Embedded Files
About
About
This project attempts to analyze the depictions of migration abroad in post-1990 Romanian literature, within the social-economic contexts of this ample process, and taking into account the connections between the literary discourse, and the media or political discourses. The research focuses on the consequences of post-communist migration - which Romanian writers either experiment directly, or fictionalize through sociological observations - on the(re)construction of personal and community identities. Some of the basic topics of this investigation regard the problem of the cultural memory, the often conflicting relation with the communist past, or the ambivalent attitude toward both transition, and its Western point of reference. By situating the debate in the larger, but very specific context of the cultural developments from the former Soviet bloc, the project sets a major goal in assessing how Romanian fiction mirrors those bonds with the homeland that remain stronger than elsewhere in post-communist cultures, even while they are affected by mass migration. This typically Eastern European mindset enables us to challenge certain Western theories which propose a celebratory, generalized view of contemporary nomadism, hybridity or post-national identities.
Project Team
Project Team
Adriana Stan
Adriana Stan
Principal Investigator
adriana.stan@ubbcluj.ro
Adriana Stan is Assistant Professor of Comparative Literature at the Babeș-Bolyai University of Cluj-Napoca. She specializes in the history of critical ideas and of literary ideologies, and the history of Central and Eastern European literatures. Her recent work deals with interwar modernism, postmodernism, anticommunism, the evolution of the novel in (semi)peripheral literatures, post-communist literature. She authored the volumes Posteritatea lui Tudor Vianu. Alternativele criticii românești postbelice [Tudor Vianu’s Posterity. The Alternatives of Postwar Romanian Criticism] (2015) and Bastionul lingvistic. O istorie comparată a structuralismului în România [The Linguistic Bastion. A Comparative History of Structuralism in Romania] (2017). Among the studies she recently published, are “Fictionality Unbound. Cold War Anti-Politics and Theories of the Narrative across the Iron Curtain”, in Beyond the Iron Curtain. Revising the Literary System of Communist Romania (Peter Lang, 2021): 215-235; “Digicriticism. Profession On(the)line”, in Theory in the “Post” Era. A Vocabulary for the 21st Century Conceptual Commons (Bloomsbury, 2022); Post-Socialist Realism. Authenticity and Political Conscience in the Romanian Literature of the 2000s, in „Critique: Studies in Contemporary Fiction”, 64, no. 1 (2023): 73-84.
Claudiu Turcuș
Claudiu Turcuș
Claudiu Turcuș is Associate Professor of Literary and Film studies and Vice-Dean of Research and Academic Infrastructure at Faculty of Theatre and Film. He obtained his PhD in Humanities (2011) at Babeș-Bolyai University after a fellowship research at Bard College, New York. His research interests are focused on East-Central European Literature, Cinema and Criticism. He published widely on topics such as the cultural memory of Socialism, the representation of Post-communist transition, intellectual history, or the ideology of New Romanian Cinema. His book, Norman Manea. Aesthetics as East Ethics (Frakfurt-New York: Peter Lang, 2016) is the very first monograph about life and oeuvre of this important Romanian-American writer, proposed twice for Nobel Prize. He co-authored (with Constantin Parvulescu) the chapter “Specters of Europe and Anti-communist Visual Rhetoric in the Romanian Film of the Early 1990s”, in Aga Skrodzka, Xiaoning Lu, and Katarzyna Marciniak, The Oxford Handbook of Communist Visual Cultures (Oxford University Press, 2019).
Alex Goldiș
Alex Goldiș
Alex Goldiș is Associate Professor at the Faculty of Letters, Babeș-Bolyai University, Cluj-Napoca. He is a founder and chief co-editor of Metacritic Journal for Comparative Studies and Theory. He was the director of the grant The Role of the Translated Novel in the Romanian Literary System. A Quantitative Approach (2020-2022). He authored the volumes Critica în tranșee. De la realismul socialist la autonomia esteticului [Criticism in Trenches. From Socialist Realism to the Autonomy of the Aesthetic] (Cartea Românească, București, 2011), Sincronizarea criticii românești postbelice în deceniile opt și nouă – teorii, metode, critici [The Synchronization of Postwar Romanian Criticism in the 1970s and 1980s – Theories, Methods, Critics] (Muzeul Literaturii Române, București, 2013), and, as co-editor with Ștefan Baghiu, the volume Translations and Semi-peripheral Cultures. Worlding the Romanian Novel in the Modern Literary System (Peter Lang Publishing, Berlin,2022). He published several studies in collective volumes and academic journals, among which „Between Transnationalism and Nation Building: Literary History as Geolocation”, in M. Martin, C. Moraru, A. Terian, Romanian Literature as World Literature New York, Bloomsbury Academic, 2018.
Cosmin Borza
Cosmin Borza
Cosmin Borza works as a Researcher at the ”Sextil Pușcariu” Institute of Linguistics and Literary History, Romanian Academy, Cluj-Napoca. He authored two books of literary criticism (Marin Sorescu. Singur printre canonici [Marin Sorescu. Alone among Canonical Writers]- 2014, and Dezbaterea canonică astăzi. Cazul literaturii române postbelice [The Canonical Debate Today. The Case of Postwar Romanian Literature] - 2016). He also contributed to important lexicographic projects of the Romanian Academy, the volumes Dicționarul general al literaturii române [The General Dictionary of Romanian Literature], second edition (2016-2021), and Dicționarul cronologic al romanului românesc de la origini până în 2000 [The Chronological Dictionary of the Romanian Novel from Origins to 2000], revised and abridged (2023). His main areas of research are: the rural novel, the subgenres of the Romanian novels, the relations between literature and ideology, postcommunist literature. Among his recent articles are (with Daiana Gârdan and Emanuel Modoc) The Peasant and the Nation Plot: A Distant Reading of the Romanian Rural Novel from the First Half of the Twentieth Century, in “Rural History: Economy, Society, Culture”, vol. 34, no. 1, 2023: 75–91; “Post-canonicity: Curating World Literary Archives after Postmodernism”, in Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons (Bloomsbury Academic, 2021): 303–321.
Snejana Ung
Snejana Ung
Snejana Ung is a research assistant at Lucian Blaga University of Sibiu. Her main research interests concern the inter-peripheral circulation of the novel in southeastern Europe, from 1918 to 1989, especially between Romanian and (the former) Yugoslavia, post-Yugoslav literature, and world literature. She conducted a PhD dissertation on post-Yugoslav literature as world literature, which focused on the post-Yugoslav migrant and exiled writers. She published several articles in different journals as well as chapters in edited volumes, such as Translations and Semi-Peripheral Cultures (Peter Lang, 2022). Among her recent studies are: In the Literary Neighborhood: The Translated Romanian Novel in (Ex-) Yugoslavia (1918-2020), in "Metacritic Journal for Comparative Studies and Theory" 9.1 (2023): 56-72 and Crossing borders: From (ex-) Yugoslavia to the whole world, in "Metacritic Journal for Comparative Studies and Theory" 6.1 (2020): 44-62. She was a member of “The Digital Museum of the Romanian Novel (1933-1947)” project.
Dissemination
Dissemination
Adriana Stan, Ficțiuni și realități ale emigrației femeilor din România, Universita di Torino, Italy, 25 September 2024. link
Claudiu Turcuș, Migrația economică – scenariu ficțional al emancipării europene, Centrul pentru Politicile Egalității de Șanse, Facultatea de Științe Politice, Universitatea din București, 15 June 2024. link
Adriana Stan, Cosmin Borza, Cine vorbește pentru emigranții economici? Literatură și discurs public în România postcomunistă, Biblioteca Universității „Lucian Blaga” Sibiu, 27 June 2024. link
Snejana Ung, De la Est la Vest. Migrația economică în literatura postcomunistă, Uniwersytet Jagiellonski w Krakowie, Poland, 12 June 2024. link
Claudiu Turcuș, Migrația economică postcomunistă: precariatul realității și ficțiunile emancipării, Facultatea de Filosofie, Universitatea București, 17 November 2023. link
Adriana Stan, Migrația economică postcomunistă între dramă și melodramă literară. Distincții de gen, Școala Națională de Studii Politice și Administrative (SNSPA) București, 16 November 2023. link
Cosmin Borza, Romanul emigrației postcomuniste. O încercare de tipologizare, Universitatea „Al. I. Cuza” Iași, Facultatea de Litere, Catedra de Literatură Română „G. Ibrăileanu”, 2 November 2023. link
Claudiu Turcuș, Romanian Economic Migration and the American Dream, CUNY Kingsborough Community College New York, 2 November 2023. link
Claudiu Turcuș, Fantasma Europei și coșmarul Bucureștiului. Dublul exil în „Plicul negru” de Norman Manea, Università di Pisa, Italy, 27 October 2022. link
International conferences
International conferences
Presentations
Presentations
Cosmin Borza, Temporalities of Economic Migration. Women’s Work in Contemporary Literature from Romania and Republic of Moldova, "Narratives of Temporality: Continuities, Discontinuities, Ruptures" International Conference, Birkbeck, University of London, 27-28 July 2024. programme
Abstract
This paper examines the narrative and political construction of female emigrant characters in Romanian-language literature published between 2009–2017. Working with Marxist feminist critiques, sociological accounts of the post-industrial labor market, and materialist theories of world-literature, the presentation aims to uncover how the global order of patriarchal capitalism, which tends to gender migration flows, plays out in a postcommunist society that has become a main provider of low-skilled migrant labor for Western Europe, and is processed in the literature that portrays contemporary economic migration. The main argument is that, despite failing to be politically progressive, the conservative and domestic gender imaginary displayed in these literary portrayals of emigrant women recuperates what neoliberal narratives of social progress and the globalized entrepreneurial model of masculinity have usually repressed.
Snejana Ung, Literary Representations of Romanians Working in the US After 1989, "Narratives of Temporality: Continuities, Discontinuities, Ruptures" International Conference, Birkbeck, University of London, 27-28 July 2024. program
Abstract
This paper aims to discuss two literary representations of postcommunist Romanian emigration to the United States, one of the most understudied routes of migration. The two volumes under scrutiny are Bogdan Suceavă’s Avalon. The Secret of Happy Emigrants (2018) and Radu Pavel Gheo’s Farewell, My Country, with î from i, with â from a (2003). The common denominator between the two works is that each of them brings to the fore an authentic story of a “high-skilled” immigrant. However, there is a major difference between them: whereas the persistence of a binary logic between “here” and “there”, “now” and “then” inscribes Suceavă’s novel in the paradigm of exile literature, Gheo’s volume of essays more obvious concern with blurring the boundaries between the two locations makes it a typical illustration of migrant literature. In establishing this distinction, I rely on Carine M. Mardorossian’s (2002) research, who understands exile and migrant literature not simply as two phases of a literary evolutive process concerning human mobility from Eastern Europe but as paradigmatic categories that may manifest themselves during the same period. Then, drawing on Papademetriou’s (2009), Gans’s (2009) and Brădățan and Kulcsár’s research (2014), I show that this paradigmatic difference between them plays out at the level of critical representation, which reveals a subtle and rather involuntary critique of North American capitalism and its labor market. My argument is that the predicament of economic and academic migrants are examplary for the coexistence of exile and migrant literature in postcommunist Romanian literature.
Snejana Ung, Narratives of Economic Migration: (Melo)Trauma in Saša Stanišićʼs and Radu Pavel Gheoʼs Novels, International Conference For the Study of the Novel Migration and Economic Inequalities in the History of the Novel: Discourses, Representations, Identity (Re)Construction, Cluj-Napoca, 21-22 June 2024. link programme
Adriana Stan, Postcommunist Economic Migration: Literature’s Side of the Story , Școala de vară Ecologii ale emancipării: Pâine, pământ și pace în Policriză, organizată de asociația tranzit. ro/Cluj şi Facultatea de Teatru şi Film, Universitatea „Babeş-Bolyai”, Câmpu-Cetății, Mureș, 24-30 August 2023. link
Abstract
This paper builds on the case of Romanian literature to examine post-2000 fictional depictions of economic migration within the EU-15 developing along East-to-West pathways that make colonial power binaries resurface. To that extent, I bring under joint scrutiny the fields of postcolonialism, postcommunism, and migration studies, to argue that fiction about postcommunist economic migrancy cannot be adequately addressed within the modernist-inflected view of the exile that was celebrated by postcolonialism. I also discuss how current comparative frameworks that see global capitalism as the matrix of world literature (but remain fixated on its metropolitan nodes) could engage with a minor European literature which translates an experience of economic subalternity. In approaching my choice set of novels (written by Liliana Corobca, Liliana Nechita, Dan Lungu, Ioana Baetica Morpurgo), I explore questions of form and genre, to inquire what modes of storytelling account for the subjectivities and types of citizenries that are born of economic precarity and mass migration as an offshoot of the enlarged, united Europe. Are testimonial forms of writing (which flourished in post-1989 Eastern Europe) better suited to expose the “situational consciousness” of the peripheral subject? My argument relies on the voiced nature of the novels discussed: as far as they relegate their centers of orientation to main characters – either through biographical narratives, or within fictional scenarios confined within the family unit cell – these novels showcase the disorienting impact that power structures operating on European and global scale have on precarious lives.
Claudiu Turcuș, Westalgia and the Orphanage of Communism in post-1989 Romanian fictional narratives, 2nd PoSoCoMeS Conference, Tallinn University, Estonia, 20-23 September 2023. link
Abstract
This presentation builds on the conceptual framework of Boris Buden (the “repressive infantilization” of former communist societies) and Nataša Kovačević’s (the concept of “self-colonizing tendency”). It aims at addressing one of the most comprehensive and complex phenomena of contemporary Romania: the post-communist fictional portrayal of communist childhood. It also addresses the ideological implications that have led to the emergence and expansion of a memory-oriented subgenre in the region. I read the binary opposition typical to nearly all post-communist recollections of the communist period against the grain. On the one hand, I analyse the “black” books and films of post-communist remembrance, a territory, that is a deeply vindictive and incriminatory realm with respect to the abuses and crimes of totalitarian regimes. On the other hand, I state that the “pink” books and films foster feelings of nostalgia and portray a longing for the state system and communist community. I argue that, built on the traumatic experiences accumulated during communist childhood, the critical portrayal mostly implies carefully designed scenarios through which the shortcomings of the post-communist transition are depicted. In this context, Ostalgia proves to be Westalgia, that is, the protagonists or children-narrators from post-1989 literary texts and films do not present a longing for communism per se, but rather a desire for a Western world which, however, remains distant and acts as a set against the backdrop of Soviet-inspired totalitarianism. In both these cases, communism attains the role of the abusive parent that forbids or corrupts any contact with the Western adoptive family.
Adriana Stan, Fringe Geographies of Capitalism in Romanian Postcommunist Novel, Central Slavic Conference, 61st Annual Meeting, St. Louis, Missouri, 23 October 2022. link
Abstract
Coordinated conferences
Coordinated conferences
INTERNATIONAL CONFERENCE ON NOVEL STUDIES (in partnership with the ‘Sextil Pușcariu’ Institute of Linguistics and Literary History, Cluj-Napoca, Romanian Academy), 2nd Edition: Migration and Economic Inequality in the History of the Novel: Discourses, Representations, Identity (Re)construction, June 21-22, 2024. programme
Panels
Panels
Panelul „MIGRA-LIT: Experiența migrației în literatura română postcomunistă. Discursuri, reprezentări, (re)construcție identitară”, Conferința Internațională de Studii ale Romanului, Institutul de Lingvistică și Istorie Literară „Sextil Pușcariu”, Cluj-Napoca, 27-28 May 2023. link program
Adriana Stan - Experiența migrației în literatura română postcomunistă
Alex Goldiș - Reflecții despre migrația economică în proza lui Dan Lungu. Voci narative versus voci ideologice
Snejana Ung - Demitizarea visului american în romanul postcomunist românesc
Adriana Stan - Experiența migrației în literatura română postcomunistă
Abstract
Comunicarea problematizează literatura migrației economice din România postcomunistă ca domeniu de cercetare distinct de alte două genuri canonizate și bine reprezentate în perioada postbelică: literatura exilului politic (puternic amprentată anticomunist) și cea a diasporei post-coloniale celebrate în Occidentul multicultural, ambele procesând experiențe covârșitor intelectuale. Din acest motiv, examinăm critic supra-teoretizarea literaturii migrației în relație cu hibriditatea legitimată de postmodernism și cu condiția transnațională exaltată de post-colonialism, prin prisma dublei estetizări pe care o implică paradigmele amintite (și care este evidentă în canonizarea unor trăsături formale de tip modernist, din zona eterogenității și a multiperspectivismului). În schimb, demonstrăm că literatura migrației postcomuniste recuperează formule ale realismului brut și resurse biografiste nu doar în consecința epuizării globale a paradigmei creatoare postmoderne, ci ca epifenomen concret al tensiunilor care marchează absorbția culturilor (semi)periferice pe piețe economice globale. Deși, în Europa, respectivul proces a fost întârziat până după prăbușirea blocului sovietic, politicile diferențiate și traiectoriile migrației paneuropene ulterioare căderii regimurilor comuniste reinstituie o previzibilă stratificare regională Est-Vest la nivelul așa-zisului proiect de „liberă circulație” al UE, care constituie echivalentul vechii stratificări coloniale globale Nord-Sud. Cum imaginează așadar literatura migrației economice din România postcomunistă mecanismele sociale și ideologice care susțin asimilarea oficială a României într-o piață capitalistă europeană/globală ? Cum intervine această literatură în construcția imaginii postcomunismului (de pildă, ca proiect neoliberal al mobilității sociale ascendente), dat fiind gradul mai mare de conservatorism al domeniului estetic local și rezonanța puternică la mituri culturale mainstream?
Alex Goldiș - Reflecții despre migrația economică în proza lui Dan Lungu. Voci narative versus voci ideologice
Rezumat
The paper employs concepts in recent contributions that align narratology to political discourse, from “posture” (Jérôme Meizoz), “moral responsibility of the author” (James Phelan), “authorial ethos” (Liesbeth Korthals Altes) or – the most fertile of all – Caterina Scarabicchiʼs “the migrant corner” in order to analyze the mirroring of the migrant s figure in recent Romanian fiction. By disconnecting the ideology of the narratorial voice from those of its charaters experiencing migration, Dan Lunguʼs novels Iʼm an Old Commie! and The Girl Who Played God – the paper demonstrates – are illustrative of a process of hegemonial distortion of the migrantʼs engagement with reality. While the fiction exposes the shortcomings specific to the migrant experience, their resonance in the interpretation of the narrative reflects a process of ideological colonization/alienation.
Snejana Ung - Demitizarea visului american în romanul postcomunist românesc
Rezumat
In post-communist Romania, migration to North America is mostly associated with “brain drain” and the internationalization of the educational system (Anghel and Horváth 2009). As indicated in the Chronological Dictionary of the Romanian Novel (2011)—which only covers the first decade of post-communism—, the novelistic accounts of the Romanian emigration to the United States are mostly mere fictions and tend to offer a critique of American society. In this context, Radu Pavel Gheo’s novel Noapte bună, copii! (2010) and Bogdan Suceavă’s Avalon (2018) aim not only to document the precarity of the migrant’s life but also to provide the reader with a further disillusionment of the American Dream from two perspectives: while the former focuses on the political and economic migration of unskilled workers, the latter addresses the internationalization of the educational system. Another point of divergence regards the social mobility at work in each novel. Drawing especially on the disjunctions between them, I intend to show that, in the lack of quantitative data, it is the comparative reading of the two novels that can offer a good grasp of the Romanian emigration to the US.
„Rute și scenarii ale migrației economice în literatura și filmul din postcomunism”, Conferința internațională „ Transformări capitaliste în România: dezvoltare inegală și decalaje sociale”, Universitatea „Babeș-Bolyai”, Facultatea de Sociologie și Asistență Socială, Facultatea de Studii Europene, 23-25 March 2023. link
Cosmin Borza și Claudiu Turcuș - Comedia capitalismului: emigrația în romanele și filmele românești nouăzeciste
Adriana Stan și Snejana Ung - Munca precară a emigrantelor: subreprezentare și suprainterpretare în literatura română postcomunistă
Cosmin Borza și Claudiu Turcuș - Comedia capitalismului: emigrația în romanele și filmele românești nouăzeciste
Abstract
Prezentarea noastră analizează reprezentări ale migrației românești în Occident în câteva romane și filme de ficțiune ale anilor nouăzeci. Registrul narativ al acestor reprezentări - atât cel literar, cât și cel audio-vizual - articulează un story-world burlescgrotesc, fapt paradoxal și surprinzător având în vedere că intervalul temporal menționat corespunde etapei de maximă idealizare a emigrației în Europa de Vest și în Statele Unite ale Americii în imaginarul colectiv românesc. Pe de o parte, dezamăgirile sociale ale tranziției de la comunism la capitalism sunt tot mai intense, pe de altă parte, Occidentul este mai degrabă proiectat în regim de fantasmă decât experimentat social (deși interdicția politică dispăruse, restricțiile economice, respectiv reglementările legislative restrâng această posibilitate). Corpusul intervenției noastre este constituit atât din filme-cult ale perioadei, precum Asfalt tango (1996, Nae Caranfil) sau chiar Occident al lui Cristian Mungiu (deși lansat în 2002, laboratorul de creație și orizontul ideologic țin de anii nouăzeci), cât și dintr-o serie de romane aparținând unor romancieri minori, dar care au meritul de reflecta geografii diverse ale emigrației (Statele Unite ale Americii, Canada, Australia, Franța, Italia, Elveția, Suedia). Prin urmare, prezentarea noastră va încerca să explice tocmai tensiunea dintre dintre cele două tendințe: discursul socio-economic intens popularizat de media și elite (adoptarea necritică a capitalismului occidental), respectiv discursul ficțional burlesc-grotesc, însă nu mai puțin decepționat de experiența occidentală (fie de imposibilitatea accesării ei, fie de condițiile socioeconomice întâlnite acolo).
Adriana Stan și Snejana Ung - Munca precară a emigrantelor: subreprezentare și suprainterpretare în literatura română postcomunistă
Abstract
Intervenția noastră discută reprezentări ale muncii precare delegate unor personaje feminine imigrante în literatura română postcomunistă, cu focalizare pe două romane publicate în 2010: Noapte bună, copii! de Radu Pavel Gheo și Ana-Maria și îngerii de Radu Aldulescu, ambele marcând un moment de vârf în cariera a doi prozatori postcomuniști deja canonici. Protagonistele lui Gheo și Aldulescu – actriță în industria pornografică din L.A., respectiv vânzătoare într-o gheretă din Viena – constituie o tipologie mai degrabă inedită în literatura postcomunistă, în condițiile cvasiabsenței ficționale a acestui gen de muncă precară, altfel cu pondere deja mare în rândul emigrației românești. Discuția noastră problematizează alterările ideologice impuse acestor reprezentări de perspectiva masculină a celor doi prozatori, care implică atât credențialele lor anticomuniste, cât și poziția lor centrală în establishment-ul literar. De aici decurge un tratament narativ parțial parabolic care diminuează realitatea materială a muncii precare a imigrantei, încadrând-o într-un scenariu al suferinței morale, desfășurat fie în registru neorealist (Gheo), fie pe panta melodramei (Aldulescu). Aceste convenții narative limitează capacitatea romanelor de a interoga capitalismul românesc de tranziție și rolul său în stimularea emigrației economice ca pansament pentru golurile lăsate de distrugerea statului social. În schimb, arsenalul critic al celor doi romancieri se concentrează pe Occidentul spre care protagonistele tânjesc încă din copilăria lor ceaușistă, dar unde ajung să eșueze, în zonele lui cele mai consumeriste.
Workshops
Workshops
„Ficțiuni și realități ale migrației postcomuniste. Topografii și tipologii”, în colaborare cu Institutul de Lingvistică și Istorie Literară „Sextil Pușcariu” (Cluj-Napoca, Academia Română), 15 November 2022.
Articles
Articles
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration. Adriana Stan, Critique. Studies in Contemporary Fiction, 2024, in press. DOI: 10.1080/00111619.2024.2382461 link
Labors of Love. Migration and Women’s Work in Contemporary Literature from Romania and Republic of Moldova. Adriana Stan, Cosmin Borza, Women’s Studies - An Interdisciplinary Journal, 2024, in press. DOI: 10.1080/00497878.2024.2403138 link
Westalgia as the infantilization of the East: narrating communist childhood in post-1989 Romania and the administration of the recent past. Cosmin Borza, Claudiu Turcuș, Studies in East European Thought, 2024, in press. DOI: 10.1007/s11212-024-09679-6 link
On Your Own in a One-and-Unequal World: Forms and Worldviews in Contemporary Romanian Narratives of Emigration, în „Transilvania”. Adriana Stan, Transilvania, 2024, 4, 1-7. DOI: 10.51391/trva.2024.03.08 link
Tragicomedia Occidentului: emigrația economică în romanele și filmele românești din anii ’90, în „Transilvania”. Cosmin Borza, Claudiu Turcuș, Transilvania, 2024, 5, 87-96. DOI: 10.51391/trva.2024.05.09 link
Literature and Memory Wars. Representations of Communism in Contemporary Romanian Fiction. Alex Goldiș, Central Europe, 2024, 22, 34.-48. DOI: 10.1080/14790963.2024.2294423 link
Should I Stay or Should I Move Back? Literary Representations of Emigration to the US in Postcommunist Romanian Literature. Snejana Ung, Transilvania, 2023, 9, 1-10. DOI: 10.51391/trva.2021.03.01 link
Page updated
Google Sites
Report abuse