The album continues with "Crazy", a mid-tempo R&B track that expresses Morrison's frustration with his lover's erratic behavior. The song has a smooth production, with keyboards, strings, and drums creating a mellow atmosphere. The song was released as the second single from the album, and reached number 19 in the UK and number 52 in the US. The song also features a rap verse by DMX, who adds some edge to the track.
The third track is "Let's Get Down", a upbeat dancehall tune that invites the listener to join Morrison on the dance floor. The song has a reggae-inspired beat, with horns, keyboards, and percussion creating a festive vibe. The song also features a rap verse by Tanya Stephens, who adds some spice to the track. The song was released as the third single from the album, and reached number 38 in the UK and number 54 in the US. The song also features a sample of Ini Kamoze's "Here Comes the Hotstepper".
The fourth track is "Horny", a sensual R&B ballad that showcases Morrison's seductive side. The song has a slow and smooth production, with keyboards, guitar, and saxophone creating a romantic mood. The song also features female vocals by Beverly Knight, who adds some harmony to the track. The song was released as the fourth single from the album, and reached number 13 in the UK and number 49 in the US. The song also features a sample of Marvin Gaye's "Let's Get It On".
The fifth track is "Moan and Groan", another R&B ballad that expresses Morrison's desire for his lover. The song has a similar production to "Horny", but with more emphasis on the saxophone. The song also features female vocals by Angie Brown, who adds some soul to the track. The song was not released as a single, but received some airplay on urban radio stations.
The sixth track is "I Really Love You", a poppy R&B track that declares Morrison's devotion to his lover. The song has a upbeat production, with keyboards, guitar, and drums creating a cheerful sound. The song also features female vocals by Gabrielle Destroismaisons, who adds some sweetness to the track. The song was not released as a single, but received some positive reviews from critics.
The seventh track is "Crazy (Remix)", a remix of the second track that adds some more hip hop elements to it. The remix features rap verses by KRS-One and Redman, who add some flair to the track. The remix also features some scratches by DJ Premier, who adds some finesse to the track. The remix was not released as a single, but received some attention from hip hop fans.
The eighth track is "Lonely", a melancholic R&B track that reflects Morrison's loneliness after his lover left him. The song has a somber production, with keyboards, guitar, and strings creating a sad mood. The song also features female vocals by Beverley Knight, who adds some emotion to the track. The song was released as the fifth and final single from the album, and reached number 11 in the UK and number 39 in the US. The song also features a sample of Bobby Womack's "If You Think You're Lonely Now".
The ninth track is "Tears for You", a heartfelt R&B track that apologizes to his lover for his mistakes. The song has a sincere production, with keyboards, guitar, and drums creating a warm sound. The song also features female vocals by Gabrielle Destroismaisons, who adds some sympathy to the track. The song was not released as a single, but received some praise from critics.
The tenth and final track is "Horny (Remix)", a remix of the fourth track that adds some more dance elements to it. The remix features rap verses by MC Lyte and Da Brat, who add some sass to the track. The remix also features some beats by Mousse T., who adds some groove to the track. The remix was not released as a single, but received some acclaim from dance music fans.
Return of the Mack is a solid debut album by Mark Morrison, who proved himself as a talented and versatile R&B singer. The album has a diverse and catchy sound, with influences from hip hop, soul, and reggae. The album also has some memorable songs, such as the title track, which became a classic of the genre. The album was well-received by critics and fans alike, and established Morrison as one of the leading R&B artists of the 1990s.
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