Fancy dresses and Masquerades have been popular for centuries, both as very organised pageants that blended into theatre, and as balls where all organization and constraints were abandoned. Masquerades as pageants were about creating another world, and as balls symbolised an escape from your ordinary life, and the rules of society. In fancy dress, with your face covered by a mask, you could step out of yourself. The Queen had as much responsibility as a peasant girl, a peasant girl (in the right dress) could rub elbows with a queen.

In this challenge, be inspired by historical fancy dress and masquerade, go whole-hog in an elaborate allegory (or a hog costume, or a side of bacon costume, because those exist), or keep it simple with just a mask and a domino. Because masquerades were a loosening of the rules, and a step into a fantasy, the Historical Sew Fortnightly rules are a little looser, and this is a good excuse to make something that ventures into fantasy or an alternative universe. As long as your fantasy has some link to history, it counts.


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How amazing are these costumes? The thistle (what on earth would you make the headdress out of?)! The climbing rose! The one in the middle is a Japanese garden (which is somehow so much more novel, and less dreadful, than the usual stereotypical national costume masquerade outfits)

Jack was an ordinary man living an ordinary life until one day, his wife, Martha, and their daughter, Lily, abruptly left him. Their departure turned his world upside down, leaving him all alone in their big, empty house.

Every day after work, Jack spent time with the horse, feeding it, grooming it, and sometimes, just sitting by it, comforted by its silent presence. Slowly but surely, Jack's dull life started to regain some colors.

Jack, Martha, and Lily once again became a happy family. They understood their mistakes, learned from them, and became stronger. The whole experience brought them closer and taught them to appreciate the little moments of joy in their life.

Years later, they would look back at this phase of their life and laugh. It was a bitter-sweet memory, a part of their life that taught them the true meaning of love, forgiveness, and the strength of a united family.

Burundi has recently emerged from twelve years of devastating civil war. Its economy has been destroyed and hundreds and thousands of people have been killed. In this book, the voices of ordinary Burundians are heard for the first time.


Farmers, artisans, traders, mothers, soldiers and students talk about the past and the future, war and peace, their hopes for a better life and their relationships with each other and the state. Young men, in particular, often seen as the cause of violence and war, talk about the difficulties of living up to standards of masculinity in an impoverished and war-torn society.


Weaving a rich tapestry, Peter Uvin pitches the ideas and aspirations of people on the ground against the theory and assumptions often made by the international development and peace-building agencies and organisations. In doing this, he illuminates both shared goals and misunderstandings. This groundbreaking book on conflict and society in Africa will have profound repercussions for development across the world. 006ab0faaa

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