In 1960, the typeface was licensed to Linotype AG, a German company that produced typesetting machines. Linotype renamed it Helvetica, which means "Swiss" in Latin, to make it more appealing to the international market. However, Helvetica was not a faithful reproduction of Neue Haas Grotesk, as it had to be adapted to work on Linotype's hot metal linecasters. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion.
During the transition from metal to phototypesetting, Helvetica underwent additional modifications. Some of the original details and nuances of Neue Haas Grotesk were lost or simplified, such as the curved tail of the lowercase "a" and the angled stroke of the uppercase "R". In the 1980s, Neue Helvetica was produced as a rationalized and standardized version, with more consistent weights and widths.
The Differences Between Neue Haas Grotesk and Helvetica
Although Helvetica is derived from Neue Haas Grotesk, there are some noticeable differences between them. Here are some examples:
Neue Haas Grotesk has a higher x-height (the height of lowercase letters) than Helvetica, which makes it more legible at small sizes.
Neue Haas Grotesk has more variation in stroke width than Helvetica, which gives it more contrast and dynamism.
Neue Haas Grotesk has more rounded terminals (the ends of strokes) than Helvetica, which gives it a softer and friendlier appearance.
Neue Haas Grotesk has more distinctive letterforms than Helvetica, such as the curved tail of the lowercase "a", the angled stroke of the uppercase "R", and the diagonal cut of the uppercase "C".
Neue Haas Grotesk has tighter spacing than Helvetica, which makes it more compact and economical.
The Free Version of Neue Haas Grotesk
In 2010, American designer Christian Schwartz created a digital revival of Neue Haas Grotesk, with the aim of restoring Miedinger's original shapes and spacing as much as possible. Schwartz's revival was originally commissioned by The Guardian newspaper, but not used. It was later completed for Bloomberg Businessweek magazine. The thinnest weight was designed by Berton Hasebe.
The free version of Neue Haas Grotesk is available for personal use only. It includes four weights: Light, Regular, Medium, and Bold. It also supports many languages, including Latin, Greek, Cyrillic, Vietnamese, and Arabic. You can download it from [Dafont Free], [Font for Free], or [Cufon Fonts]. If you like this font and want to use it for commercial projects, you can purchase the full version from [Font Bureau].
Conclusion
Neue Haas Grotesk is the original Helvetica, but with more personality and warmth. It is a versatile and elegant typeface that can be used for various purposes, from headlines to body text. If you are looking for a free alternative to Helvetica, you can try Neue Haas Grotesk and see the difference for yourself.
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