For the most part, working in fashion publishing is hardly the portrait you'll find in The Devil Wears Prada or The Bold Type. But there are moments. Chance days in the office where all of your colleagues are present; music plays, ideas are tossed about and the air is buzzing with collaborative chatter. That's how I found the team recently while they were working on a beauty shoot documenting a host of summer looks directed by RUSSH beauty editor, Emily Algar. Here's a candid behind-the-scenes glimpse.
As photographer, Olivia Repaci was first to roll in. I abandoned my desk (and all the emails piling up) to help unpack her gear from the Uber, which she tells me was 5% cheaper with the Uber One membership. Hot on her tail is model, Sene Maluwapi, who flew in from Melbourne for the shoot and appears glowing and bang on time in an Uber straight from the airport. Next to arrive is Teressica Carr, in charge of perfecting the beauty, closely followed by fashion and hair stylist Laura Mazikana.
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Now I'm back at my desk watching on wistfully as the team have the time of their lives down the other end of the office. Maybe I should ask to be hired as a makeup assistant? I pick through Teressia's kit out of curiosity and to get a foot in on the action (I hear makeup artists love that). Someone cranks Caroline Polachek up on the speakers. Laura is leafing through a rack of outfits finalising each look while Olivia sets up a paper roll the colour of butter. From the corner of my eye I watch as Teressia manages to build a gentle sheen on Sene's already radiant skin.
I hear a little gasp and turn to Teressia. She's running low on Vaseline, and after a little rummage Paw Paw ointment, cotton rounds, and makeup remover are added to the list. Considering there's still hours ahead of them, this is a beauty emergency. Emily calls in reinforcements (a delivery is made on Uber Eats from a nearby pharmacy). There's no delivery fee, another perk of Uber One I'm told, which can only be a good thing especially when it comes to sticking to an editorial budget.
SHELLEY LIU: Hi! I was born and raised in Melbourne, Australia and play a few different roles in the music industry including artist manager, booking agent, Valve Sounds record label co-director, event programmer and tour manager. I also DJ (whenever I can fit it in between everything else!)
SHELLEY: We met in 2014 randomly when an artist Sasha was working with was touring in Melbourne. The first thing we bonded over was actually over a mutual hate towards a certain person that we both interned for once upon a time!
SHELLEY: We are quite hands-on in the way we work given our backgrounds in other areas of the industry, so we have close friendships with the artists and their managers that extend beyond just music. We find this provides a more comfortable working environment where artists can feel safe in entrusting us with their music, given we have a deeper understanding of who they are as people.
SHELLEY: Each artist is so different in their needs, so identifying those to begin with is important. Giving them time and resources to properly figure out who they want to be as artists, and what kind of music and art they want to be putting out into the world.
SHELLEY: To push the sound of alternative R&B, hip-hp and soul music coming out of Australia together as a collective and movement. SASHA: We want to play a role in the increased appetite of homegrown talent in our niche having an impact here domestically and internationally. This is not only for those signed to our label, but also other artists outside of the ones we directly work with.
build through my music and visuals because theway I view the world is always evolving. For me,it makes sense that I have to treat a songor project as a world in and of its own that I have to fully realise. That being said, right nowI want to invite everyone into a world that is calm, connected, fun and a bit dark.
I: I draw from a lot. I love music from the continent.Nigerian music from the 60s, 70s and 80s but also Nigerian contemporary music like Wizkid,Cruel Santino. J Dilla and Madlib have always beencanon for me. I also love experimental and ambientstuff like Flying Lotus, Nosaj Thing and otherpeople on Brainfeeder Records.
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Darine's debut single, "Aiwa", was released in summer 2004, and it was produced by EMI Music Arabia & PRO Music. After that, she released her debut album Ma Rulez, which included two versions of the song "Aiwa" along with eighteen new tracks. The album included "Ja Leily" (pronounced "Ya Leily"). This was Darine's second single.
The album was re-issued for the European region which had a different cover with more English songs. Darine released a second album in 2006 which was titled My Compliments, which is again under EMI. The album had 17 tracks in both English and Arabic languages. The first single of this album was called "Ma Fi Ella Enta" and the album generally received good reviews.However, Darine was going through management changes and she changed her management label and she did not continue to promote her second album. Since then Darine has been absent from the music industry and she did few tracks independently and she has been aiming to do a comeback. Currently, she is not signed to any label. 152ee80cbc
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