Shu Kutha Bolaycha Nahi Marathi Natak


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Shu Kutha Bolaycha Nahi: A Hilarious Marathi Comedy Play

Shu Kutha Bolaycha Nahi (What Should I Not Say?) is a Marathi comedy play written by Pralhad Keshav Atre and directed by Atulkumar Gangwal. The play revolves around the hilarious situations that arise when a middle-class couple decides to adopt a child from an orphanage. The play features veteran actors like Dilip Prabhavalkar, Vandana Gupte, Prashant Damle, and others.

The play was first staged in 1985 and has been performed over 1000 times since then. It is considered one of the most popular and successful Marathi plays of all time. The play has also been adapted into a Hindi TV serial called Hum Paanch Phir Se.

If you are looking for a laugh riot, you should definitely watch Shu Kutha Bolaycha Nahi. You can find the full play on YouTube[^1^] or watch it live at various theatres across Maharashtra. You will not regret it!Shu Kutha Bolaycha Nahi is based on the witty and satirical writings of Pralhad Keshav Atre (1898-1969), who was a prominent Marathi writer, poet, educationist, journalist, and politician. He was also the founder-editor of Maratha, a Marathi newspaper that played a key role in the Samyukta Maharashtra movement for the creation of a separate state of Maharashtra. Atre was known for his sharp criticism of social evils, religious superstitions, and political corruption. He also wrote several plays, novels, biographies, and essays that reflected his progressive and humanistic views.

The play Shu Kutha Bolaycha Nahi showcases Atre's humorous and sarcastic style of writing. The play exposes the hypocrisy and double standards of the middle-class society through the characters of Mr. and Mrs. Deshpande, who adopt a child from an orphanage to impress their relatives and friends. However, they soon realize that their decision has brought them more trouble than happiness. The play also depicts the plight of orphans and the exploitation they face at the hands of unscrupulous people. The play is full of hilarious dialogues, witty situations, and comic twists that keep the audience entertained throughout.The play Shu Kutha Bolaycha Nahi was directed by Atulkumar Gangwal, who is a well-known theatre personality and a system administrator. He has directed several other Marathi plays, such as Lagnachi Bedi, Moruchi Mavshi, and To Mi Navhech. He has also acted in some of them. He is known for his expertise in staging comedy plays with a social message. He has also received several awards and accolades for his work in theatre.

Shu Kutha Bolaycha Nahi is a play that appeals to all age groups and backgrounds. It is a play that makes the audience laugh and think at the same time. It is a play that showcases the brilliance of Pralhad Keshav Atre's writing and Atulkumar Gangwal's direction. It is a play that you should not miss if you love Marathi theatre.The play Shu Kutha Bolaycha Nahi has a stellar cast of talented actors who bring the characters to life with their impeccable timing and expressions. The lead roles of Mr. and Mrs. Deshpande are played by Dilip Prabhavalkar and Vandana Gupte, who are both veterans of Marathi theatre and cinema. They have a perfect chemistry and complement each other's comic skills. Prashant Damle plays the role of the orphan boy who is adopted by the couple. He is one of the most popular and versatile actors of Marathi stage and screen. He delivers a brilliant performance as the innocent yet mischievous child who creates havoc in the Deshpande household. The other supporting actors include Ashok Saraf, Reema Lagoo, Sudhir Joshi, and others who add to the humor and charm of the play.

The play Shu Kutha Bolaycha Nahi is a classic example of Marathi comedy that has stood the test of time. It is a play that has been enjoyed by generations of audiences who have appreciated its witty dialogues, hilarious situations, and social satire. It is a play that has been adapted into various formats, such as a TV serial, a radio drama, and a book. It is a play that has made a mark in the history of Marathi theatre and culture. 66dfd1ed39

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