Political discussion outside of the context of comics and films is not allowed. Bringing politics into apolitical threads is not allowed. Trigger words such as SJW, "force diversity," snowflake, libtard, and the like will result in an immediate ban. This does not include discussion of real world implications or inspirations of characters and events within Marvel Properties. If you cannot talk about Marvel politics civilly, you will be banned.

Marvel Comics began life as "Timely Publications" in 1939, with comic books featuring Captain America, Namor the Sub-Mariner and an early version of Human Torch. Legendary comics writer Stan Lee was hired as an office assistant in 1939. Within two years, the 19-year-old Lee was promoted to editor of the Marvel Comics line, a post that he would keep until 1972.


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Marvel Comic Books & Graphic NovelsExpand your collection and knowledge of Marvel Comics at Barnes & Noble. From an extensive collection of Marvel comic books and graphic novels to collectibles and toys, Barnes & Noble has a wide selection of items to browse and shop. Whether you're a fan of X-Men, Spider-Man, the Avengers, or another superhero, we've got a variety of items for every fan. There are over 25,000 Marvel comics so you'll never run out of something to read! Shop for your favorite Marvel Comic collectibles and graphic novels conveniently at Barnes & Noble.


Go on action-packed adventures with Spider-Man, Iron Man, Thor, and more of your favorite superheroes with our huge selection of Marvel Comics. Find out how Peter Parker got his powers, what propelled Tony Stark on his journey to justice, why Thor joined the Avengers, and more riveting stories. Plus, discover DC Comics featuring Superman, Flash, Wonder Woman, Batman, and more iconic superheroes at Barnes & Noble.ol.seoList, ul.seoList { padding-left: 15px;}aside.seo { flex-wrap: wrap;}aside.seo h2 { width: 100%; margin-top: 15px; display: inline;}.seo p { width: 100%;}

Marvel ComicsFounded1939Founder(s)Martin GoodmanHeadquartersNew York City, New YorkParent organizationMarvel EntertainmentSubsidiariesEpic Comics, Marvel UK, The Razor Line, Star ComicsOfficial websitemarvel.com[Source]Established in 1939 by Martin Goodman as a subsidiary for Marvel Entertainment, Marvel Comics, over time, grew into one of the largest and most successful comic book companies on the planet. Even though they are well known for their role in the superhero industry, they were also the first company to release comic books for the Star Wars saga, with their first crack at the franchise being their Star Wars run, which ran from 1977 all the way until 1986. After reacquiring the license in 2015, Marvel once again became the primary publisher of Star Wars comics, with their latest series being the Star Wars 2020 run, which is currently ongoing.

Marvel continued to publish Star Wars comics until 1986, and the Droids and Ewoks series until 1987. The comic-book license for Star Wars was later picked up by Dark Horse Comics, which began producing Star Wars comics in 1991 with the publication of Star Wars: Dark Empire. Dark Horse would later reprint much of the Marvel-produced Star Wars material under the title Classic Star Wars.

We decided to pick the brains of a few Muslim comics fans to see what this might augur for the future of Muslim representations in comics. Mariam Asad is a doctoral candidate in digital media at Georgia Tech. Zainab Akhtar blogs about comics at Comics & Cola. Muaz Zekeria runs the gaming blog Twinfinite.

Akhtar: Well, I would say it's rarely represented unless it's represented negatively. There was, for example, this recent gem of an example, in the small press/independent comics scene of which I'm more familiar, in which the author claimed to be riffing on B-movies of the action and gross-out vein, with the "good white guys" killing brown bearded men who spoke gibberish and yelled things like "Allahu Akbar." The subsequent comments thread was very interesting. There was some vague explanation about it being satire, but lazy satire which has no point still has the ability to be racist and Islamaphobic. There's a lot of that going around, to varying degrees.

The way people of colour, or religion, or anything else should be written shouldn't be what defines them. Character comes first. ... I'm a person, you know, I like comics, crap food, crappier music, and I also happen to be Muslim. It's a huge part of me, but it's not the way I introduce myself, or the way I want to be perceived necessarily.

The way people of colour, or religion, or anything else should be written shouldn't be what defines them. Character comes first. ... I'm a person, you know, I like comics, crap food, crappier music, and I also happen to be Muslim. It's a huge part of me, but it's not the way I introduce myself, or the way I want to be perceived necessarily. I want people to think of me as a person, not as a Muslim and, let's be honest, all the negative connotations that carries in society today.

Muaz Zekeria: We're not portrayed positively in most media, so comics can't be expected to be much different. ... Any Muslim superheroes I've seen introduced goes through the same cycle: introduced; heavily featured in one book; book either gets canceled or wraps up; character fades into the background; and is rarely, if ever, heard from or featured again. This also goes for most minority characters. I think Luke Cage, Black Panther, Cyborg and John Stewart are the only ones who have bucked this trend, and even they don't get as much attention as your Iron Man, Captain America, Batman, Superman, etc.

Zekeria: Honestly, it doesn't affect it at all. The only way these two ever intersect is when dealing with the "gods" in comics such as Thor or the Greek pantheon in DC comics. One of the main creeds of Islam, as in all other monotheistic religions, is that there is only one God. But, obviously they are fictitious characters in fictitious universes in comic books, so it doesn't affect me. I mean, I even still consider Thor my favorite superhero. ...

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ForumComments pageThis project attempted to present a timeline or chronology of all Marvel comics. I made it up to 1994 and am now working at a very leisurly and sporatic pace.News/Added Today: (Nov 29, 2021)Update: No Updates. My plan had been to start 1997 this winter. But i haven't been feeling enthusiastic about it and i've decided to not do it. So this project is back on indefinite hiatus. I did cover Heroes Reborn, which can be found on the 1997 page.Golden AgeMonster AgeHero GapSilver Age / EiC: Stan Lee1962196319641965196619671968196919701971EiC: Roy Thomas197219731974EiC Upheaval: Len Wein, Marv Wolfman, & Gerry Conway19751976EiC: Archie Goodwin19771978EiC: Jim Shooter19791980198119821983 1984198519861987EiC: Tom DeFalco1988198919901991 199219931994EiC Silos: Mark Gruenwald, Bob Harras, Bob Budiansky, Bobbie Chase, & Carl Potts1995EiC: Bob Harras19961997 SuperMegaMonkey home| Comics Chronology home

ABRAMS COMICARTS publishes groundbreaking graphic novels and illustrated books about the creators and the history of comics art, animation, and cartoons, and includes Megascope, a new line dedicated to powerful speculative work by and about people of color, and Surely Books, a line that focuses on expanding the presence of LGBTQIA creators and content in comics.

Jeff Spry is an award-winning screenwriter and veteran freelance journalist covering TV, movies, video games, books, and comics. His work has appeared at SYFY Wire, Inverse, Collider, Bleeding Cool and elsewhere. Jeff lives in beautiful Bend, Oregon amid the ponderosa pines, classic muscle cars, a crypt of collector horror comics, and two loyal English Setters.

After World War II ended, sales of superhero comics began to suffer. Timely's big three ceased printing, and the company changed its name to Atlas in 1950. Atlas published anthologies and single-story comics in a wide variety of genres, and made some sporadic efforts to revive its superheroes, but with little success.

In 1956, Atlas switched from distributing comics itself to going via the American News Company, the biggest and most powerful magazine and comic distributor in the USA. Unfortunately, ANC was shortly thereafter forced out of business due to unlawful business practices, and Atlas was forced to turn to Independent news, owned by their rival, National Periodical Publications, now known as DC Comics, for distribution. This drastically reduced the number of comics Atlas was able to get onto shelves: 16 bimonthly titles was the dictated limit. This, plus a recession in 1957, forced Atlas to retrench, and for a time relied on art they had commissioned but not yet published. The fact that Goodman's long-serving editor/writer, Stan Lee, had to be the one to break this bad news to the staff that they were all dismissed outside himself was just one of the grievances that was driving him to consider quitting himself. The fact that Lee had to obey Goodman's relentless Follow the Leader dictates of genre trends was another frustration to him.

Marvel's big innovation was introducing characterization and personal problems to a greater extent than had ever been done with superheroes. Spider-Man in particular suffered from insecurity, teenage angst, and trying to pay the bills in addition to fighting bank robbers. While this caused controversy at first, it ultimately proved popular with readers, with the result that Marvel ended up massively exceeding DC in popularity, as well as drawing in teenagers and, later, adults who would previously have been considered too old to read comics. Incidentally, DC was completely baffled by Marvel's success, outside of the writers Arnold Drake (Doom Patrol) and a teenage Jim Shooter (Legion of Super-Heroes), and would have to adapt to the competition when Ditko and then Kirby along with new talent who were Marvel fans like Dennis O'Neil started contributing to it. ff782bc1db

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