amsterdam, NL
2023
DanceWEB scholarship, Vienna, AUT
2017
Abramović Method, Marina Abramović//Lynsey Preisinger, Holbæk, DK
2016
foolsFURY Theater Ensemble, Internship, San Francisco, USA (2016)
2001 - 2015
Classical Cello training
professors Dorte Rolf-Petersen and Sofia Karlsson, Århus Music School, DK
Şelected P̵͒͘rojects:
Hìdҽ my fαcҽ
Hide My Face, is a performance installation based on the praxis ‘Mouth Singing.’ Performing a song written by Scherrebeck en route to Portugal, on a journey through the maternal line and intergenerational trauma, two figures take up various positions as they sing into each other’s mouth. As they sing, their bodies become resonance chambers, vessels through which time flow. Accompanying the performers is a video installation inside a ceramic vase, displaying another iteration of the performance, creating a canon composition between past, present and future. Shown at Kunstinstituut Melly, Rozenstraat Gallery, Arthuis SYB (NL)
concept & choreography: Peter Scherrebeck
performance & co-choreography: Peter Scherrebeck and Gala Faraus
s̷͑ouvҽnìr
[suv(ə)niʀ ] (= réminiscence)
by Peter Scherrebeck Hansen, de Brakkegrond, Amsterdam, 2022
Souvenir explores the "choreographic vase". On stage a vase is being carved out from its inside, while five performers inhabit the stage in scores of dance, song, care giving and time bending. The bodies on stage oscillate between guesting and (g)hosting - in moments they become choreographic vases themselves, while moving through memories and bended temporalities.
concept, choreography: Peter Scherrebeck Hansen
performers and co-choreography: Sara Bianka Korom, Matthieu La-Broussard, Paca Faraus, Chritin Johansson
artistic advising: Oneka Von Schrader and Jija Sohn
photography: Nellie de Boer
p̵̌̏araCìty
ParaCity is a sonic choreography which mixes collective and private mythologies with memories of late capitalism and other great fictions . On stage we see a hybrid maiden figure who morphs from act to act in a sonic wedding ritual - the acts and characters are channeled in close collaboration with clairvoyant Pardis Pourahmad.
Performed at Frascati, Amsterdam and Ufer Studios, Berlin - 2022
Concept / Choreography / Performance: Peter Scherrebeck Hansen
Music production: Ari Merten
Dramaturgical / Clairvoyant advice: Pardis Pouramad
Song Writing: Peter Scherrebeck Hansen
Costume making: Oline Bronée
Artistic advising: Toni Steffens, Jija Sohn, Ariah Lester , Charlie Laban Trier
Scenographic advise: Lena Michel Van Drie
Photos by: Nellie De Boer
-phҽlìα
A sonic choreography based on Ophelia's "Madness Songs" in Hamlet, Prince of Denmark. Challenging notions of the sick feminine and silencing, the piece unfolds as a deconstructed operetta in five acts - for human and nonhuman voices.
Choreography: Peter Scherrebeck Hansen
Dancers: Dovilė Krutulytė and Erikas Žilaitis
Sound production: Ari Merten
Light design: Katinka Marac
Po⃣rous Nestʂ
by Peter Scherrebeck, Katrine Staub and Snorre Elvin
since 2020
performed at Selected Works // Det Frie Felts Festival (Copenhagen) Lothringer 13 Halle (Munich) and Lause (Berlin) with residencies at Tanzbüro, Lause and Marselisborg Gymnasium
"Porous Nests" is a performance project developing the practice of building porous nests for dance to happen within. In a liquid space that transforms over time choreographers Kat Staub, Snorre Elvin and Peter Scherrebeck Hansen are both as makers and performers striving to expand the notion of the stage and of performative staging through building nest installations that can host different performative actions.
In an engagement into creating anchors of nurture, the emerging spaces come to serve as containers able to host flamboyant performances and vulnerable court shipping that inaugurate the dance as a tool for practical magic, rituals of care and political resistance. The body performing in this landscape is seen as an extension of the installation, and as a porous nest of dance itself.
V̷̄͝ideo "Porous Nests" for "Det Frie Felts Festival", Copenhagen, 2021
(Credits: Nanna Katrine Hansen/ Peter Scherrebeck Hans̷en)
Stills from "Porous Nests" at "Det Frie Felts Festival", Cǒ̴p̵̌̏enhagen, 2021
(Credits: Nanna Katrine Hansen)
Photos from "Porous Nests" at Lothringer Halle 13, Munich, 2020
(Credits: Co̶nstanza Melénde)
AʅႦum̵̈́͂ for E̾ndo-Financιαl™tu̷n̷ing̾
by Peter Scherrebeck Hansen with Paca Faraus and Kat Merten
premiered at SNDO3 lilCAUSE, Academie voor Theater en Dans, Amsterdam in November 2020
"Album for Endo-Financial™tuning" is an audiovisual choreographic album. The album offers an alternative approach to dealing with late capitalism, creating a scientific and theatrical New Age tool that aims to break with the money system as we know it. Each track on the album is produced in a specific musical keynote that stimulates a specific gland or energetic center of the body. The songs aim to tune the energetic and financial body of the audience to create mental wealth.
Video "Album for Endo-Financial™tuning", 22 minutes
(Credits: Peter Scherrebeck Hansen)
St̶il̶ls̷͑ from "Album for Endo-Financial™t̸̓̑͝uning"
(Credits: Peter Scherrebeck Hansen)
Ꭰҽѵotional̴ Ẁ̸̅̂̐͘arrior Bɾìde
by Peter Scherrebeck Hansen
with Ingeborg Meier, Tootie Psycute, Linnea Sigrid, Aitana, Lene Gravesen, Christin Johansson
Amsterdam, 2019
Photos from "Devotional Warrior Bride"
(Credits: Nellie de Boer)
-phҽlìα
A sonic choreography based on Ophelia's "Madness Songs" in Hamlet, Prince of Denmark. Challenging notions of the sick feminine and silencing, the piece unfolds as a deconstructed operetta in five acts - for human and nonhuman voices.
Choreography: Peter Scherrebeck Hansen
Dancers: Dovilė Krutulytė and Erikas Žilaitis
Sound production: Ari Merten
Light design: Katinka Marac