In an interview with HeadBangers Lifestyle, the band's guitarist and keyboardist Olof Mrck revealed that the album version of "Do or Die" will only contain Nils Molin's male clean vocals and Henrik Englund Wilhemsson's unclean vocals, while the single version of the song, which will appear as a bonus track on the album, only contains Elize Ryd's female clean vocals and Angela Gossow's harsh vocals. The guitar solo by Jeff Loomis appears on both versions of the song.[9] It is also the final album to feature Wilhemsson before his departure from the band on June 8, 2022.
Manifest Destiny is the second album by The Dictators and their first after switching to the Asylum label. Trouser Press praised the album as "another helping of brilliant Shernoff originals".[5]
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That reticence is the primary failing of Manifest!, causing it to come off as a curiously empty experience. "I'm His Girl" was derivative, but it possessed a memorable vocal line and a catchy melody to latch onto. The bulk of this album is curiously devoid of these qualities, ending up as a surface-level skim across a set of styles extracted from perennially fashionable artists. Friends try really hard to make sure their influences are all immaculately selected, but they don't try hard enough to get to the crux of what made that music work so well in the first place. There's a lack of thought and care, a feeling that this band is still figuring out what it wants to be while not treading on too many toes in the process. "I'm His Girl" gave Friends a ticket out of the ever-decreasing circles of the Brooklyn indie scene, but Manifest! suggests they're short of ideas on how to take the next step.
So, we come to it at last! We are so very proud and happy to finally unveil 'Manifest' to the world, an album written with so much pure joy and enthusiasm, and yet very nearly did not see the light of day. When faced with the decision to record the album despite a world wide pandemic, the answer was the same as when we canceled tours that were supposed to promote the album: we HAVE to release this album in 2020! As our long-time listeners are well aware of, AMARANTHE believes in positive, energetic and uplifting music, and we feel that such sentiments are more needed than ever before! Easily our most confident and convincing album to date, this is music born out of pure passion and eagerness to create. This is our manifesto, and all our aesthetic aspirations made apparent - this is 'Manifest'.
Each vinyl color was personally selected by the single band members and is a bold statement for which value is the most important to them: Creativity, independence, prudence, cleverness, single-mindeddess and composure. All together, these values are the foundation to overcome obstacles and face difficult and uncertain situations. To symbolize that, every vinyl comes with a "hero card" corresponding with the band member and their personally picked value. When all six cards are united, they form the album cover for "Manifest". The colours include:
Red w/ Gold Splatter (Olof)
Clear w/ Red Splatter (Elize) *Sold Out*
Green w/ Black Splatter (GG6)
White w/ Blue Splatter (Nils)
Pink w/ Green Splatter (Johan)
Orange w/ Black Splatter (Morten)
The nouveau thrash movement may or may not be dead, but, regardless of how you feel about the genre's well being, Texas' Power Trip are coming to trash your apartment and mosh you into a bloody pulp. Manifest Decimation, out June 11th on Southern Lord, is a caustic mixture of crossover thrash, hardcore, and just a smidgen of death metal. The album sounds like Cro-Mags, Slayer, and Possessed got snatched up in a tornado and the whole thing went on a cross country rampage. Maybe that's a tad hyperbolic, but only just a tad. With Manifest Destination, Power Trip have successfully delivered a fresh take on crossover thrash. That's no small feat considering the genre has been stagnating for years.The album opener and title track, "Manifest Decimation" starts slowly with a creepy oscillating keyboard note layered over guitars that buzz like a plague of cicadas. The whole intro feels filthy; like a sleazy horror movie from the 70's. But that's the appropriate imagery for this music. It's not long before the intro gives way (or is roughly shoved down and trampled) to the actual song, and Power Trip waste no time with pleasantries here. As soon as the tempo picks up, vocalist Riley Gale unleashes a throat shredding howl and the band launches into a reverb drenched rampage that lasts the LP's entire 35 minute run time.Drenched is an appropriate verb, by the way. Reverb is all over everything on this record. It works though. Although much of this material is steeped in party thrash and hardcore conventions, the reverb adds some distance between the listener and the music, and the muddy production gives each song an evil vibe. The end result is a cavernous, menacing sound that's heavy on atmosphere but still aggressive. Before hearing Manifest Decimation, I never would have thought reverbed gang vocals and those horse whinny sounding guitar solos present in primitive death metal could coexist in the same song; the one-two punch of "Heretic's Fork" and "Conditioned To Death" have made a believer out of me, though.The next three songs, "Murderer's Row", "Crossbreaker", and "Drown" are more heavily influenced by hardcore than the initial three songs. The gang vocals become more prominent and the tempos are slowed somewhat to accommodate the chugging riffs that signal when it's appropriate to start a circle pit. "Crossbreaker", especially, is much more hardcore than thrash.The final two tracks, "Power Trip" and "The Hammer of Doubt" slide back toward crossover thrash territory and close Manifest Decimation out on a high note. Although the entire album is really one long high note. Seriously, this is one solid album. Any metal head is going to find something to like here.Much of Manifest Decimation's strength lies in Power Trip's ability to meld the best aspects of various subgenres while abandoning the aspects that drag the respective subgenres down. For example, the band appropriate youth crew hardcore style gang shouts and primitive breakdowns but wisely avoid the corny hyper-macho posturing that contemporary hardcore bands like Hatebreed adopted. The breakdowns, when they make an appearance, are mercifully short and only amount to some light chugging guitar riffs. There's nothing wrong with "mosh parts", but the breakdown-as-song structure popularized by modern core bands is lazy and boring.The band handles the thrash elements in their songs equally well. They eschew modern genre hallmarks like cartoony lyrical imagery and slick production and instead focus on speed, brutality, and nihilistic bleakness. Think Reign In Blood era Slayer. While their contemporaries in the thrash scene are hung up on technicality and songs about zombie beer parties, Power Trip are screaming at you about real world horrors. Lyrically, Manifest Decimation has much more in common with Orwell than Fulci or Animal House.Crossover thrash and hardcore aren't that far apart stylistically, so it's not surprising a band would fuse the two. But the old school death metal flourishes are really what makes this album memorable. The heavy reverb on everything, shrieking guitar solos, and sludgy production quality bring to mind The Possesed's Seven Churches. The death metal influence extends to the album art as well. Where most contemporary thrash bands favor album covers with bright colors and distinct lines, Power Trip elected to go with a miasmic collage painting composed of muddy earth tones that appears to have been dipped in dirty water after it was completed. The art matches the griminess of the music perfectly; it conveys exactly what the listener should expect before the first track has started.Much like how John Carpenter's excellent remake of The Thing was overshadowed by E.T., there's a good chance Manifest Decimation will come and go without much fanfare when it's released next month. It's hitting stores amid the massive (and deserved) hype of the upcoming Deafheaven album after all. But there's plenty of room in your collection for both of these albums, and they both deserve your attention equally. Just as with E.T. and The Thing, it's possible to appreciate the transcendental beauty of Deafheaven while giving equal respect to the filthy, menacing socio-political rage of Power Trip.In this article:Power TripSponsored Links from Around the InternetjQuery('.show-comments').click(function() {jQuery(this).hide();jQuery(this).next().show();});Show Comments / Reactions You May Also Like Latest NewsRILEY GALE's Family Clarifies Their Statement On POWER TRIP's Reunion"...many fans interpreted our original message as some attempt to grab money, which is absolutely not the case."
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of :shadows_of_the_strangers:, Comp Tracks + Remixes 2, :luxury_defeat:, RAWINTHEVOID @ SKYLIVE '23, NOTINTHEMOOD, Free Samples: Volume 2, I Made This Sequel So As To Not Once Again Deadname Dawn, RELUCTANCE (Single), and 45 more. , and , . Purchasable with gift card Buy Digital Discography $1 USD or more Send as Gift Ā Share / Embed Ā 1. IWC (It Was Coming) 01:32 lyrics buy track towers rose up from the east island of commerce and touched the skymen walked on the moonoil was sucked dry by two brothersthen it went downswallowed by a fire dragon, by oil and feareaten wholeit was coming 2. STW (Spread The Word) 04:29 buy track 3. IB (Impossible Boycott) 03:12 lyrics buy track we killwhat we buildbecausewe own the sky 4. TSA (The Slacktivist's Anthem) 01:51 lyrics buy track i'm a slacktivistnot an activistjust a pacifist 5. NMT (Nightmare Tokens) 02:01 lyrics buy track heard ur selling nftsits not for mei be on that nfgmy life mottoaka "no fucks given"you might get cancelledbut i'll always stay winnindon't get me wrongyou can do whatever u wannajust keep in mindsoon we're all gunna be gonnasno one knows why or whenbut it's coming to an endselling etheriumin your deleriumfuck itpoppin pills while ur poppin layers in the ozonewe're either burnin up or we're freezin cold like frozoneall the bees are dying, fo shosay goodbye to your honey nut cheeriospast the point of no return, sad factsapocalypic wasteland, mad maxlisten to the guns goin ratatatthe future ain't bright, you got cataractswhere do we go when we diein 2050 ur gonna figure out whyur refusing to take all your medicinewe're fuckin up nature, emersonall of this cuz ur monetizing jpegsgood luck tryna block out the hatredno more halleliahs and amenswatch all the billionaires fuck off to space, yeah 6. MD (Manifest Destiny) 00:40 buy track 7. IWSTBLT (It Wasn't Supposed To Be Like This) 00:37 buy track 8. YAAT (You Are A Threat) 04:20 buy track 9. TW (Tidal Wave) 05:24 buy track 10. SM (Stubborn Morons) 02:21 buy track 11. ID (In Darkness) 02:38 lyrics buy track this is incredibly dangerous to our democracycall your local congressman 12. ST (Something Terrible) 01:05 lyrics buy track slowly but surely, i grew more and more disoriented, increasingly more detached from the world, something sad and awful straining around the edges of my mouth, surfacing in my eyes. I stopped going out at night. I stopped going out. nothing could distract me. I felt like I was losing control. something terrible was going to happen. eventually, something terrible did happen. 13. TEHGU (The Environmentalists Have Given Up) 02:35 lyrics buy track I give upI don't caregiving upI don't care anymorejust kidding, i never did 14. NIL (Nothing In Love) 02:58 buy track 15. TPNS (The Party Never Stops / The Pandemic Never Stops) 08:09 buy track 16. GIMWTO (Gaslighting In More Ways Than One) 04:18 buy track 17. ATWD (As The World Dies) 08:44 buy track about AN (Album Nine)
ACT (A Cautionary Tale)
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music.maulcat.us/album/md-manifest-destiny $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released October 7, 2021 license some rights reserved tags Tags experimental avant garde electronic noise plunderphonics vaporwave Virginia Shopping cart subtotal USD taxes calculated at checkout Check out about RAWINTHEVOID Virginia 006ab0faaa
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