MUSIC MAKER is a fully-fledged entry-level software for music production. Create your own songs & beats, arrange sounds & loops, play virtual instruments, record vocals & instruments and add effects in just a few steps.
MUSIC MAKER FREE is completely free and offers everything you need to create your own music. MUSIC MAKER PREMIUM is fee-based and offers you an infinite number of tracks and many creative tools for professional-sounding productions.
Magix Music Maker Demo Songs Download
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MUSIC MAKER PREMIUM gives you access to even more Soundpools and additional content. PREMIUM includes Spectrum Visualizer 2, MIDI Multi-Object Editing and other production tools such as Beatbox Pro 2, wizardFX Suite and Song Maker AI.
This bundle includes all MUSIC MAKER 2024 PREMIUM features + a 12-month subscription to Loops Unlimited. As a Loops Unlimited subscriber, you have access to every MUSIC MAKER Soundpool, all Soundpool Collections, and MAGIX Sound FX Collections in the In-App Store. Of course, you can use all loops and samples in your MUSIC MAKER 2024 PREMIUM projects as you wish. (Find more details about this bundle offer here. (magix.com)
Expected to have an Acid file that would string this garbage heap of samples into order like I heard it in the "audio preview." Just a pile of random puzzle pieces though. Sure, I can arrange them manually for hours to get back to square-one like I previewed it. But seriously, why waste my time? Where would I find the Acid program file that puts the score together--otherwise it's a ripoff, not really a score, just a grab-bag of samples. You start with the score, you're 90% there with re-arranging it etc. You start with a box of tinker toys it's just a ripoff and a massive waste of time.
You're buying a "grab-bag" of loops to create your own compositions. That's the general idea. I don't think the idea is recreate the audio preview track. What is the point of that?. You can buy some of the audio preview tracks as songs at Producer Planet.
Well, no, that's not the general idea when you pay for a "score." For the last hundred years or so you'd go to a commercial music house and pay for a "needle drop" and come back with a "score" you could immediately lay under film. You could cut and splice it any way you wanted, but it started out as a piece of whole composition. That's what a "score" is, as opposed to a bag of samples. If it's just a loop kit sell it as a loop kit.
The advantage of starting with a "score" as represented in the audio preview should be obvious even if you plan to totally scramble it eventually, inasmuch as they are arranged in verses, bridges, choruses, and in my case lyrics written to be sung in a specific order under specific instrumentation. But if what you get has nothing to do with what you heard in preview, you ought to be warned ahead of purchase. If what you get for your money is nothing like the preview, just call it a loop collection like any other. There's nothing special at all about PP's "score" collections in that case.
One of the main reasons, I believe, that people get ACID or Music Maker is to use loops to create songs, or to create loops to make songs. If you just want to add a song to a video, you do it in a video editor, not ACID.
The web site, the company itself is named "PRODUCER Planet." So with all due respect, it's interesting that you presume Acid and its casual (but larger) user base has anything to do with my point about actually "producing" film and video. I think you'll find that the word "score" in the context of "production" is synonymous with music for "scoring" film and video. Even if you're in your mom's basement "scoring" your MST3K-like gaming talkback "production," for giggles alone, you're going to want all the convenience as well as flexibility that SHOULD be inherent to any purchase of any product called a "score."
You do know that Acid is boasted as a premier film scoring/fx sweetening platform for allegedly professional film/video production no? Do you even know Acid has a video preview window and a host of functions specifically to do that job? So yes, most low-end buyers of Acid just want to spend fifty bucks tops to make basement EDM for the fun of it, having nothing to do with SCOREing a film. Having said that, Magix and its predecessors have been hyping Acid and Vegas as professional film editing and scoring platforms for some 15 or 20 years now.
You're wrong also on your observations that I should have bought a "song." Because what I wanted was a SCORE. Fore one thing, your screen shots don't explain anything, yet you present them as if "score" says: "Just a bag of loops like any other with no project file," and "song" says, "A bag of loops with an Acid project file that assembles them into a SONG." I don't know how you could have missed my primary point of including an Acid project file in a bag of "score" loops. Or "song" loops for that matter. I don't think I mentioned expecting to get a plain one-shot long stereo sample file of an orchestra. No, what I wanted was a SCORE with an Acid project file to actually turn all those random loops into a coherent SCORE. Don't know how you missed that.
Laying down a one-shot full length audio track is nothing at all like having a modular SCORE with multiple parts stacked both vertically and linearly in chronological and compositional order. IE: A group of strings, say, violins on track 1, over cello and bass strings on track 2, and so on down to brass, guitars, percussion, vocals and whatever, measure by measure stacked in line and in compositional sync. There's a limited amount you can do with a locked stereo mix of a score, but having the raw score in sync and modularized means you can shuffle and scramble the whole arrangement at will with no effort to speak of. It's simply a great, no-brainer asset Producer Planet chose to throw away simply by not including the Rosetta Stone of the score, the key to immediately assemble the score box of parts into an actual score, the Acid project file used to present the allegedly final product in preview. And I agree with you, they've never thought of this apparently because they've set their market for folks like you, who don't know what I'm even talking about at this point.
In any case the SCORE with WORDS in it that I wanted to buy was not in the SONGS collection. (Which is pretty lame in good part.) In fact, I bought three or four packages of "scores" with and without lyrics, and paid commercial rights to use them, based on the general mood and theme of each heard in preview. While not worthless, trying to re-create the effect assembled in the audio previews in Acid (or any number of other DAWs) without a project file is almost as much work as just hand-recording a totally original score in Mixcraft, Acid, or Vegas, (in my case) using MIDI and virtual instruments--the very thing buying a SCORE is supposed to alleviate.
Also, have YOU actually bought a SONG, and if so, are they just a stereo mix of a single unbroken sample, as they appear to be, or are they, as I describe, broken down into components and come with a project file to assemble them? Because the SONGS link seems to be just one-shot stereo files, even though, in that category you will still find listed "scores." As I say, decades ago you've go buy a "needle drop" and come back with a tape of an orchestra or whatever, but that's stone age technology and a stone age approach, though far better in some ways than to a grab bag of random samples and play a musical game of Tetris. At least you'd be coming back with the themes you heard at the sound licensing house and could splice and dice a bit to customize.
For what it's worth, my main interest at the moment is video/film, I just paid 299.00 US to upgrade from Vegas 11 Pro (which worked flawlessly on my machine) to 16 Pro, specifically to get better video tricks. When that didn't really work well with my gear, I took a shot and upgraded for another 199.00 US to 17 Pro, which unfortunately fixed none of the quirks, failures, lockups and crashes, mostly related to any of the really neat "improvements" in video fx I was promised, and on top of that I just underwent a "major update" of some 697 megs that probably replaced the whole program, and that did nothing. I also upgraded to Acid 9 Pro for another 160.00 US (which I had to unlock the hidden system files to find and execute the update download because Vegas wouldn't let it run automatically) even though I don't use it much any more but thank God, that at least seems to still be fully functional. My next step seems to be laying out another two or three grand on a fully compatible GPU and other hardware, in a new system, if I expect to run this software.
In summary, over the last ten years I have about 1500.00 US invested in Sonic Foundry/Sony/Magix software centered primarily around audio recording/mixing, and film/video editing. 90 bucks to test out three PP "scores" in my latest project is a drop in the bucket. I can afford to buy loop packs all over that web site without looking close at what I buy if I feel like it. Don't lose any sleep over it mate. The sad thing is they've got some great product, I really like the "scores" I bought, but there's really no excuse not to include the Acid project files that actually assemble the product into exactly what I listened to and thought I was buying. Somebody really ought to pass this info on to PP, because they're really missing a trick. 152ee80cbc
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