American singer-songwriter Michael Jackson recorded songs for ten studio albums, two posthumous studio albums, seventy two compilation albums, three soundtrack albums, one live album and seven remix albums. He has provided background vocals for songs recorded by other artists, as well as featured on duets.

Jackson's sixth album, Thriller, was released in late 1982. The album earned Jackson seven Grammys[10] and eight American Music Awards.[11] Thriller was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It", and "Wanna Be Startin' Somethin'".[12] Jackson's seventh album Bad (1987) produced nine singles with seven charting in the United States. Five of these singles ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror", and "Dirty Diana") reached number one on the Billboard Hot 100, a record for most number-one Hot 100 singles from any one album.[13][14] In 1991, he released his eighth album, Dangerous, co-produced with Teddy Riley. The album produced four top ten singles on the Billboard Hot 100, including one number-one hit "Black or White", "Remember the Time", "In the Closet" and "Will You Be There" which produced and performed by Jackson the theme for the film Free Willy.[15] In June 1995, Jackson released his ninth album, HIStory: Past, Present and Future, Book I, a double album. The first disc, HIStory Begins, is a 15-track greatest hits album. The second disc, HIStory Continues, contains 13 original songs and two cover versions. The album features hits like "Scream", a duet with Jackson's youngest sister Janet Jackson, "Earth Song", "They Don't Care About Us", and "You Are Not Alone". "You Are Not Alone" holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart.[16][17] Jackson worked with collaborators including Teddy Riley and Rodney Jerkins to produce his tenth solo album, Invincible (2001). Invincible spawned three singles, "You Rock My World", "Cry", and "Butterflies".


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Michael Jackson's recorded music also encompasses providing background vocals for other artists like Diana Ross, Stevie Wonder, La Toya Jackson, Rebbie Jackson, Janet Jackson, Barry Gibb, and 3T. He collaborated with singers and musicians including the Jackson 5, Paul McCartney, and Freddie Mercury.

Thriller is the sixth studio album by the American singer and songwriter Michael Jackson, released on November 29, 1982,[4][5] by Epic Records. It was produced by Quincy Jones, who had previously worked with Jackson on his 1979 album Off the Wall and who would later produce his 1987 album Bad. Jackson wanted to create an album where "every song was a killer". With the ongoing backlash against disco music at the time, he moved in a new musical direction, resulting in a mix of pop, post-disco, rock, funk, synth-pop, and R&B sounds. Thriller foreshadows the contradictory themes of Jackson's personal life, as he began using a motif of paranoia and darker themes. Paul McCartney appears on "The Girl Is Mine", the first credited appearance of a featured artist on a Michael Jackson album. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, California, with a budget of $750,000.

With 32 million copies sold worldwide by the end of 1983, Thriller became the best-selling album of all time, and was ratified by Guinness World Records on February 7, 1984. It was the best-selling album of 1983 worldwide, and in 1984 it became the first album to become the best-selling in the United States for two years. It set industry standards with its songs, music videos, and promotional strategies influencing artists, record labels, producers, marketers, and choreographers. The success gave Jackson an unprecedented level of cultural significance for a black American, breaking racial barriers in popular music, earning him regular airplay on MTV and leading to a meeting with US President Ronald Reagan at the White House. Thriller was among the first albums to use music videos as promotional tools; the videos for "Billie Jean", "Beat It" and "Thriller" are credited for transforming music videos into a serious art form.

Thriller is the best-selling album of all time, having sold between 70-100 million copies worldwide.[6][7]It is the best selling non-compilation album and second-best-selling album overall in the United States and was certified 34 platinum by the Recording Industry Association of America (RIAA) in 2021. It won a record-breaking eight Grammy Awards at the 1984 Grammy Awards, including Album of the Year, and Best Pop Vocal Performance, Male. "Beat It" won two Grammys for Record of the Year & Best Rock Vocal Performance, Male, and "Billie Jean" won two Grammys for Best R&B Vocal Performance, Male & Best Rhythm & Blues Song.[8]Jackson also won a record-breaking eight American Music Awards at the 1984 American Music Awards. The album has been a frequent inclusion in lists of the greatest albums of all time. In 2008, it was inducted into the Grammy Hall of Fame. In the same year, the Library of Congress added it to the National Recording Registry of "culturally, historically, or aesthetically significant recordings".

Jackson's previous album Off the Wall (1979) received critical acclaim and was a commercial success, having sold 10 million copies at the time.[9][10][11] The years between Off the Wall and Thriller were a transitional period for Jackson, a time of increased independence.[12] The period saw him become deeply unhappy; Jackson said, "Even at home, I'm lonely. I sit in my room sometimes and cry. It's so hard to make friends ... I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home."[13]

When Jackson turned 21 in August 1979, he hired John Branca as his manager.[14] Jackson told Branca that he wanted to be the biggest and wealthiest star in showbusiness. He was upset about what he perceived as the underperformance of Off the Wall, feeling it had deserved the Grammy Award for Record of the Year.[15] He also felt undervalued by the music industry; in 1980, when Rolling Stone declined to run a cover story on him, Jackson responded: "I've been told over and over that black people on the cover of magazines doesn't sell copies ... Just wait. Some day those magazines are going to be begging me for an interview. Maybe I'll give them one, and maybe I won't."[15]

For his next album, Jackson wanted to create an album where "every song was a killer". He was frustrated by albums that would have "one good song, and the rest were like B-sides ... Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single? ... That was my purpose for the next album."[16]

Jackson reunited with Off the Wall producer Quincy Jones to record his sixth studio album, his second under the Epic label. They worked together on 30 songs, nine of which were included on the album.[17] Thriller was recorded at Westlake Recording Studios in Los Angeles, California, with a production budget of $750,000 (US$2,367,931.03 in 2023 dollars[18]). The recording commenced on April 14, 1982, at noon with Jackson and Paul McCartney recording "The Girl Is Mine"; it was completed on the final day of mixing, November 8, 1982.[19] Several members of the band Toto were involved in the album's recording and production.[17] Jackson wrote four songs for the record: "Wanna Be Startin' Somethin'", "The Girl Is Mine", "Beat It" and "Billie Jean".[20] Unlike many artists, Jackson did not write these songs on paper. Instead, he dictated into a sound recorder; when recording he would sing from memory.[21][22]

The relationship between Jackson and Jones became strained during the recording. Jackson spent much of his time rehearsing dance steps alone.[22] When the album was completed, both Jones and Jackson were unhappy with the result and remixed every song, spending a week on each.[22]

"Billie Jean" was a personal song to Jackson, who struggled with obsessed fans. Jones wanted to shorten the long introduction, but Jackson insisted that it remain because it made him want to dance.[20] The ongoing backlash against disco made it necessary to move in a different musical direction from the disco-heavy Off the Wall.[23] Jones and Jackson were determined to make a rock song that would appeal to all tastes and spent weeks looking for a suitable guitarist for the song "Beat It". Eventually, they found Steve Lukather of Toto to play the rhythm guitar parts and Eddie Van Halen of the rock band Van Halen to play the solo.[20][22]

When Rod Temperton wrote the song "Thriller", he wanted to call it "Starlight" or "Midnight Man", but settled on "Thriller" because he felt the name had merchandising potential.[22] Wanting a notable person to recite the closing lyrics, Jones brought in actor Vincent Price, an acquaintance of Jones' wife; Price completed his part in two takes. Temperton wrote the spoken portion in a taxi on the way to the recording studio. Jones and Temperton said that some recordings were left off the album because they did not have the "edginess" of other album tracks.[20] A cover of "Behind the Mask", originally by the Japanese band Yellow Magic Orchestra, was omitted when the parties could not agree on royalties.[24]

Thriller explores genres including post-disco,[25][26] funk,[26][27] pop,[26] synth-pop,[28] R&B,[29] and rock.[26] According to Steve Huey of AllMusic, it refined the strengths of Off the Wall; the dance and rock tracks are more aggressive, while the pop tunes and ballads are softer and more soulful.[30] The album includes the ballads "Human Nature", "The Girl Is Mine" and "The Lady in My Life", the funk tracks "Billie Jean" and "Wanna Be Startin' Something'", and the disco songs "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)".[31][27][30][32] 152ee80cbc

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